-- Table structure for table `projectslib_categories`
--

CREATE TABLE `projectslib_categories` (
  `spec_id` smallint(5) UNSIGNED NOT NULL,
  `parent_id` smallint(5) UNSIGNED NOT NULL,
  `spec` varchar(32) NOT NULL,
  `lft` smallint(5) UNSIGNED NOT NULL,
  `rgt` smallint(10) UNSIGNED NOT NULL
) ENGINE=InnoDB DEFAULT CHARSET=utf8;

--
-- Dumping data for table `projectslib_categories`
--

INSERT INTO `projectslib_categories` (`spec_id`, `parent_id`, `spec`, `lft`, `rgt`) VALUES
(1, 0, 'Classification', 1, 244),
(2, 1, 'Location', 2, 21),
(3, 1, 'Light Source', 22, 39),
(4, 1, 'Luminaire Type', 40, 59),
(5, 1, 'Project Type', 60, 105),
(6, 1, 'Manufacturers', 106, 243),
(7, 2, 'North America', 3, 4),
(8, 2, 'Europe', 5, 6),
(9, 2, 'Asia', 7, 8),
(10, 2, 'USA', 9, 10),
(11, 2, 'Australia', 11, 12),
(14, 4, 'Flood lighting', 41, 42),
(16, 4, 'General Lighting', 43, 44),
(17, 4, 'Accent Lighting', 45, 46),
(18, 5, 'Commercial', 61, 62),
(19, 5, 'Hospitality', 63, 64),
(20, 5, 'Roadways', 65, 66),
(21, 5, 'Residential', 67, 68),
(22, 5, 'Industrial', 69, 70),
(23, 5, 'Transportation', 71, 72),
(24, 5, 'Healthcare', 73, 74),
(25, 5, 'Landscape', 75, 76),
(26, 5, 'Water features', 77, 78),
(27, 6, 'Traxon Technologies', 107, 108),
(28, 6, 'Lumenpulse', 109, 110),
(29, 2, 'South America', 13, 14),
(30, 2, 'Africa', 15, 16),
(33, 5, 'Museums', 79, 80),
(34, 5, 'Retail', 81, 82),
(35, 4, 'Media Display', 47, 48),
(37, 5, 'Public', 83, 84),
(38, 5, 'Sports', 85, 86),
(39, 5, 'Religious', 87, 88),
(40, 6, 'BEGA', 111, 112),
(41, 4, 'Area Lighting', 49, 50),
(42, 5, 'Administrative', 89, 90),
(44, 6, 'Edge Lighting', 113, 114),
(45, 6, 'Focal Point Lights', 115, 116),
(46, 6, 'Element Lighting', 117, 118),
(47, 3, 'LED White', 23, 24),
(48, 3, 'LED Dinamic White', 25, 26),
(49, 3, 'LED RGB', 27, 28),
(50, 3, 'OLED', 29, 30),
(51, 5, 'Parking Lighting', 91, 92),
(52, 5, 'Facade', 93, 94),
(53, 5, 'Art Installations', 95, 96),
(54, 5, 'Monuments', 97, 98),
(55, 2, 'Canada', 17, 18),
(56, 3, 'Fluorescent', 31, 32),
(57, 3, 'HID', 33, 34),
(58, 3, 'Incandescent', 35, 36),
(59, 3, 'Induction', 37, 38),
(60, 4, 'Decorative', 51, 52),
(62, 6, 'ERCO', 119, 120),
(63, 4, 'Wallwasher', 53, 54),
(64, 6, 'Delta Light', 121, 122),
(65, 6, 'iGuzzini', 123, 124),
(66, 6, 'Targetti', 125, 126),
(67, 6, 'USAI Lighting', 127, 128),
(68, 6, 'We-ef Lighting', 129, 130),
(69, 6, 'Precision Lighting', 131, 132),
(70, 6, 'Hacel', 133, 134),
(74, 6, 'Fagerhult', 135, 136),
(76, 6, 'ateljé Lyktan', 137, 138),
(77, 6, 'ADO Lights', 139, 140),
(78, 6, 'ROXO Lighting', 141, 142),
(79, 6, 'Swarovski', 143, 144),
(80, 6, 'Buzzi Space', 145, 146),
(81, 6, 'Artemide', 147, 148),
(82, 5, 'Culture', 99, 100),
(83, 6, 'Axolight', 149, 150),
(84, 6, 'Hoffmeister', 151, 152),
(85, 6, 'Davide Groppi', 153, 154),
(86, 6, 'Intra Lighting', 155, 156),
(87, 5, 'Office', 101, 102),
(88, 4, 'Inground', 55, 56),
(89, 5, 'Education', 103, 104),
(90, 6, 'Wayson Lighting', 157, 158),
(91, 6, 'acdc', 159, 160),
(92, 6, 'Philips', 161, 162),
(93, 2, 'New Zealand', 19, 20),
(94, 6, 'Zumtobel', 163, 164),
(95, 6, 'Reggiani', 165, 166),
(96, 6, 'BUZZI & BUZZI', 167, 168),
(97, 6, 'Sattler', 169, 170),
(98, 6, 'Louis Poulsen', 171, 172),
(99, 6, 'Waldmann', 173, 174),
(100, 6, 'GVA Lighting', 175, 176),
(101, 6, 'Lucent Lighting', 177, 178),
(102, 6, 'Aurora Lighting Group', 179, 180),
(103, 6, 'Linea Light', 181, 182),
(104, 6, 'Preciosa Lighting', 183, 184),
(105, 6, 'Catellani & Smith', 185, 186),
(106, 6, 'LASVIT', 187, 188),
(107, 6, 'ES-SYSTEM', 189, 190),
(108, 6, 'LEDS-C4', 191, 192),
(109, 6, 'Innermost', 193, 194),
(110, 6, 'Luce&Light', 195, 196),
(111, 4, 'Pedestrian Lighting', 57, 58),
(112, 6, 'Ingo Maurer', 197, 198),
(113, 6, 'SLAMP', 199, 200),
(114, 6, 'Schréder', 201, 202),
(115, 6, 'O/M Light', 203, 204),
(116, 6, 'Crenshaw Lighting', 205, 206),
(117, 6, 'COOLEDGE', 207, 208),
(118, 6, 'Arturo Alvarez', 209, 210),
(119, 6, 'Studio Italia Design', 211, 212),
(120, 6, 'David Trubridge', 213, 214),
(121, 6, 'Landscape Forms', 215, 216),
(122, 6, 'Performance iN Lighting', 217, 218),
(123, 6, 'Flos', 219, 220),
(124, 6, 'Oty Light', 221, 222),
(125, 6, 'Trilux', 223, 224),
(126, 6, 'Henge', 225, 226),
(127, 6, 'kreon', 227, 228),
(128, 6, 'Fabbian', 229, 230),
(129, 6, 'Vibia', 231, 232),
(130, 6, 'Selux', 233, 234),
(131, 6, 'Arancia', 235, 236),
(132, 6, 'Birchwood Lighting', 237, 238),
(133, 6, 'Insight Lighting', 239, 240),
(134, 6, 'Wever & Ducré', 241, 242);

-- --------------------------------------------------------

--
-- Table structure for table `projectslib_classification`
--

CREATE TABLE `projectslib_classification` (
  `projectslib_id` mediumint(8) UNSIGNED NOT NULL,
  `active` tinyint(3) UNSIGNED NOT NULL,
  `location` smallint(5) UNSIGNED NOT NULL,
  `category` smallint(5) UNSIGNED NOT NULL,
  `luminaire_type` smallint(5) UNSIGNED NOT NULL,
  `project_type` smallint(5) UNSIGNED NOT NULL,
  `manufacturer` smallint(5) UNSIGNED NOT NULL
) ENGINE=InnoDB DEFAULT CHARSET=utf8;

--
-- Dumping data for table `projectslib_classification`
--

INSERT INTO `projectslib_classification` (`projectslib_id`, `active`, `location`, `category`, `luminaire_type`, `project_type`, `manufacturer`) VALUES
(7, 1, 8, 49, 35, 34, 27),
(8, 1, 10, 47, 17, 24, 28),
(9, 1, 55, 49, 14, 52, 28),
(10, 1, 55, 47, 16, 19, 28),
(11, 1, 10, 47, 16, 33, 28),
(12, 1, 10, 49, 35, 19, 27),
(13, 1, 8, 47, 17, 34, 27),
(14, 1, 29, 49, 17, 52, 27),
(15, 1, 8, 49, 17, 53, 27),
(16, 1, 10, 49, 17, 18, 27),
(17, 1, 8, 49, 17, 34, 27),
(18, 1, 7, 49, 17, 19, 27),
(19, 1, 8, 49, 35, 18, 27),
(20, 1, 29, 49, 17, 23, 27),
(21, 1, 8, 49, 17, 53, 27),
(22, 1, 9, 49, 35, 34, 27),
(23, 1, 8, 49, 17, 34, 27),
(24, 1, 8, 49, 17, 53, 27),
(25, 1, 10, 49, 17, 19, 27),
(26, 1, 29, 49, 14, 54, 27),
(27, 1, 10, 49, 17, 24, 28),
(28, 1, 55, 49, 14, 33, 28),
(29, 1, 55, 49, 14, 38, 28),
(30, 1, 10, 47, 14, 39, 28),
(31, 1, 10, 49, 14, 52, 28),
(32, 1, 55, 49, 17, 52, 28),
(33, 1, 8, 47, 16, 34, 28),
(34, 1, 10, 47, 14, 52, 28),
(36, 0, 10, 47, 41, 51, 40),
(37, 1, 10, 49, 17, 21, 44),
(38, 1, 10, 49, 17, 34, 44),
(39, 1, 10, 47, 16, 18, 44),
(40, 1, 10, 47, 16, 18, 44),
(41, 1, 10, 47, 16, 18, 45),
(42, 1, 10, 47, 16, 18, 45),
(43, 1, 10, 47, 16, 34, 46),
(44, 1, 10, 47, 16, 21, 46),
(45, 1, 10, 47, 16, 18, 46),
(47, 1, 10, 49, 17, 24, 27),
(48, 0, 7, 47, 16, 18, 40),
(51, 1, 55, 48, 17, 23, 28),
(52, 1, 8, 48, 14, 38, 28),
(53, 1, 10, 48, 17, 53, 28),
(54, 0, 55, 49, 16, 37, 28),
(55, 1, 55, 47, 16, 34, 28),
(56, 1, 8, 47, 17, 34, 27),
(57, 0, 8, 47, 16, 34, 28),
(58, 0, 55, 47, 16, 34, 28),
(59, 0, 8, 47, 17, 34, 28),
(60, 0, 55, 47, 17, 18, 28),
(61, 0, 8, 47, 63, 53, 62),
(62, 0, 8, 47, 63, 53, 62),
(63, 1, 10, 47, 17, 34, 64),
(64, 1, 8, 47, 17, 21, 64),
(65, 1, 10, 49, 60, 34, 27),
(66, 1, 8, 49, 60, 19, 27),
(67, 0, 8, 49, 60, 19, 27),
(68, 1, 8, 49, 60, 52, 65),
(69, 1, 8, 48, 17, 39, 65),
(70, 1, 8, 47, 16, 39, 65),
(71, 1, 8, 47, 16, 34, 65),
(72, 1, 10, 49, 17, 18, 66),
(73, 1, 9, 49, 17, 19, 66),
(74, 1, 10, 49, 17, 34, 66),
(75, 1, 10, 47, 17, 53, 67),
(76, 1, 10, 47, 17, 37, 67),
(77, 1, 10, 47, 17, 18, 67),
(78, 1, 8, 47, 41, 21, 68),
(79, 1, 11, 47, 41, 37, 68),
(80, 1, 8, 47, 17, 18, 68),
(81, 1, 11, 47, 41, 18, 68),
(82, 1, 8, 47, 17, 33, 69),
(83, 1, 8, 47, 17, 34, 62),
(84, 1, 8, 47, 17, 18, 62),
(85, 1, 8, 47, 16, 33, 76),
(86, 1, 8, 47, 17, 42, 78),
(87, 1, 8, 47, 16, 18, 80),
(88, 1, 8, 47, 16, 82, 81),
(89, 1, 8, 47, 16, 19, 81),
(90, 1, 8, 47, 16, 19, 83),
(91, 1, 8, 47, 16, 42, 84),
(92, 1, 8, 47, 17, 19, 85),
(93, 1, 10, 47, 60, 21, 85),
(94, 1, 8, 47, 16, 33, 65),
(95, 1, 8, 47, 16, 18, 65),
(96, 1, 8, 47, 41, 82, 65),
(97, 1, 8, 47, 16, 87, 86),
(98, 1, 8, 47, 88, 52, 68),
(99, 1, 11, 47, 41, 89, 68),
(100, 1, 9, 47, 16, 23, 90),
(101, 1, 8, 47, 17, 52, 91),
(102, 1, 8, 47, 16, 39, 91),
(103, 1, 55, 47, 14, 42, 28),
(104, 1, 93, 49, 17, 26, 92),
(105, 1, 8, 48, 16, 21, 92),
(106, 1, 8, 47, 16, 82, 94),
(107, 1, 8, 47, 16, 89, 94),
(108, 1, 8, 47, 16, 19, 95),
(109, 1, 8, 47, 16, 37, 95),
(110, 1, 8, 47, 16, 19, 96),
(111, 1, 8, 47, 16, 87, 97),
(112, 1, 8, 47, 16, 37, 98),
(113, 1, 8, 47, 16, 19, 98),
(114, 1, 8, 47, 16, 87, 99),
(115, 1, 8, 47, 16, 87, 99),
(116, 1, 9, 47, 16, 19, 95),
(117, 1, 8, 47, 16, 39, 95),
(118, 1, 8, 47, 17, 20, 100),
(119, 1, 55, 49, 17, 52, 100),
(120, 1, 8, 47, 16, 19, 101),
(121, 1, 8, 49, 35, 34, 102),
(122, 1, 8, 47, 17, 52, 28),
(123, 1, 8, 47, 16, 19, 103),
(124, 1, 9, 47, 16, 19, 104),
(125, 1, 9, 47, 16, 19, 104),
(126, 1, 8, 47, 16, 19, 105),
(127, 1, 9, 47, 60, 82, 106),
(128, 1, 8, 47, 16, 33, 64),
(129, 1, 9, 47, 60, 37, 106),
(130, 1, 8, 47, 17, 82, 107),
(131, 1, 8, 47, 16, 82, 107),
(132, 1, 8, 47, 16, 19, 108),
(133, 1, 30, 47, 16, 39, 108),
(134, 1, 11, 47, 17, 34, 108),
(135, 1, 8, 47, 16, 82, 62),
(136, 1, 8, 47, 111, 89, 110),
(137, 1, 8, 47, 111, 37, 110),
(138, 1, 8, 47, 111, 21, 110),
(139, 1, 8, 47, 35, 53, 112),
(140, 1, 8, 47, 16, 21, 113),
(141, 1, 8, 47, 16, 19, 113),
(142, 1, 8, 47, 41, 37, 114),
(143, 1, 8, 47, 111, 37, 114),
(144, 1, 8, 47, 111, 20, 114),
(145, 1, 8, 47, 41, 89, 114),
(146, 1, 8, 47, 41, 37, 114),
(147, 1, 9, 47, 17, 87, 115),
(148, 1, 10, 47, 16, 19, 116),
(149, 1, 29, 47, 16, 19, 116),
(150, 1, 10, 47, 16, 18, 117),
(151, 1, 10, 47, 16, 34, 117),
(152, 1, 7, 47, 16, 18, 117),
(153, 1, 8, 47, 16, 19, 118),
(154, 1, 8, 47, 16, 19, 119),
(155, 1, 8, 47, 16, 21, 119),
(156, 1, 93, 47, 16, 21, 120),
(157, 1, 93, 47, 16, 21, 120),
(158, 1, 10, 47, 41, 37, 121),
(159, 1, 8, 47, 111, 87, 122),
(160, 1, 8, 47, 17, 19, 103),
(161, 1, 8, 47, 16, 21, 123),
(162, 1, 8, 47, 16, 21, 124),
(163, 1, 8, 47, 16, 21, 124),
(164, 1, 8, 47, 16, 22, 86),
(165, 1, 11, 47, 16, 87, 86),
(166, 1, 8, 47, 16, 37, 86),
(167, 1, 8, 47, 16, 19, 86),
(168, 1, 8, 47, 16, 21, 125),
(169, 1, 8, 47, 16, 89, 125),
(170, 1, 8, 47, 16, 89, 125),
(171, 1, 10, 47, 111, 37, 121),
(172, 1, 10, 47, 41, 89, 121),
(173, 1, 8, 47, 16, 87, 81),
(174, 1, 10, 47, 16, 19, 81),
(175, 1, 8, 47, 16, 87, 81),
(176, 1, 8, 47, 16, 34, 81),
(177, 1, 8, 47, 16, 19, 65),
(178, 1, 8, 47, 16, 37, 65),
(179, 1, 8, 47, 17, 52, 65),
(180, 1, 8, 47, 17, 33, 65),
(181, 1, 8, 47, 16, 87, 64),
(182, 1, 8, 47, 16, 89, 64),
(183, 1, 10, 47, 16, 21, 126),
(184, 1, 10, 47, 17, 53, 127),
(185, 1, 8, 47, 16, 19, 85),
(186, 1, 8, 47, 16, 19, 83),
(187, 1, 8, 47, 16, 21, 83),
(188, 1, 7, 47, 16, 19, 83),
(189, 1, 9, 47, 16, 19, 128),
(190, 1, 8, 47, 16, 19, 105),
(191, 1, 8, 47, 16, 19, 129),
(192, 1, 8, 47, 16, 87, 129),
(193, 1, 9, 47, 16, 21, 129),
(194, 1, 9, 47, 60, 19, 106),
(195, 1, 9, 47, 60, 19, 106),
(196, 1, 8, 47, 16, 87, 130),
(197, 1, 8, 47, 16, 89, 130),
(198, 1, 8, 47, 16, 24, 130),
(199, 1, 55, 47, 16, 87, 131),
(200, 1, 55, 47, 16, 87, 131),
(201, 1, 55, 47, 16, 87, 131),
(202, 1, 10, 47, 16, 38, 132),
(203, 1, 10, 47, 16, 87, 45),
(204, 1, 10, 47, 16, 87, 45),
(205, 1, 10, 47, 16, 87, 45),
(206, 1, 10, 49, 16, 37, 133),
(207, 1, 10, 47, 16, 82, 133),
(208, 1, 8, 49, 16, 37, 81),
(209, 1, 8, 47, 16, 19, 83),
(210, 1, 8, 47, 17, 52, 65),
(211, 1, 8, 47, 17, 37, 65),
(212, 1, 55, 47, 111, 37, 40),
(213, 1, 8, 47, 16, 87, 134),
(214, 1, 9, 47, 17, 39, 40),
(215, 1, 8, 49, 14, 37, 28),
(217, 1, 8, 49, 17, 23, 28);

-- --------------------------------------------------------

--
-- Table structure for table `projectslib_families`
--

CREATE TABLE `projectslib_families` (
  `id` int(10) UNSIGNED NOT NULL,
  `projectslib_id` mediumint(8) UNSIGNED NOT NULL,
  `family_code` varchar(64) NOT NULL
) ENGINE=InnoDB DEFAULT CHARSET=utf8;

--
-- Dumping data for table `projectslib_families`
--

INSERT INTO `projectslib_families` (`id`, `projectslib_id`, `family_code`) VALUES
(67, 29, 'LMP_LBX'),
(127, 36, 'BGA_88977'),
(51, 37, 'EDG_SS3-RGB'),
(52, 38, 'EDG_SS3-RGB'),
(42, 39, 'EDG_jbox'),
(43, 40, 'EDG_jbox'),
(59, 41, 'FOP_FSM2LS-FL'),
(60, 42, 'FOP_FLC44D'),
(61, 43, 'ELM_E3R-F-B'),
(62, 43, 'ELM_E3R-F-F'),
(63, 43, 'ELM_E3R-L-B'),
(53, 44, 'ELM_E3R-F-B'),
(54, 44, 'ELM_E3R-F-F'),
(55, 44, 'ELM_E3R-L-B'),
(56, 45, 'ELM_E3R-F-B'),
(57, 45, 'ELM_E3R-F-F'),
(58, 45, 'ELM_E3R-L-B'),
(65, 47, 'TRX_16PXL'),
(73, 51, 'LMP_LBX-DWH'),
(74, 52, 'LMP_LBX-DWH'),
(94, 53, 'LMP_LBX-DWH'),
(134, 54, 'LMP_LBLP-CC'),
(78, 55, 'LMP_LAMC3'),
(85, 56, 'LMP_LAMC1'),
(84, 56, 'LMP_LAMC3'),
(129, 57, 'LMP_LAMC3'),
(131, 58, 'LMP_LAMC1'),
(130, 58, 'LMP_LAMC3'),
(93, 59, 'LMP_LAMC1'),
(92, 60, 'LMP_LAMC1'),
(128, 61, 'ERC_Pantrac-5733'),
(132, 62, 'ERC_Pantrac-5733'),
(122, 63, 'DLT_6274882515ADED1'),
(124, 63, 'DLT_6274882515ADED8'),
(123, 63, 'DLT_6274883224ADED8'),
(114, 64, 'DLT_6274882515ADED1'),
(116, 64, 'DLT_6274882515ADED8'),
(115, 64, 'DLT_6274883224ADED8'),
(125, 65, 'TRX_16PXL'),
(126, 66, 'TRX_16PXL'),
(135, 67, 'TRX_16PXL'),
(136, 68, 'IGZ_SB-16'),
(137, 68, 'IGZ_TB-16'),
(139, 69, 'IGZ_I-MQ/I-MU'),
(138, 69, 'IGZ_I-MXJ0'),
(140, 69, 'IGZ_LB'),
(142, 71, 'IGZ_I-ADR'),
(147, 72, 'TRG_CCM-A'),
(146, 72, 'TRG_CCM-F'),
(145, 72, 'TRG_CCM-F-II'),
(148, 72, 'TRG_CCM-I'),
(144, 72, 'TRG_DL'),
(143, 72, 'TRG_DL-ES'),
(153, 73, 'TRG_CCM-A'),
(152, 73, 'TRG_CCM-F'),
(151, 73, 'TRG_CCM-F-II'),
(154, 73, 'TRG_CCM-I'),
(150, 73, 'TRG_DL'),
(149, 73, 'TRG_DL-ES'),
(159, 74, 'TRG_CCM-A'),
(158, 74, 'TRG_CCM-F'),
(157, 74, 'TRG_CCM-F-II'),
(160, 74, 'TRG_CCM-I'),
(156, 74, 'TRG_DL'),
(155, 74, 'TRG_DL-ES'),
(161, 74, 'TRG_DRL'),
(175, 75, 'USA_2331'),
(174, 75, 'USA_3021'),
(176, 75, 'WEF_111-0188'),
(165, 76, 'USA_1020'),
(164, 76, 'USA_3021'),
(167, 76, 'USA_LN10RAT/LN10RAL'),
(166, 76, 'USA_LN10RDT/LN10RDL'),
(169, 77, 'USA_2331'),
(168, 77, 'USA_3021'),
(170, 77, 'USA_32312'),
(172, 78, 'WEF_105-0076'),
(171, 78, 'WEF_115-0172'),
(173, 78, 'WEF_185-2658'),
(177, 79, 'WEF_108-1500'),
(178, 79, 'WEF_108-1552'),
(179, 81, 'WEF_111-0188'),
(180, 81, 'WEF_111-0403'),
(182, 94, 'IGZ_I-MR98'),
(181, 94, 'IGZ_I-MXJ0'),
(183, 119, 'GVA_LIRA-RBGW'),
(188, 191, 'VBA_0003'),
(186, 192, 'VBA_0537'),
(187, 192, 'VBA_0538'),
(184, 192, 'VBA_2330'),
(185, 192, 'VBA_2340'),
(190, 193, 'VBA_2151'),
(189, 193, 'VBA_5350/5351/5355/5356/5360/5361/5365'),
(191, 199, 'ARA_R39082'),
(192, 199, 'ARA_R39282'),
(194, 201, 'ARA_C91'),
(195, 202, 'BWD_JAKE-LED'),
(196, 202, 'BWD_KEL-LED'),
(197, 203, 'FOP_FSM4L-FL/SR/SRXP Старое'),
(198, 204, 'FOP_FTHPL'),
(199, 205, 'FOP_FSM4LS Старое'),
(200, 206, 'INS_PRD17'),
(206, 207, 'INS_PLC'),
(207, 209, 'AXL_USHOOPS6'),
(208, 211, 'IGZ_SB-10'),
(209, 211, 'IGZ_SB-16'),
(210, 211, 'IGZ_TB-16');

-- --------------------------------------------------------

--
-- Table structure for table `projectslib_images`
--

CREATE TABLE `projectslib_images` (
  `image_id` int(10) UNSIGNED NOT NULL,
  `projectslib_id` mediumint(8) UNSIGNED NOT NULL,
  `img_src` varchar(255) NOT NULL,
  `alt_name` varchar(255) NOT NULL,
  `img_subtitle` varchar(255) NOT NULL
) ENGINE=InnoDB DEFAULT CHARSET=utf8;

--
-- Dumping data for table `projectslib_images`
--

INSERT INTO `projectslib_images` (`image_id`, `projectslib_id`, `img_src`, `alt_name`, `img_subtitle`) VALUES
(476, 39, 'Edge_Lighting_merch_mart_11.jpg', 'Cirrus Channel D1 installation.', 'Cirrus Channel D1 installation.'),
(477, 40, 'Edge_Lighting_cirrus_channel_d1_install_08.jpg', 'Cirrus Channel D1 installation.', 'Cirrus Channel D1 installation.'),
(483, 37, 'Edge_Lighting_ss3_soft_strip_rgb_install_07.jpg', 'SS3 soft strip. cove lighting', 'SS3 soft strip. cove lighting'),
(484, 38, 'Edge_Lighting_soft_strip_3w_12v_install2.jpg', 'SS3 RGB Installation', 'SS3 RGB Installation'),
(485, 44, 'Element_Lighting_CherryWoodKitchen1.jpg', 'Adjustable LED downlight installation.', 'Adjustable LED downlight installation.'),
(486, 45, 'Element_Lighting_EmpireStateOffice1.jpg', 'Adjustable LED downlight installation.', 'Adjustable LED downlight installation.'),
(487, 41, 'Focal_Point_FSM2LS_criteo_01.jpg', 'Seem 2 LED Suspended', 'Seem 2 LED Suspended'),
(488, 42, 'Focal_Point_FLC44_salesforce.jpg', 'Salesforce, San Francisco, California', 'Salesforce, San Francisco, California'),
(513, 7, 'TRX001_Kamppi_Shopping_Mall_01.jpg', 'Kamppi Shopping Mall', 'Kamppi Shopping Mall'),
(514, 7, 'TRX001_Kamppi_Shopping_Mall_02.jpg', 'Kamppi Shopping Mall', 'Kamppi Shopping Mall'),
(515, 7, 'TRX001_Mirror_64PXL.jpg', 'Mirror 64PXL Wash panels', 'Mirror 64PXL Wash panels'),
(516, 7, 'TRX001_Mirror_64PXL_m.jpg', 'Mirror 64PXL Wash panels', 'Mirror 64PXL Wash panels'),
(517, 12, 'TRX002_David_H_Koch_Theater_Lincoln_Center_01.jpg', 'David H. Koch Theater. Lincoln Center', 'David H. Koch Theater. Lincoln Center'),
(518, 12, 'TRX002_David_H_Koch_Theater_Lincoln_Center_02.jpg', 'David H. Koch Theater. Lincoln Center', 'David H. Koch Theater. Lincoln Center'),
(519, 12, 'TRX002_1PXL.jpg', '', ''),
(520, 13, 'TRX003_Nova_Eventis_Shopping_Mall_01.jpg', 'Nova Eventis Shopping Mall', 'Nova Eventis Shopping Mall'),
(521, 13, 'TRX003_Nova_Eventis_Shopping_Mall_02.jpg', 'Nova Eventis Shopping Mall', 'Nova Eventis Shopping Mall'),
(522, 14, 'TRX004_Cronos_01.jpg', 'Cronos', 'Cronos'),
(523, 15, 'TRX005_Cube_Chandelier-Zwolle_01.jpg', 'Cube Chandelier-Zwolle', 'Cube Chandelier-Zwolle'),
(524, 16, 'TRX006_Lutron_Showroom_01.jpg', 'Lutron Showroom', 'Lutron Showroom'),
(525, 17, 'TRX007_ESPRIT_Flagship_Store_01.jpg', 'ESPRIT Flagship Store', 'ESPRIT Flagship Store'),
(527, 18, 'TRX008_CRUSH_Teen_Club_at_Atlantis_01.jpg', 'CRUSH Teen Club at Atlantis', 'CRUSH Teen Club at Atlantis'),
(528, 19, 'TRX009_Euratechnologies_01.jpg', 'Euratechnologies', 'Euratechnologies'),
(529, 19, 'TRX009_Euratechnologies_02.jpg', 'Euratechnologies', 'Euratechnologies'),
(530, 20, 'TRX010_Los_Libertadores_Bridge_01.jpg', 'Los Libertadores Bridge', 'Los Libertadores Bridge'),
(531, 21, 'TRX011_Project_Hope_01.jpg', 'Project Hope', 'Project Hope'),
(532, 22, 'TRX012_Sephora_Qianmen_Flagship_Store_01.jpg', 'Sephora Qianmen Flagship Store', 'Sephora Qianmen Flagship Store'),
(533, 23, 'TRX013_La_Geode_Entrance_01.jpg', 'La Geode Entrance', 'La Geode Entrance'),
(534, 24, 'TRX014_OVO_01.jpg', 'OVO', 'OVO'),
(535, 24, 'TRX014_OVO_02.jpg', 'OVO', 'OVO'),
(536, 25, 'TRX015_Roka_Akor_01.jpg', 'Roka Akor', 'Roka Akor'),
(537, 25, 'TRX015_Roka_Akor_02.jpg', 'Roka Akor', 'Roka Akor'),
(538, 26, 'TRX016_Christ_the_Redeemer_Monument_01.jpg', 'Christ the Redeemer Monument', 'Christ the Redeemer Monument'),
(539, 26, 'TRX016_Christ_the_Redeemer_Monument_02.jpg', 'Christ the Redeemer Monument', 'Christ the Redeemer Monument'),
(542, 43, 'Element_Lighting_element_square_sl_hires.jpg', 'Element Lighting Applications', 'Element Lighting Applications'),
(545, 47, 'Nemours_Children_Hospital.jpg', 'Nemours Children’s Hospital - Orlando, FL', 'Nemours Children’s Hospital - Orlando, FL'),
(548, 10, 'LMP007_The_Casino_de_Montreal_01.jpg', 'The Casino de Montreal', 'The Casino de Montreal'),
(551, 31, 'LMP009_230_Park_Avenue_01.jpg', '230 Park Avenue', '230 Park Avenue'),
(552, 31, 'LMP009_230_Park_Avenue_02.jpg', '230 Park Avenue', '230 Park Avenue'),
(553, 8, 'LMP002_Yale-New_Haven_Hospital_Atrium_01.jpg', 'Yale-New Haven Hospital Atrium', 'Yale-New Haven Hospital Atrium'),
(554, 28, 'LMP003_Montreal_Museum_of_Contemporary_Art_01.jpg', 'Montreal Museum of Contemporary Art', 'Montreal Museum of Contemporary Art'),
(555, 28, 'LMP003_Montreal_Museum_of_Contemporary_Art_02.jpg', 'Montreal Museum of Contemporary Art', 'Montreal Museum of Contemporary Art'),
(556, 29, 'LMP004_BC_Place_01.jpg', 'BC Place', 'BC Place'),
(557, 29, 'LMP004_BC_Place_01.jpg', 'BC Place', 'BC Place'),
(558, 30, 'LMP005_St_John_the_Evangelist_Church_01.jpg', 'St. John the Evangelist Church', 'St. John the Evangelist Church'),
(559, 9, 'LMP006_Pacific_Centre_01.jpg', 'Pacific Centre', 'Pacific Centre'),
(560, 33, 'LMP011_Pandora_Jewelry_01.jpg', 'Pandora Jewelry', 'Pandora Jewelry'),
(561, 33, 'LMP011_Pandora_Jewelry_02.jpg', 'Pandora Jewelry', 'Pandora Jewelry'),
(562, 34, 'LMP012_Latham_Hotel_01.jpg', 'Latham Hotel', 'Latham Hotel'),
(563, 34, 'LMP012_Latham_Hotel_01.jpg', 'Latham Hotel', 'Latham Hotel'),
(564, 32, 'LMP010_Telus_World_of_Science_01.jpg', 'Telus World of Science', 'Telus World of Science'),
(565, 11, 'LMP008_Saint_Louis_Art_Museum_01.jpg', 'Saint Louis Art Museum', 'Saint Louis Art Museum'),
(566, 11, 'LMP008_Saint_Louis_Art_Museum_02.jpg', 'Saint Louis Art Museum', 'Saint Louis Art Museum'),
(567, 27, 'LMP001_Banner_MD_Anderson_Cancer_Center_01.jpg', 'Banner MD Anderson Cancer Center', 'Banner MD Anderson Cancer Center'),
(572, 51, 'LMP_Jacques_Cartier_Bridge_Lumenbeam_LBX_DWH_01.jpg', 'Lumenpulse.Jacques-Cartier Bridge.Lumenbeam LBX DWH', 'Lumenpulse.Jacques-Cartier Bridge.Lumenbeam LBX DWH'),
(573, 51, 'LMP_Jacques_Cartier_Bridge_Lumenbeam_LBX_DWH_02.jpg', 'Lumenpulse.Jacques-Cartier Bridge.Lumenbeam LBX DWH', 'Lumenpulse.Jacques-Cartier Bridge.Lumenbeam LBX DWH'),
(574, 51, 'LMP_Jacques_Cartier_Bridge_Lumenbeam_LBX_DWH_03.jpg', 'Lumenpulse.Jacques-Cartier Bridge.Lumenbeam LBX DWH', 'Lumenpulse.Jacques-Cartier Bridge.Lumenbeam LBX DWH'),
(575, 52, 'LMP_Are_Ski_Resort_Lumenbeam_LBX_DWH_01.jpg', 'Lumenpulse.Åre Ski Resort.Lumenbeam LBX DWH', 'Lumenpulse.Åre Ski Resort.Lumenbeam LBX DWH'),
(576, 52, 'LMP_Are_Ski_Resort_Lumenbeam_LBX_DWH_02.jpg', 'Lumenpulse.Åre Ski Resort.Lumenbeam LBX DWH', 'Lumenpulse.Åre Ski Resort.Lumenbeam LBX DWH'),
(577, 52, 'LMP_Are_Ski_Resort_Lumenbeam_LBX_DWH_03.jpg', 'Lumenpulse.Åre Ski Resort.Lumenbeam LBX DWH', 'Lumenpulse.Åre Ski Resort.Lumenbeam LBX DWH'),
(583, 55, 'LMP_Duty_Free_Boutiques_LAMC3_01.jpg', 'Lumenpulse.Duty-Free Boutiques.LAMC3', 'Lumenpulse.Duty-Free Boutiques.LAMC3'),
(584, 55, 'LMP_Duty_Free_Boutiques_LAMC3_02.jpg', 'Lumenpulse.Duty-Free Boutiques.LAMC3', 'Lumenpulse.Duty-Free Boutiques.LAMC3'),
(585, 55, 'LMP_Duty_Free_Boutiques_LAMC3_03.jpg', 'Lumenpulse.Duty-Free Boutiques.LAMC3', 'Lumenpulse.Duty-Free Boutiques.LAMC3'),
(599, 56, 'LMP_BMW_Rome_LAMC3_01.jpg', 'Lumenpulse.BMW Rome.LAMC3', 'Lumenpulse.BMW Rome.LAMC3'),
(600, 56, 'LMP_BMW_Rome_LAMC3_02.jpg', 'Lumenpulse.BMW Rome.LAMC3', 'Lumenpulse.BMW Rome.LAMC3'),
(609, 60, 'LMP_BMO_Capital_Markets_LAMC1_01.jpg', 'Lumenpulse.BMO Capital Markets.LAMC1', 'Lumenpulse.BMO Capital Markets.LAMC1'),
(610, 60, 'LMP_BMO_Capital_Markets_LAMC1_02.jpg', 'Lumenpulse.BMO Capital Markets.LAMC1', 'Lumenpulse.BMO Capital Markets.LAMC1'),
(611, 59, 'LMP_Jollys_House_Fraser_LAMC1_01.jpg', 'Lumenpulse.Jolly\'s House of Fraser.LAMC1', 'Lumenpulse.Jolly\'s House of Fraser.LAMC1'),
(612, 59, 'LMP_Jollys_House_Fraser_LAMC1_02.jpg', 'Lumenpulse.Jolly\'s House of Fraser.LAMC1', 'Lumenpulse.Jolly\'s House of Fraser.LAMC1'),
(613, 59, 'LMP_Jollys_House_Fraser_LAMC1_03.jpg', 'Lumenpulse.Jolly\'s House of Fraser.LAMC1', 'Lumenpulse.Jolly\'s House of Fraser.LAMC1'),
(614, 59, 'LMP_Jollys_House_Fraser_LAMC1_04.jpg', 'Lumenpulse.Jolly\'s House of Fraser.LAMC1', 'Lumenpulse.Jolly\'s House of Fraser.LAMC1'),
(615, 53, 'LMP_Space_Shuttle_Atlantis_Lumenbeam_LBX_DWH_01.jpg', 'Lumenpulse.Space Shuttle Atlantis.Lumenbeam LBX DWH', 'Lumenpulse.Space Shuttle Atlantis.Lumenbeam LBX DWH'),
(616, 53, 'LMP_Space_Shuttle_Atlantis_Lumenbeam_LBX_DWH_02.jpg', 'Lumenpulse.Space Shuttle Atlantis.Lumenbeam LBX DWH', 'Lumenpulse.Space Shuttle Atlantis.Lumenbeam LBX DWH'),
(617, 53, 'LMP_Space_Shuttle_Atlantis_Lumenbeam_LBX_DWH_03.jpg', 'Lumenpulse.Space Shuttle Atlantis.Lumenbeam LBX DWH', 'Lumenpulse.Space Shuttle Atlantis.Lumenbeam LBX DWH'),
(640, 64, 'Delta-Light-Designspace_01.jpg', 'Designspace ', 'Designspace '),
(641, 64, 'Delta-Light-Designspace_02.jpg', 'Designspace ', 'Designspace '),
(651, 63, 'Delta-Light-Other-Criteria_01.jpg', 'Other Criteria', 'Other Criteria'),
(652, 63, 'Delta-Light-Other-Criteria_03.jpg', 'Other Criteria', 'Other Criteria'),
(653, 65, 'Traxon-Chevy-Chase-Pavilion_01.jpg', 'Chevy Chase Pavilion', 'Chevy Chase Pavilion'),
(654, 65, 'Traxon-Chevy-Chase-Pavilion_02.jpg', 'Chevy Chase Pavilion', 'Chevy Chase Pavilion'),
(655, 65, 'Traxon-Chevy-Chase-Pavilion_03.jpg', 'Chevy Chase Pavilion', 'Chevy Chase Pavilion'),
(656, 66, 'Traxon-Norwegian-Cruise-Line_01.jpg', 'Norwegian Cruise Line', 'Norwegian Cruise Line'),
(657, 66, 'Traxon-Norwegian-Cruise-Line_02.jpg', 'Norwegian Cruise Line', 'Norwegian Cruise Line'),
(658, 36, 'Bega_Chandler_lg_02.png', 'Chandler City Hall', 'Bega. Chandler City Hall'),
(659, 57, 'LMP_Next_Rugby_LAMC_01.jpg', 'Lumenpulse.Next,Rugby.LAMC3', 'Lumenpulse.Next,Rugby.LAMC3'),
(660, 57, 'LMP_Next_Rugby_LAMC_02.jpg', 'Lumenpulse.Next,Rugby.LAMC3', 'Lumenpulse.Next,Rugby.LAMC3'),
(661, 57, 'LMP_Next_Rugby_LAMC_03.jpg', 'Lumenpulse.Next,Rugby.LAMC3', 'Lumenpulse.Next,Rugby.LAMC3'),
(662, 58, 'LMP_Birks_Laval_LAMC3_01.jpg', 'Lumenpulse.Birks Laval.LAMC3', 'Lumenpulse.Birks Laval.LAMC3'),
(663, 58, 'LMP_Birks_Laval_LAMC3_02.jpg', 'Lumenpulse.Birks Laval.LAMC3', 'Lumenpulse.Birks Laval.LAMC3'),
(665, 54, 'LMP_College_Montmorency_Lumenbeam_LBLP_Color_Changing_01.jpg', 'Lumenpulse.College Montmorency.Lumenbeam LP Color Changing', 'Lumenpulse.College Montmorency.Lumenbeam LP Color Changing'),
(666, 67, 'Traxon-PCK-refinery_01.jpg', 'PCK refinery', 'PCK refinery'),
(667, 67, 'Traxon-PCK-refinery_02.jpg', 'PCK refinery', 'PCK refinery'),
(668, 67, 'Traxon-PCK-refinery_03.jpg', 'PCK refinery', 'PCK refinery'),
(681, 70, 'iGuzzini-St-Pierre-Cathedral_01.jpg', 'iGuzzini. St. Pierre Cathedral', 'iGuzzini. St. Pierre Cathedral'),
(682, 70, 'iGuzzini-St-Pierre-Cathedral_02.jpg', 'iGuzzini. St. Pierre Cathedral', 'iGuzzini. St. Pierre Cathedral'),
(683, 70, 'iGuzzini-St-Pierre-Cathedral_03.jpg', 'iGuzzini. St. Pierre Cathedral', 'iGuzzini. St. Pierre Cathedral'),
(686, 68, 'iGuzzini-Castellana-77_01.jpg', 'iGuzzini Castellana 77', 'iGuzzini Castellana 77'),
(687, 68, 'iGuzzini-Castellana-77_02.jpg', 'iGuzzini Castellana 77', 'iGuzzini Castellana 77'),
(688, 68, 'iGuzzini-Castellana-77_03.jpg', 'iGuzzini Castellana 77', 'iGuzzini Castellana 77'),
(689, 69, 'iGuzzini-The-Scrovegni-Chapel_01.jpg', 'iGuzzini. The Scrovegni Chapel', 'iGuzzini. The Scrovegni Chapel'),
(690, 69, 'iGuzzini-The-Scrovegni-Chapel_02.jpg', 'iGuzzini. The Scrovegni Chapel', 'iGuzzini. The Scrovegni Chapel'),
(691, 69, 'iGuzzini-The-Scrovegni-Chapel_03.jpg', 'iGuzzini. The Scrovegni Chapel', 'iGuzzini. The Scrovegni Chapel'),
(694, 71, 'iGuzzini-Iso-Omena-shopping-centre_01.jpg', 'iGuzzini. The Iso Omena shopping centre', 'iGuzzini. The Iso Omena shopping centre'),
(695, 71, 'iGuzzini-Iso-Omena-shopping-centre_02.jpg', 'iGuzzini. The Iso Omena shopping centre', 'iGuzzini. The Iso Omena shopping centre'),
(696, 72, 'Targetti-Boston-Consulting-Group_01.jpg', 'Targetti Boston Consulting Group', 'Targetti Boston Consulting Group'),
(697, 72, 'Targetti-Boston-Consulting-Group_02.jpg', 'Targetti Boston Consulting Group', 'Targetti Boston Consulting Group'),
(698, 72, 'Targetti-Boston-Consulting-Group_03.jpg', 'Targetti Boston Consulting Group', 'Targetti Boston Consulting Group'),
(699, 73, 'Targetti-Wynn-Palace-Resort-Hotel_01.jpg', 'Targetti Wynn Palace Resort Hotel', 'Targetti Wynn Palace Resort Hotel'),
(700, 73, 'Targetti-Wynn-Palace-Resort-Hotel_02.jpg', 'Targetti Wynn Palace Resort Hotel', 'Targetti Wynn Palace Resort Hotel'),
(701, 73, 'Targetti-Wynn-Palace-Resort-Hotel_03.jpg', 'Targetti Wynn Palace Resort Hotel', 'Targetti Wynn Palace Resort Hotel'),
(702, 74, 'Targetti-Lugano-Diamond-Project_01.jpg', 'Targetti Lugano Diamond Retail Salon', 'Targetti Lugano Diamond Retail Salon'),
(703, 74, 'Targetti-Lugano-Diamond-Project_02.jpg', 'Targetti Lugano Diamond Retail Salon', 'Targetti Lugano Diamond Retail Salon'),
(704, 74, 'Targetti-Lugano-Diamond-Project_03.jpg', 'Targetti Lugano Diamond Retail Salon', 'Targetti Lugano Diamond Retail Salon'),
(708, 76, 'USAI-Museum-of-the-Bible_01.jpg', 'USAI. Museum of the Bible', 'USAI. Museum of the Bible'),
(709, 77, 'USAI-The-Bridge-at-Cornell-Tech_01.jpg', 'USAI. The Bridge at Cornell Tech', 'USAI. The Bridge at Cornell Tech'),
(710, 77, 'USAI-The-Bridge-at-Cornell-Tech_02.jpg', 'USAI. The Bridge at Cornell Tech', 'USAI. The Bridge at Cornell Tech'),
(711, 78, 'We-ef-Valentine-Place_01.jpg', 'We-ef Lighting Valentine Place', 'We-ef Lighting Valentine Place'),
(712, 78, 'We-ef-Valentine-Place_02.jpg', 'We-ef Lighting Valentine Place', 'We-ef Lighting Valentine Place'),
(713, 75, 'USAI-National-Museum-of-African-American-History-&-Culture_01.jpg', 'USAI. National Museum of African American History & Culture', 'USAI. National Museum of African American History & Culture'),
(714, 75, 'USAI-National-Museum-of-African-American-History-&-Culture_02.jpg', 'USAI. National Museum of African American History & Culture', 'USAI. National Museum of African American History & Culture'),
(715, 75, 'USAI-National-Museum-of-African-American-History-&-Culture_03.jpg', 'USAI. National Museum of African American History & Culture', 'USAI. National Museum of African American History & Culture'),
(718, 80, 'We-ef-The-Piece-Hall_01.jpg', 'We-ef Lighting The Piece Hall', 'We-ef Lighting The Piece Hall'),
(719, 80, 'We-ef-The-Piece-Hall_02.jpg', 'We-ef Lighting The Piece Hall', 'We-ef Lighting The Piece Hall'),
(720, 79, 'We-ef-Ringwood-Station_01.jpg', 'We-ef Lighting Ringwood Station', 'We-ef Lighting Ringwood Station'),
(721, 79, 'We-ef-Ringwood-Station_02.jpg', 'We-ef Lighting Ringwood Station', 'We-ef Lighting Ringwood Station'),
(724, 81, 'We-ef-Chadstone-Shopping-Centre_01.jpg', 'We-ef Lighting Chadstone Shopping Centre', 'We-ef Lighting Chadstone Shopping Centre'),
(725, 81, 'We-ef-Chadstone-Shopping-Centre_02.jpg', 'We-ef Lighting Chadstone Shopping Centre', 'We-ef Lighting Chadstone Shopping Centre'),
(729, 83, 'ERCO-Volvo-Retail-Experience-showroom_01.jpg', 'ERCO the Volvo Retail Experience in the Luleå showroom', 'ERCO the Volvo Retail Experience in the Luleå showroom'),
(731, 84, 'ERCO-Faerber-Architekten_01.jpg', 'ERCO Faerber Architekten, Mainz', 'ERCO Faerber Architekten, Mainz'),
(732, 84, 'ERCO-Faerber-Architekten_02.jpg', 'ERCO Faerber Architekten, Mainz', 'ERCO Faerber Architekten, Mainz'),
(733, 84, 'ERCO-Faerber-Architekten_03.jpg', 'ERCO Faerber Architekten, Mainz', 'ERCO Faerber Architekten, Mainz'),
(734, 84, 'ERCO-Faerber-Architekten_04.jpg', 'ERCO Faerber Architekten, Mainz', 'ERCO Faerber Architekten, Mainz'),
(735, 85, 'ateljé-Lyktan-the-Word_01.jpg', 'ateljé Lyktan The Word', 'ateljé Lyktan The Word'),
(736, 85, 'ateljé-Lyktan-the-Word_02.jpg', 'ateljé Lyktan The Word', 'ateljé Lyktan The Word'),
(737, 85, 'ateljé-Lyktan-the-Word_03.jpg', 'ateljé Lyktan The Word', 'ateljé Lyktan The Word'),
(738, 86, 'ROXO-Lighting-ANTWERP-PORT-AUTHORITY_01.jpg', 'ROXO Lighting ANTWERP PORT AUTHORITY', 'ROXO Lighting ANTWERP PORT AUTHORITY'),
(739, 86, 'ROXO-Lighting-ANTWERP-PORT-AUTHORITY_02.jpg', 'ROXO Lighting ANTWERP PORT AUTHORITY', 'ROXO Lighting ANTWERP PORT AUTHORITY'),
(740, 86, 'ROXO-Lighting-ANTWERP-PORT-AUTHORITY_03.jpg', 'ROXO Lighting ANTWERP PORT AUTHORITY', 'ROXO Lighting ANTWERP PORT AUTHORITY'),
(744, 87, 'Buzzi-Space-Kienbaum-Consultants-International-office_01.jpg', 'Buzzi Space Kienbaum Consultants International office', 'Buzzi Space Kienbaum Consultants International office'),
(745, 87, 'Buzzi-Space-Kienbaum-Consultants-International-office_02.jpg', 'Buzzi Space Kienbaum Consultants International office', 'Buzzi Space Kienbaum Consultants International office'),
(746, 87, 'Buzzi-Space-Kienbaum-Consultants-International-office_03.jpg', 'Buzzi Space Kienbaum Consultants International office', 'Buzzi Space Kienbaum Consultants International office'),
(756, 91, 'Hoffmeister-NRW-state-parliament_01.jpg', 'Hoffmeister NRW state parliament ', 'Hoffmeister NRW state parliament '),
(757, 91, 'Hoffmeister-NRW-state-parliament_02.jpg', 'Hoffmeister NRW state parliament ', 'Hoffmeister NRW state parliament '),
(758, 91, 'Hoffmeister-NRW-state-parliament_03.jpg', 'Hoffmeister NRW state parliament ', 'Hoffmeister NRW state parliament '),
(759, 92, 'Davide-Groppi-Enigma_01.jpg', 'Davide Groppi Enigma restaurant', 'Davide Groppi Enigma restaurant'),
(760, 92, 'Davide-Groppi-Enigma_02.jpg', 'Davide Groppi Enigma restaurant', 'Davide Groppi Enigma restaurant'),
(761, 92, 'Davide-Groppi-Enigma_03.jpg', 'Davide Groppi Enigma restaurant', 'Davide Groppi Enigma restaurant'),
(762, 93, 'Davide-Groppi-Model-Apartment_01.jpg', 'Davide Groppi Zaha Hadid Model Apartment', 'Davide Groppi Zaha Hadid Model Apartment'),
(763, 93, 'Davide-Groppi-Model-Apartment_02.jpg', 'Davide Groppi Zaha Hadid Model Apartment', 'Davide Groppi Zaha Hadid Model Apartment'),
(764, 93, 'Davide-Groppi-Model-Apartment_03.jpg', 'Davide Groppi Zaha Hadid Model Apartment', 'Davide Groppi Zaha Hadid Model Apartment'),
(765, 94, 'iGuzzini-The-Museum-of-the-Second-World-War_01.jpg', 'iGuzzini The Museum of the Second World War', 'iGuzzini The Museum of the Second World War'),
(766, 94, 'iGuzzini-The-Museum-of-the-Second-World-War_02.jpg', 'iGuzzini The Museum of the Second World War', 'iGuzzini The Museum of the Second World War'),
(767, 94, 'iGuzzini-The-Museum-of-the-Second-World-War_03.jpg', 'iGuzzini The Museum of the Second World War', 'iGuzzini The Museum of the Second World War'),
(768, 95, 'iGuzzini-Station-F_01.jpg', 'iGuzzini Station F', 'iGuzzini Station F'),
(769, 95, 'iGuzzini-Station-F_02.jpg', 'iGuzzini Station F', 'iGuzzini Station F'),
(770, 95, 'iGuzzini-Station-F_03.jpg', 'iGuzzini Station F', 'iGuzzini Station F'),
(771, 96, 'iGuzzini-The-Ancient-Theatre-of-Taormina_01.jpg', 'iGuzzini The Ancient Theatre of Taormina', 'iGuzzini The Ancient Theatre of Taormina'),
(772, 96, 'iGuzzini-The-Ancient-Theatre-of-Taormina_02.jpg', 'iGuzzini The Ancient Theatre of Taormina', 'iGuzzini The Ancient Theatre of Taormina'),
(773, 96, 'iGuzzini-The-Ancient-Theatre-of-Taormina_03.jpg', 'iGuzzini The Ancient Theatre of Taormina', 'iGuzzini The Ancient Theatre of Taormina'),
(778, 97, 'Intra-Lighting-NautaDutilh_01.jpg', 'Intra Lighting NautaDutilh', 'Intra Lighting NautaDutilh'),
(779, 97, 'Intra-Lighting-NautaDutilh_02.jpg', 'Intra Lighting NautaDutilh', 'Intra Lighting NautaDutilh'),
(780, 97, 'Intra-Lighting-NautaDutilh_03.jpg', 'Intra Lighting NautaDutilh', 'Intra Lighting NautaDutilh'),
(781, 97, 'Intra-Lighting-NautaDutilh_04.jpg', 'Intra Lighting NautaDutilh', 'Intra Lighting NautaDutilh'),
(794, 99, 'We-ef-Monash-University-Caulfield-campus_01.jpg', 'We-ef Lighting Monash University\'s Caulfield campus', 'We-ef Lighting Monash University\'s Caulfield campus'),
(795, 99, 'We-ef-Monash-University-Caulfield-campus_02.jpg', 'We-ef Lighting Monash University\'s Caulfield campus', 'We-ef Lighting Monash University\'s Caulfield campus'),
(796, 99, 'We-ef-Monash-University-Caulfield-campus_03.jpg', 'We-ef Lighting Monash University\'s Caulfield campus', 'We-ef Lighting Monash University\'s Caulfield campus'),
(800, 100, 'Wayson-Lighting-Ashgabat-International-Airport-Main-Terminal_01.jpg', 'Wayson Lighting Ashgabat International Airport Main Terminal', 'Wayson Lighting Ashgabat International Airport Main Terminal'),
(801, 100, 'Wayson-Lighting-Ashgabat-International-Airport-Main-Terminal_02.jpg', 'Wayson Lighting Ashgabat International Airport Main Terminal', 'Wayson Lighting Ashgabat International Airport Main Terminal'),
(802, 100, 'Wayson-Lighting-Ashgabat-International-Airport-Main-Terminal_03.jpg', 'Wayson Lighting Ashgabat International Airport Main Terminal', 'Wayson Lighting Ashgabat International Airport Main Terminal'),
(803, 101, 'acdc-Oxford-Street_01.jpg', 'acdc Oxford Street', 'acdc Oxford Street'),
(804, 101, 'acdc-Oxford-Street_02.jpg', 'acdc Oxford Street', 'acdc Oxford Street'),
(805, 101, 'acdc-Oxford-Street_03.jpg', 'acdc Oxford Street', 'acdc Oxford Street'),
(806, 102, 'acdc-Troia-Cathedral_01.jpg', 'acdc Troia Cathedral', 'acdc Troia Cathedral'),
(807, 102, 'acdc-Troia-Cathedral_02.jpg', 'acdc Troia Cathedral', 'acdc Troia Cathedral'),
(808, 102, 'acdc-Troia-Cathedral_03.jpg', 'acdc Troia Cathedral', 'acdc Troia Cathedral'),
(809, 103, 'Lumenpulse-180-Wellington_01.jpg', 'Lumenpulse 180 Wellington', 'Lumenpulse 180 Wellington'),
(810, 103, 'Lumenpulse-180-Wellington_02.jpg', 'Lumenpulse 180 Wellington', 'Lumenpulse 180 Wellington'),
(811, 103, 'Lumenpulse-180-Wellington_03.jpg', 'Lumenpulse 180 Wellington', 'Lumenpulse 180 Wellington'),
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(997, 149, 'Crenshaw-Lighting-375-Avenida-Pezet_03.jpg', 'Crenshaw Lighting 375 Avenida Pezet', 'Crenshaw Lighting 375 Avenida Pezet'),
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(1006, 152, 'COOLEDGE-500-WEST-MONROE-STREET_03.jpg', 'COOLEDGE 500 WEST MONROE STREET', 'COOLEDGE 500 WEST MONROE STREET'),
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(1008, 153, 'Arturo-Alvarez-Origen-restaurant_02.jpg', 'Arturo Alvarez Origen restaurant', 'Arturo Alvarez Origen restaurant'),
(1009, 153, 'Arturo-Alvarez-Origen-restaurant_03.jpg', 'Arturo Alvarez Origen restaurant', 'Arturo Alvarez Origen restaurant'),
(1010, 154, 'Studio-Italia-Design-Le-Cheneaudiere_01.jpg', 'Studio Italia Design Le Cheneaudiere', 'Studio Italia Design Le Cheneaudiere'),
(1011, 154, 'Studio-Italia-Design-Le-Cheneaudiere_02.jpg', 'Studio Italia Design Le Cheneaudiere', 'Studio Italia Design Le Cheneaudiere'),
(1012, 154, 'Studio-Italia-Design-Le-Cheneaudiere_03.jpg', 'Studio Italia Design Le Cheneaudiere', 'Studio Italia Design Le Cheneaudiere'),
(1013, 155, 'Studio-Italia-Design-Villa-Privata_01.jpg', 'Studio Italia Design Villa Privata', 'Studio Italia Design Villa Privata'),
(1014, 155, 'Studio-Italia-Design-Villa-Privata_02.jpg', 'Studio Italia Design Villa Privata', 'Studio Italia Design Villa Privata'),
(1015, 155, 'Studio-Italia-Design-Villa-Privata_03.jpg', 'Studio Italia Design Villa Privata', 'Studio Italia Design Villa Privata'),
(1016, 156, 'David-Trubridge-Jacks-Point-House_01.jpg', 'David Trubridge Jack\'s Point  House', 'David Trubridge Jack\'s Point  House'),
(1017, 156, 'David-Trubridge-Jacks-Point-House_02.jpg', 'David Trubridge Jack\'s Point  House', 'David Trubridge Jack\'s Point  House'),
(1018, 156, 'David-Trubridge-Jacks-Point-House_03.jpg', 'David Trubridge Jack\'s Point  House', 'David Trubridge Jack\'s Point  House'),
(1019, 157, 'David-Trubridge-Whare-Koa_01.jpg', 'David Trubridge Whare Koa', 'David Trubridge Whare Koa'),
(1020, 157, 'David-Trubridge-Whare-Koa_02.jpg', 'David Trubridge Whare Koa', 'David Trubridge Whare Koa'),
(1021, 157, 'David-Trubridge-Whare-Koa_03.jpg', 'David Trubridge Whare Koa', 'David Trubridge Whare Koa'),
(1025, 158, 'Landscape-Forms-HEMISFAIR_01.jpg', 'Landscape Forms HEMISFAIR', 'Landscape Forms HEMISFAIR'),
(1026, 158, 'Landscape-Forms-HEMISFAIR_02.jpg', 'Landscape Forms HEMISFAIR', 'Landscape Forms HEMISFAIR'),
(1027, 158, 'Landscape-Forms-HEMISFAIR_03.jpg', 'Landscape Forms HEMISFAIR', 'Landscape Forms HEMISFAIR'),
(1028, 159, 'Performance-iN-Lighting-PALAZZO-LOMBARDIA_01.jpg', 'Performance iN Lighting PALAZZO LOMBARDIA', 'Performance iN Lighting PALAZZO LOMBARDIA'),
(1029, 159, 'Performance-iN-Lighting-PALAZZO-LOMBARDIA_02.jpg', 'Performance iN Lighting PALAZZO LOMBARDIA', 'Performance iN Lighting PALAZZO LOMBARDIA'),
(1030, 159, 'Performance-iN-Lighting-PALAZZO-LOMBARDIA_03.jpg', 'Performance iN Lighting PALAZZO LOMBARDIA', 'Performance iN Lighting PALAZZO LOMBARDIA'),
(1031, 160, 'Linea-Light-Radicepura_01.jpg', 'Linea Light Radicepura', 'Linea Light Radicepura'),
(1032, 160, 'Linea-Light-Radicepura_02.jpg', 'Linea Light Radicepura', 'Linea Light Radicepura'),
(1033, 160, 'Linea-Light-Radicepura_03.jpg', 'Linea Light Radicepura', 'Linea Light Radicepura'),
(1034, 161, 'Flos-Resort-Borgo-dei-Conti_01.jpg', 'Flos Resort Borgo dei Conti', 'Flos Resort Borgo dei Conti'),
(1035, 161, 'Flos-Resort-Borgo-dei-Conti_02.jpg', 'Flos Resort Borgo dei Conti', 'Flos Resort Borgo dei Conti'),
(1036, 161, 'Flos-Resort-Borgo-dei-Conti_03.jpg', 'Flos Resort Borgo dei Conti', 'Flos Resort Borgo dei Conti'),
(1037, 162, 'Oty-Light-Runkelsteiner_01.jpg', 'Oty Light Runkelsteiner', 'Oty Light Runkelsteiner'),
(1038, 162, 'Oty-Light-Runkelsteiner_02.jpg', 'Oty Light Runkelsteiner', 'Oty Light Runkelsteiner'),
(1039, 162, 'Oty-Light-Runkelsteiner_03.jpg', 'Oty Light Runkelsteiner', 'Oty Light Runkelsteiner'),
(1040, 163, 'Oty-Light-Montebar-Villa_01.jpg', 'Oty Light Montebar Villa', 'Oty Light Montebar Villa'),
(1041, 163, 'Oty-Light-Montebar-Villa_02.jpg', 'Oty Light Montebar Villa', 'Oty Light Montebar Villa'),
(1042, 163, 'Oty-Light-Montebar-Villa_03.jpg', 'Oty Light Montebar Villa', 'Oty Light Montebar Villa'),
(1043, 98, 'We-ef-Neues-Rathaus_01.jpg', 'We-ef Lighting Neues Rathaus', 'We-ef Lighting Neues Rathaus'),
(1044, 98, 'We-ef-Neues-Rathaus_02.jpg', 'We-ef Lighting Neues Rathaus', 'We-ef Lighting Neues Rathaus'),
(1045, 98, 'We-ef-Neues-Rathaus_03.jpg', 'We-ef Lighting Neues Rathaus', 'We-ef Lighting Neues Rathaus'),
(1046, 164, 'Intra-Lighting-Pipistrel_01.jpg', 'Intra Lighting Pipistrel', 'Intra Lighting Pipistrel'),
(1047, 164, 'Intra-Lighting-Pipistrel_02.jpg', 'Intra Lighting Pipistrel', 'Intra Lighting Pipistrel'),
(1048, 164, 'Intra-Lighting-Pipistrel_03.jpg', 'Intra Lighting Pipistrel', 'Intra Lighting Pipistrel'),
(1052, 165, 'Intra-Lighting-International-House-Sydney_01.jpg', 'Intra Lighting International House Sydney', 'Intra Lighting International House Sydney'),
(1053, 165, 'Intra-Lighting-International-House-Sydney_02.jpg', 'Intra Lighting International House Sydney', 'Intra Lighting International House Sydney'),
(1054, 165, 'Intra-Lighting-International-House-Sydney_03.jpg', 'Intra Lighting International House Sydney', 'Intra Lighting International House Sydney'),
(1055, 166, 'Intra-Lighting-Oceania-Mall_01.jpg', 'Intra Lighting Oceania Mall', 'Intra Lighting Oceania Mall'),
(1056, 166, 'Intra-Lighting-Oceania-Mall_02.jpg', 'Intra Lighting Oceania Mall', 'Intra Lighting Oceania Mall'),
(1057, 166, 'Intra-Lighting-Oceania-Mall_03.jpg', 'Intra Lighting Oceania Mall', 'Intra Lighting Oceania Mall'),
(1061, 167, 'Intra-Lighting-King-House-Bled_01.jpg', 'Intra Lighting King\'s House Bled', 'Intra Lighting King\'s House Bled'),
(1062, 167, 'Intra-Lighting-King-House-Bled_02.jpg', 'Intra Lighting King\'s House Bled', 'Intra Lighting King\'s House Bled'),
(1063, 167, 'Intra-Lighting-King-House-Bled_03.jpg', 'Intra Lighting King\'s House Bled', 'Intra Lighting King\'s House Bled'),
(1064, 168, 'Trilux-DE-WINTERTUIN-RESIDENTIAL-COMPLEX_01.jpg', 'Trilux DE WINTERTUIN RESIDENTIAL COMPLEX', 'Trilux DE WINTERTUIN RESIDENTIAL COMPLEX'),
(1065, 168, 'Trilux-DE-WINTERTUIN-RESIDENTIAL-COMPLEX_02.jpg', 'Trilux DE WINTERTUIN RESIDENTIAL COMPLEX', 'Trilux DE WINTERTUIN RESIDENTIAL COMPLEX'),
(1066, 168, 'Trilux-DE-WINTERTUIN-RESIDENTIAL-COMPLEX_03.jpg', 'Trilux DE WINTERTUIN RESIDENTIAL COMPLEX', 'Trilux DE WINTERTUIN RESIDENTIAL COMPLEX'),
(1067, 169, 'Trilux-I-HUB_01.jpg', 'Trilux I-HUB', 'Trilux I-HUB'),
(1068, 169, 'Trilux-I-HUB_02.jpg', 'Trilux I-HUB', 'Trilux I-HUB'),
(1069, 169, 'Trilux-I-HUB_03.jpg', 'Trilux I-HUB', 'Trilux I-HUB'),
(1070, 170, 'Trilux-International-comprehensive-school_01.jpg', 'Trilux International comprehensive school', 'Trilux International comprehensive school'),
(1071, 170, 'Trilux-International-comprehensive-school_02.jpg', 'Trilux International comprehensive school', 'Trilux International comprehensive school'),
(1072, 170, 'Trilux-International-comprehensive-school_03.jpg', 'Trilux International comprehensive school', 'Trilux International comprehensive school'),
(1073, 171, 'Landscape-Forms-Austin-Central-Library_01.jpg', 'Landscape Forms Austin Central Library ', 'Landscape Forms Austin Central Library '),
(1074, 171, 'Landscape-Forms-Austin-Central-Library_02.jpg', 'Landscape Forms Austin Central Library ', 'Landscape Forms Austin Central Library '),
(1075, 171, 'Landscape-Forms-Austin-Central-Library_03.jpg', 'Landscape Forms Austin Central Library ', 'Landscape Forms Austin Central Library '),
(1076, 172, 'Landscape-Forms-Rowan-College-at-Burlington-County_01.jpg', 'Landscape Forms Rowan College at Burlington County', 'Landscape Forms Rowan College at Burlington County'),
(1077, 172, 'Landscape-Forms-Rowan-College-at-Burlington-County_02.jpg', 'Landscape Forms Rowan College at Burlington County', 'Landscape Forms Rowan College at Burlington County'),
(1078, 172, 'Landscape-Forms-Rowan-College-at-Burlington-County_03.jpg', 'Landscape Forms Rowan College at Burlington County', 'Landscape Forms Rowan College at Burlington County'),
(1085, 173, 'Artemide-Microsoft-House_01.jpg', 'Artemide Microsoft House', 'Artemide Microsoft House'),
(1086, 173, 'Artemide-Microsoft-House_02.jpg', 'Artemide Microsoft House', 'Artemide Microsoft House'),
(1087, 173, 'Artemide-Microsoft-House_03.jpg', 'Artemide Microsoft House', 'Artemide Microsoft House'),
(1088, 174, 'Artemide-STUDY-HOTEL-AT-YALE_01.jpg', 'Artemide STUDY HOTEL AT YALE', 'Artemide STUDY HOTEL AT YALE'),
(1089, 174, 'Artemide-STUDY-HOTEL-AT-YALE_02.jpg', 'Artemide STUDY HOTEL AT YALE', 'Artemide STUDY HOTEL AT YALE'),
(1090, 174, 'Artemide-STUDY-HOTEL-AT-YALE_03.jpg', 'Artemide STUDY HOTEL AT YALE', 'Artemide STUDY HOTEL AT YALE'),
(1091, 175, 'Artemide-INTERFACE_01.jpg', 'Artemide INTERFACE', 'Artemide INTERFACE'),
(1092, 175, 'Artemide-INTERFACE_02.jpg', 'Artemide INTERFACE', 'Artemide INTERFACE'),
(1093, 175, 'Artemide-INTERFACE_03.jpg', 'Artemide INTERFACE', 'Artemide INTERFACE'),
(1094, 176, 'Artemide-FICO-Eataly-World_01.jpg', 'Artemide FICO Eataly World', 'Artemide FICO Eataly World'),
(1095, 176, 'Artemide-FICO-Eataly-World_02.jpg', 'Artemide FICO Eataly World', 'Artemide FICO Eataly World'),
(1096, 176, 'Artemide-FICO-Eataly-World_03.jpg', 'Artemide FICO Eataly World', 'Artemide FICO Eataly World'),
(1097, 177, 'iGuzzini-Hotel-Royal-Hideaway-Corales-Suites_01.jpg', 'iGuzzini Hotel Royal Hideaway Corales Suites', 'iGuzzini Hotel Royal Hideaway Corales Suites'),
(1098, 177, 'iGuzzini-Hotel-Royal-Hideaway-Corales-Suites_02.jpg', 'iGuzzini Hotel Royal Hideaway Corales Suites', 'iGuzzini Hotel Royal Hideaway Corales Suites'),
(1099, 177, 'iGuzzini-Hotel-Royal-Hideaway-Corales-Suites_03.jpg', 'iGuzzini Hotel Royal Hideaway Corales Suites', 'iGuzzini Hotel Royal Hideaway Corales Suites'),
(1100, 178, 'iGuzzini-The-Palais-de-Justice-in-Paris_01.jpg', 'iGuzzini The Palais de Justice in Paris', 'iGuzzini The Palais de Justice in Paris'),
(1101, 178, 'iGuzzini-The-Palais-de-Justice-in-Paris_02.jpg', 'iGuzzini The Palais de Justice in Paris', 'iGuzzini The Palais de Justice in Paris'),
(1102, 178, 'iGuzzini-The-Palais-de-Justice-in-Paris_03.jpg', 'iGuzzini The Palais de Justice in Paris', 'iGuzzini The Palais de Justice in Paris'),
(1103, 179, 'iGuzzini-The-Chocolate-Museum_01.jpg', 'iGuzzini The Chocolate Museum', 'iGuzzini The Chocolate Museum');
INSERT INTO `projectslib_images` (`image_id`, `projectslib_id`, `img_src`, `alt_name`, `img_subtitle`) VALUES
(1104, 179, 'iGuzzini-The-Chocolate-Museum_02.jpg', 'iGuzzini The Chocolate Museum', 'iGuzzini The Chocolate Museum'),
(1105, 179, 'iGuzzini-The-Chocolate-Museum_03.jpg', 'iGuzzini The Chocolate Museum', 'iGuzzini The Chocolate Museum'),
(1106, 180, 'iGuzzini-Royal-Academy-of-Arts_01.jpg', 'iGuzzini Royal Academy of Arts', 'iGuzzini Royal Academy of Arts'),
(1107, 180, 'iGuzzini-Royal-Academy-of-Arts_02.jpg', 'iGuzzini Royal Academy of Arts', 'iGuzzini Royal Academy of Arts'),
(1108, 180, 'iGuzzini-Royal-Academy-of-Arts_03.jpg', 'iGuzzini Royal Academy of Arts', 'iGuzzini Royal Academy of Arts'),
(1109, 181, 'Delta-Light-Bestseller_01.jpg', 'Delta Light Bestseller', 'Delta Light Bestseller'),
(1110, 181, 'Delta-Light-Bestseller_02.jpg', 'Delta Light Bestseller', 'Delta Light Bestseller'),
(1111, 181, 'Delta-Light-Bestseller_03.jpg', 'Delta Light Bestseller', 'Delta Light Bestseller'),
(1112, 182, 'Delta-Light-Central-European-University_01.jpg', 'Delta Light Central European University', 'Delta Light Central European University'),
(1113, 182, 'Delta-Light-Central-European-University_02.jpg', 'Delta Light Central European University', 'Delta Light Central European University'),
(1114, 182, 'Delta-Light-Central-European-University_03.jpg', 'Delta Light Central European University', 'Delta Light Central European University'),
(1115, 183, 'Henge-Casa-Clara_01.jpg', 'Henge Casa Clara', 'Henge Casa Clara'),
(1116, 183, 'Henge-Casa-Clara_02.jpg', 'Henge Casa Clara', 'Henge Casa Clara'),
(1117, 183, 'Henge-Casa-Clara_03.jpg', 'Henge Casa Clara', 'Henge Casa Clara'),
(1118, 184, 'kreon-Opera-Gallery-NYC_01.jpg', 'kreon Opera Gallery NYC', 'kreon Opera Gallery NYC'),
(1119, 184, 'kreon-Opera-Gallery-NYC_02.jpg', 'kreon Opera Gallery NYC', 'kreon Opera Gallery NYC'),
(1120, 184, 'kreon-Opera-Gallery-NYC_03.jpg', 'kreon Opera Gallery NYC', 'kreon Opera Gallery NYC'),
(1121, 185, 'Davide-Groppi-CRACCO-IN-GALLERIA_01.jpg', 'Davide Groppi CRACCO IN GALLERIA', 'Davide Groppi CRACCO IN GALLERIA'),
(1122, 185, 'Davide-Groppi-CRACCO-IN-GALLERIA_02.jpg', 'Davide Groppi CRACCO IN GALLERIA', 'Davide Groppi CRACCO IN GALLERIA'),
(1123, 185, 'Davide-Groppi-CRACCO-IN-GALLERIA_03.jpg', 'Davide Groppi CRACCO IN GALLERIA', 'Davide Groppi CRACCO IN GALLERIA'),
(1124, 186, 'Axolight-Lebay-Beach-Hotel_01.jpg', 'Axolight Lebay Beach Hotel ', 'Axolight Lebay Beach Hotel '),
(1125, 186, 'Axolight-Lebay-Beach-Hotel_02.jpg', 'Axolight Lebay Beach Hotel ', 'Axolight Lebay Beach Hotel '),
(1126, 186, 'Axolight-Lebay-Beach-Hotel_03.jpg', 'Axolight Lebay Beach Hotel ', 'Axolight Lebay Beach Hotel '),
(1127, 187, 'Axolight-La-Reserve-Residence_01.jpg', 'Axolight La Reserve Residence', 'Axolight La Reserve Residence'),
(1128, 187, 'Axolight-La-Reserve-Residence_02.jpg', 'Axolight La Reserve Residence', 'Axolight La Reserve Residence'),
(1129, 187, 'Axolight-La-Reserve-Residence_03.jpg', 'Axolight La Reserve Residence', 'Axolight La Reserve Residence'),
(1130, 188, 'Axolight-Grace-Restaurant_01.jpg', 'Axolight Grace Restaurant', 'Axolight Grace Restaurant'),
(1131, 188, 'Axolight-Grace-Restaurant_02.jpg', 'Axolight Grace Restaurant', 'Axolight Grace Restaurant'),
(1132, 188, 'Axolight-Grace-Restaurant_03.jpg', 'Axolight Grace Restaurant', 'Axolight Grace Restaurant'),
(1133, 189, 'Fabbian-MURRAY-HOTEL_01.jpg', 'Fabbian MURRAY HOTEL', 'Fabbian MURRAY HOTEL'),
(1134, 189, 'Fabbian-MURRAY-HOTEL_02.jpg', 'Fabbian MURRAY HOTEL', 'Fabbian MURRAY HOTEL'),
(1135, 189, 'Fabbian-MURRAY-HOTEL_03.jpg', 'Fabbian MURRAY HOTEL', 'Fabbian MURRAY HOTEL'),
(1136, 190, 'Catellani-&-Smith-Villa-Rothschild-Kempinski_01.jpg', 'Catellani & Smith Villa Rothschild Kempinski', 'Catellani & Smith Villa Rothschild Kempinski'),
(1137, 190, 'Catellani-&-Smith-Villa-Rothschild-Kempinski_02.jpg', 'Catellani & Smith Villa Rothschild Kempinski', 'Catellani & Smith Villa Rothschild Kempinski'),
(1138, 190, 'Catellani-&-Smith-Villa-Rothschild-Kempinski_03.jpg', 'Catellani & Smith Villa Rothschild Kempinski', 'Catellani & Smith Villa Rothschild Kempinski'),
(1142, 192, 'Vibia-Spaces-in-The-Hague_01.jpg', 'Vibia Spaces in The Hague', 'Vibia Spaces in The Hague'),
(1143, 192, 'Vibia-Spaces-in-The-Hague_02.jpg', 'Vibia Spaces in The Hague', 'Vibia Spaces in The Hague'),
(1144, 192, 'Vibia-Spaces-in-The-Hague_03.jpg', 'Vibia Spaces in The Hague', 'Vibia Spaces in The Hague'),
(1145, 191, 'Vibia-Kenshō-Boutique-Hotel-&-Suites_01.jpg', 'Vibia Kenshō Boutique Hotel & Suites', 'Vibia Kenshō Boutique Hotel & Suites'),
(1146, 191, 'Vibia-Kenshō-Boutique-Hotel-&-Suites_02.jpg', 'Vibia Kenshō Boutique Hotel & Suites', 'Vibia Kenshō Boutique Hotel & Suites'),
(1147, 191, 'Vibia-Kenshō-Boutique-Hotel-&-Suites_03.jpg', 'Vibia Kenshō Boutique Hotel & Suites', 'Vibia Kenshō Boutique Hotel & Suites'),
(1151, 194, 'LASVIT-St-Regis-Hotel_01.jpg', 'LASVIT St. Regis Hotel ', 'LASVIT St. Regis Hotel '),
(1152, 194, 'LASVIT-St-Regis-Hotel_02.jpg', 'LASVIT St. Regis Hotel ', 'LASVIT St. Regis Hotel '),
(1153, 194, 'LASVIT-St-Regis-Hotel_03.jpg', 'LASVIT St. Regis Hotel ', 'LASVIT St. Regis Hotel '),
(1154, 195, 'LASVIT-Atlantis-Hotel_01.jpg', 'LASVIT Atlantis Hotel ', 'LASVIT Atlantis Hotel '),
(1155, 195, 'LASVIT-Atlantis-Hotel_02.jpg', 'LASVIT Atlantis Hotel ', 'LASVIT Atlantis Hotel '),
(1156, 195, 'LASVIT-Atlantis-Hotel_03.jpg', 'LASVIT Atlantis Hotel ', 'LASVIT Atlantis Hotel '),
(1157, 196, 'Selux-50Hertz-Headquarters_01.jpg', 'Selux 50Hertz Headquarters', 'Selux 50Hertz Headquarters'),
(1158, 196, 'Selux-50Hertz-Headquarters_02.jpg', 'Selux 50Hertz Headquarters', 'Selux 50Hertz Headquarters'),
(1159, 196, 'Selux-50Hertz-Headquarters_03.jpg', 'Selux 50Hertz Headquarters', 'Selux 50Hertz Headquarters'),
(1160, 197, 'Selux-Main-building-of-Leuphana-University_01.jpg', 'Selux Main building of Leuphana University', 'Selux Main building of Leuphana University'),
(1161, 197, 'Selux-Main-building-of-Leuphana-University_02.jpg', 'Selux Main building of Leuphana University', 'Selux Main building of Leuphana University'),
(1162, 197, 'Selux-Main-building-of-Leuphana-University_03.jpg', 'Selux Main building of Leuphana University', 'Selux Main building of Leuphana University'),
(1163, 198, 'Selux-Dental-clinic-at-Radboud-University_01.jpg', 'Selux Dental clinic at Radboud University', 'Selux Dental clinic at Radboud University'),
(1164, 198, 'Selux-Dental-clinic-at-Radboud-University_02.jpg', 'Selux Dental clinic at Radboud University', 'Selux Dental clinic at Radboud University'),
(1165, 198, 'Selux-Dental-clinic-at-Radboud-University_03.jpg', 'Selux Dental clinic at Radboud University', 'Selux Dental clinic at Radboud University'),
(1166, 193, 'Vibia-Penthouse-Apartment_01.jpg', 'Vibia Penthouse-Apartment', 'Vibia Penthouse-Apartment'),
(1167, 193, 'Vibia-Penthouse-Apartment_02.jpg', 'Vibia Penthouse-Apartment', 'Vibia Penthouse-Apartment'),
(1168, 193, 'Vibia-Penthouse-Apartment_03.jpg', 'Vibia Penthouse-Apartment', 'Vibia Penthouse-Apartment'),
(1178, 199, 'Arancia-CPA-headquarters_01.jpg', 'Arancia CPA headquarters', 'Arancia CPA headquarters'),
(1179, 199, 'Arancia-CPA-headquarters_02.jpg', 'Arancia CPA headquarters', 'Arancia CPA headquarters'),
(1180, 199, 'Arancia-CPA-headquarters_03.jpg', 'Arancia CPA headquarters', 'Arancia CPA headquarters'),
(1187, 200, 'Arancia-TV5-Canada_01.jpg', 'Arancia TV5 Canada', 'Arancia TV5 Canada'),
(1188, 200, 'Arancia-TV5-Canada_02.jpg', 'Arancia TV5 Canada', 'Arancia TV5 Canada'),
(1189, 200, 'Arancia-TV5-Canada_03.jpg', 'Arancia TV5 Canada', 'Arancia TV5 Canada'),
(1190, 201, 'Arancia-Inside-Studio_01.jpg', 'Arancia Inside Studio', 'Arancia Inside Studio'),
(1191, 201, 'Arancia-Inside-Studio_02.jpg', 'Arancia Inside Studio', 'Arancia Inside Studio'),
(1192, 201, 'Arancia-Inside-Studio_03.jpg', 'Arancia Inside Studio', 'Arancia Inside Studio'),
(1193, 202, 'Birchwood-Lighting-Campbell-Centre-Fitness-Facility_01.jpg', 'Birchwood Campbell Centre Fitness Facility', 'Birchwood Campbell Centre Fitness Facility'),
(1194, 202, 'Birchwood-Lighting-Campbell-Centre-Fitness-Facility_02.jpg', 'Birchwood Campbell Centre Fitness Facility', 'Birchwood Campbell Centre Fitness Facility'),
(1195, 202, 'Birchwood-Lighting-Campbell-Centre-Fitness-Facility_03.jpg', 'Birchwood Campbell Centre Fitness Facility', 'Birchwood Campbell Centre Fitness Facility'),
(1196, 203, 'Focal-Point-Lights-Green-Plains-Inc_01.jpg', 'Focal Point Lights Green Plains, Inc. ', 'Focal Point Lights Green Plains, Inc. '),
(1197, 203, 'Focal-Point-Lights-Green-Plains-Inc_02.jpg', 'Focal Point Lights Green Plains, Inc. ', 'Focal Point Lights Green Plains, Inc. '),
(1198, 204, 'Focal-Point-Lights-Bagby _01.jpg', 'Focal Point Lights Bagby ', 'Focal Point Lights Bagby '),
(1199, 204, 'Focal-Point-Lights-Bagby _02.jpg', 'Focal Point Lights Bagby ', 'Focal Point Lights Bagby '),
(1200, 204, 'Focal-Point-Lights-Bagby _03.jpg', 'Focal Point Lights Bagby ', 'Focal Point Lights Bagby '),
(1201, 205, 'Focal-Point-Lights-Onward-Neighborhood-House _01.jpg', 'Focal Point Lights Onward Neighborhood House ', 'Focal Point Lights Onward Neighborhood House '),
(1202, 205, 'Focal-Point-Lights-Onward-Neighborhood-House _02.jpg', 'Focal Point Lights Onward Neighborhood House ', 'Focal Point Lights Onward Neighborhood House '),
(1203, 206, 'Insight-Lighting-Charleston-International-Airport_01.jpg', 'Insight Lighting Charleston International Airport', 'Insight Lighting Charleston International Airport'),
(1204, 206, 'Insight-Lighting-Charleston-International-Airport_02.jpg', 'Insight Lighting Charleston International Airport', 'Insight Lighting Charleston International Airport'),
(1205, 206, 'Insight-Lighting-Charleston-International-Airport_03.jpg', 'Insight Lighting Charleston International Airport', 'Insight Lighting Charleston International Airport'),
(1221, 207, 'Insight-Lighting-Hale-Centre-Theatre-Interior_01.jpg', 'Insight Lighting Hale Center Theatre – Interior', 'Insight Lighting Hale Center Theatre – Interior'),
(1222, 207, 'Insight-Lighting-Hale-Center-Theatre-Interior_02.jpg', 'Insight Lighting Hale Center Theatre – Interior', 'Insight Lighting Hale Center Theatre – Interior'),
(1223, 208, 'Artemide-Aeroport-Platov-Business-Lounge_01.jpg', 'Artemide Aeroport Platov Business Lounge', 'Artemide Aeroport Platov Business Lounge'),
(1224, 208, 'Artemide-Aeroport-Platov-Business-Lounge_02.jpg', 'Artemide Aeroport Platov Business Lounge', 'Artemide Aeroport Platov Business Lounge'),
(1225, 208, 'Artemide-Aeroport-Platov-Business-Lounge_03.jpg', 'Artemide Aeroport Platov Business Lounge', 'Artemide Aeroport Platov Business Lounge'),
(1226, 209, 'Axolight-Club-Med-Cefalù_01.jpg', 'Axolight Club Med Cefalù', 'Axolight Club Med Cefalù'),
(1227, 209, 'Axolight-Club-Med-Cefalù_02.jpg', 'Axolight Club Med Cefalù', 'Axolight Club Med Cefalù'),
(1228, 209, 'Axolight-Club-Med-Cefalù_03.jpg', 'Axolight Club Med Cefalù', 'Axolight Club Med Cefalù'),
(1229, 210, 'iGuzzini-Car-Park-Umea_01.jpg', 'iGuzzini Car Park, Umeå', 'iGuzzini Car Park, Umeå'),
(1230, 210, 'iGuzzini-Car-Park-Umea_02.jpg', 'iGuzzini Car Park, Umeå', 'iGuzzini Car Park, Umeå'),
(1231, 210, 'iGuzzini-Car-Park-Umea_03.jpg', 'iGuzzini Car Park, Umeå', 'iGuzzini Car Park, Umeå'),
(1232, 211, 'iGuzzini-People-Theatre_01.jpg', 'iGuzzini People’s Theatre', 'iGuzzini People’s Theatre'),
(1233, 211, 'iGuzzini-People-Theatre_02.jpg', 'iGuzzini People’s Theatre', 'iGuzzini People’s Theatre'),
(1234, 211, 'iGuzzini-People-Theatre_03.jpg', 'iGuzzini People’s Theatre', 'iGuzzini People’s Theatre'),
(1238, 213, 'Wever-&-Ducré-OFFICE-VANDERLANDE_01.jpg', 'Wever & Ducré OFFICE VANDERLANDE', 'Wever & Ducré OFFICE VANDERLANDE'),
(1239, 213, 'Wever-&-Ducré-OFFICE-VANDERLANDE_02.jpg', 'Wever & Ducré OFFICE VANDERLANDE', 'Wever & Ducré OFFICE VANDERLANDE'),
(1240, 213, 'Wever-&-Ducré-OFFICE-VANDERLANDE_03.jpg', 'Wever & Ducré OFFICE VANDERLANDE', 'Wever & Ducré OFFICE VANDERLANDE'),
(1241, 212, 'BEGA-Vancouver-Convention-Centre_01.jpg', 'BEGA Vancouver Convention Centre', 'BEGA Vancouver Convention Centre'),
(1242, 212, 'BEGA-Vancouver-Convention-Centre_02.jpg', 'BEGA Vancouver Convention Centre', 'BEGA Vancouver Convention Centre'),
(1243, 212, 'BEGA-Vancouver-Convention-Centre_03.jpg', 'BEGA Vancouver Convention Centre', 'BEGA Vancouver Convention Centre'),
(1244, 214, 'BEGA-Harmandir-Sahib-Golden-Temple_01.jpg', 'BEGA Harmandir Sahib Golden Temple', 'BEGA Harmandir Sahib Golden Temple'),
(1245, 214, 'BEGA-Harmandir-Sahib-Golden-Temple_02.jpg', 'BEGA Harmandir Sahib Golden Temple', 'BEGA Harmandir Sahib Golden Temple'),
(1246, 214, 'BEGA-Harmandir-Sahib-Golden-Temple_03.jpg', 'BEGA Harmandir Sahib Golden Temple', 'BEGA Harmandir Sahib Golden Temple'),
(1247, 215, 'Lumenpulse-PRADO-Commercial-Center_01.jpg', 'Lumenpulse PRADO Commercial Center', 'Lumenpulse PRADO Commercial Center'),
(1248, 215, 'Lumenpulse-PRADO-Commercial-Center_02.jpg', 'Lumenpulse PRADO Commercial Center', 'Lumenpulse PRADO Commercial Center'),
(1249, 215, 'Lumenpulse-PRADO-Commercial-Center_03.jpg', 'Lumenpulse PRADO Commercial Center', 'Lumenpulse PRADO Commercial Center'),
(1250, 217, 'Lumenpulse-Mersey-Gateway-Bridge_01.jpg', 'Lumenpulse Mersey Gateway Bridge', 'Lumenpulse Mersey Gateway Bridge'),
(1251, 217, 'Lumenpulse-Mersey-Gateway-Bridge_02.jpg', 'Lumenpulse Mersey Gateway Bridge', 'Lumenpulse Mersey Gateway Bridge'),
(1252, 217, 'Lumenpulse-Mersey-Gateway-Bridge_03.jpg', 'Lumenpulse Mersey Gateway Bridge', 'Lumenpulse Mersey Gateway Bridge');

-- --------------------------------------------------------

--
-- Table structure for table `projects_families`
--

CREATE TABLE `projects_families` (
  `pf_id` int(11) UNSIGNED NOT NULL,
  `project_id` int(11) UNSIGNED NOT NULL,
  `uid` int(11) UNSIGNED NOT NULL,
  `family_code` varchar(64) NOT NULL,
  `search_names` text NOT NULL,
  `search_params` text NOT NULL,
  `tag` varchar(32) NOT NULL,
  `uspec` varchar(32) NOT NULL,
  `uprice` smallint(5) UNSIGNED NOT NULL,
  `comments` text NOT NULL,
  `qty` smallint(5) UNSIGNED NOT NULL,
  `ulocation` varchar(64) NOT NULL
) ENGINE=InnoDB DEFAULT CHARSET=utf8;

--
-- Dumping data for table `projects_families`
--

INSERT INTO `projects_families` (`pf_id`, `project_id`, `uid`, `family_code`, `search_names`, `search_params`, `tag`, `uspec`, `uprice`, `comments`, `qty`, `ulocation`) VALUES
(2, 5, 3, 'PRF_LDA4A-4L', '', '', 'f1', '', 0, '', 5, ''),
(3, 5, 3, 'FOP_FNVL-22-AC', '{\"Fixture Type\":\"General Architectural\",\"Lumen Envelope\":\"4,000 Lm\",\"Efficacy\":\"50 Lm/Wt or higher\",\"Compliances\":\"UL\",\"Controls\":\"Lutron EcoSystem\"}', '{\"controls_2\":\"270\",\"listing_1\":\"408\",\"efficacy\":\"null-50-lte\",\"lumens_1\":\"3500-4500-mmb\",\"fixture\":\"42\"}', 'T2', '', 0, 'test', 0, ''),
(4, 4, 3, 'FOP_FNVL-22-ACZ', '{\"Fixture Type\":\"General Architectural\",\"Lumen Envelope\":\"4,000 Lm\",\"Efficacy\":\"50 Lm/Wt or higher\",\"Compliances\":\"UL\",\"Controls\":\"Lutron EcoSystem\"}', '{\"controls_2\":\"270\",\"listing_1\":\"408\",\"efficacy\":\"null-50-lte\",\"lumens_1\":\"3500-4500-mmb\",\"fixture\":\"42\"}', 'h5', '', 0, 'with em option', 12, ''),
(5, 6, 8, 'PRF_LDA4A-4L', '', '', '', '', 0, '', 0, ''),
(9, 4, 3, 'GTM_ICO-CYL-2', '{\"Fixture Type\":\"Downlight\",\"CCT Color\":\"4000K\",\"Distribution\":\"Medium\"}', '{\"distribution_2\":\"186\",\"cct\":\"251\",\"fixture\":\"38\"}', 'T21', '', 0, '', 0, ''),
(12, 8, 1, 'PRF_LDA4A-4LWW', '{\"Mounting\":\"Ceiling Recessed\",\"Size\":\"4\\\" Width\",\"Aiming\":\"Adjustable\"}', '{\"aiming\":\"105\",\"size\":\"146\",\"mounting\":\"60\"}', '4LWW', '', 0, '4LWW comments', 0, ''),
(13, 8, 1, 'PRF_LDA4A-4LAPIN', '{\"Fixture Type\":\"LED Fixture, Accent\",\"Mounting\":\"Ceiling Recessed\",\"Size\":\"4\\\" Width\",\"CRI\":\"70 or higher\",\"Aiming\":\"Adjustable\",\"Controls\":\"TRIAC/Forward/Leading\"}', '{\"controls_2\":\"264\",\"aiming\":\"105\",\"cri\":\"null-70-lte\",\"size\":\"146\",\"mounting\":\"60\",\"fixture\":\"36\",\"source\":\"497\"}', 'T1', '', 0, 'COMMENTS Adjustable Pinhole. LDA4A-4LAPIN', 0, ''),
(16, 8, 1, 'PRF_LDA4A-4LAPIN', '{\"Fixture Type\":\"LED Fixture, Accent\",\"Mounting\":\"Ceiling Recessed\",\"Size\":\"4\\\" Width\",\"CRI\":\"70 or higher\",\"Aiming\":\"Adjustable\",\"Controls\":\"TRIAC/Forward/Leading\"}', '{\"controls_2\":\"264\",\"aiming\":\"105\",\"cri\":\"null-70-lte\",\"size\":\"146\",\"mounting\":\"60\",\"fixture\":\"36\",\"source\":\"497\"}', '', '', 0, '', 0, ''),
(17, 8, 1, 'PRF_LDA4A-4LAPIN', '{\"Fixture Type\":\"LED Fixture, Accent\",\"Mounting\":\"Ceiling Recessed\",\"Size\":\"4\\\" Width\",\"CRI\":\"70 or higher\",\"Aiming\":\"Adjustable\",\"Controls\":\"TRIAC/Forward/Leading\"}', '{\"controls_2\":\"264\",\"aiming\":\"105\",\"cri\":\"null-70-lte\",\"size\":\"146\",\"mounting\":\"60\",\"fixture\":\"36\",\"source\":\"497\"}', '', '', 0, '', 0, ''),
(18, 8, 1, 'PRF_LDA4A-4LAPIN', '{\"Fixture Type\":\"LED Fixture, Accent\",\"Mounting\":\"Ceiling Recessed\",\"Size\":\"4\\\" Width\",\"CRI\":\"70 or higher\",\"Aiming\":\"Adjustable\",\"Controls\":\"TRIAC/Forward/Leading\"}', '{\"controls_2\":\"264\",\"aiming\":\"105\",\"cri\":\"null-70-lte\",\"size\":\"146\",\"mounting\":\"60\",\"fixture\":\"36\",\"source\":\"497\"}', '', '', 0, '', 0, ''),
(19, 8, 1, 'PRF_LDA4A-4LAPIN', '{\"Fixture Type\":\"LED Fixture, Accent\",\"Mounting\":\"Ceiling Recessed\",\"Size\":\"4\\\" Width\",\"CRI\":\"70 or higher\",\"Aiming\":\"Adjustable\",\"Controls\":\"TRIAC/Forward/Leading\"}', '{\"controls_2\":\"264\",\"aiming\":\"105\",\"cri\":\"null-70-lte\",\"size\":\"146\",\"mounting\":\"60\",\"fixture\":\"36\",\"source\":\"497\"}', '', '', 0, '', 0, ''),
(20, 8, 1, 'PRF_LDA4A-4LAPIN', '{\"Fixture Type\":\"LED Fixture, Accent\",\"Mounting\":\"Ceiling Recessed\",\"Size\":\"4\\\" Width\",\"CRI\":\"70 or higher\",\"Aiming\":\"Adjustable\",\"Controls\":\"TRIAC/Forward/Leading\"}', '{\"controls_2\":\"264\",\"aiming\":\"105\",\"cri\":\"null-70-lte\",\"size\":\"146\",\"mounting\":\"60\",\"fixture\":\"36\",\"source\":\"497\"}', '', '', 0, '', 0, ''),
(21, 8, 1, 'PRF_LDA4A-4LAPIN', '{\"Fixture Type\":\"LED Fixture, Accent\",\"Mounting\":\"Ceiling Recessed\",\"Size\":\"4\\\" Width\",\"CRI\":\"70 or higher\",\"Aiming\":\"Adjustable\",\"Controls\":\"TRIAC/Forward/Leading\"}', '{\"controls_2\":\"264\",\"aiming\":\"105\",\"cri\":\"null-70-lte\",\"size\":\"146\",\"mounting\":\"60\",\"fixture\":\"36\",\"source\":\"497\"}', '', '', 0, '', 0, ''),
(23, 8, 1, 'PRF_LDA4A-4LAPIN', '{\"Fixture Type\":\"LED Fixture, Accent\",\"Mounting\":\"Ceiling Recessed\",\"Size\":\"4\\\" Width\",\"CRI\":\"70 or higher\",\"Aiming\":\"Adjustable\",\"Controls\":\"TRIAC/Forward/Leading\"}', '{\"controls_2\":\"264\",\"aiming\":\"105\",\"cri\":\"null-70-lte\",\"size\":\"146\",\"mounting\":\"60\",\"fixture\":\"36\",\"source\":\"497\"}', '', '', 0, '', 0, ''),
(43, 5, 3, 'USA_1011', '', '', 'T5', '', 0, '', 1, ''),
(44, 5, 3, 'MTX_22CZ-LD4', '', '', 'F3', '', 0, '', 25, ''),
(45, 5, 3, 'ELM_E3R-L-B', '{\"Recessed Options\":\"Drywall Trimless\",\"Housing Depth\":\"8\\\" or less\",\"Compliances\":\"ETL\",\"Warranty\":\"5 Years at least\",\"Power\":\"120 V, EM Integral\"}', '{\"power_3\":\"210\",\"power_2\":\"205\",\"warranty\":\"null-5-lte\",\"listing_1\":\"409\",\"depth\":\"8-null-gte\",\"recessed_1\":\"221\"}', 'F1E', '', 0, '', 35, ''),
(46, 4, 3, 'FOP_FSM2LS-FL', '', '', 'h21', '', 0, '6 ft length', 35, ''),
(47, 5, 3, 'PRF_LDA4A-4L', '', '', 'f2', '', 0, '', 45, ''),
(49, 5, 3, 'ELM_E3R-F-F', '', '', 'F1', '', 0, 'TEST', 25, ''),
(54, 5, 3, 'ELM_E3R-F-F', '', '', 'F23', '', 0, '', 56, ''),
(55, 5, 3, 'FOP_FSM2LS-FL', '', '', 'c1', '', 0, 'https://www.google.com/?gws_rd=ssl', 0, ''),
(56, 4, 3, 'ALW_LP9HY', '{\"Fixture Type\":\"LED Fixture, Accent\",\"Mounting\":\"Pendant\",\"Lumen Envelope\":\"1,000 Lm\",\"Controls\":\"0-10V, to 0.1% or less\",\"Multiples\":\"3\"}', '{\"multiples\":\"3-null-mm\",\"controls_1\":\"477\",\"controls_2\":\"266\",\"lumens_1\":\"800-1300-mmb\",\"mounting\":\"64\",\"fixture\":\"36\",\"source\":\"497\"}', '', '', 0, '', 0, ''),
(64, 13, 9, 'MGE_GLEON-AE', '{\"Fixture Type\":\"Area and Site\",\"CCT Color\":\"3000K\",\"Lumen Envelope\":\"25,000 Lm\",\"Distribution\":\"Area V\",\"Controls\":\"0-10V\",\"Life Hours\":\"60,000 TM21\",\"Power\":\"347 V\"}', '{\"power_2\":\"207\",\"hours_tm\":\"null-60000-lte\",\"controls_2\":\"266\",\"distribution_2\":\"196\",\"lumens_1\":\"22500-27500-mmb\",\"cct\":\"247\",\"fixture\":\"26\"}', 'F1', '', 0, '', 5, ''),
(65, 13, 9, 'KIM_ARX25', '{\"Fixture Type\":\"Area and Site\",\"CCT Color\":\"3000K\",\"Lumen Envelope\":\"25,000 Lm\",\"Distribution\":\"Area V\",\"Controls\":\"0-10V\",\"Life Hours\":\"60,000 TM21\",\"Power\":\"347 V\"}', '{\"power_2\":\"207\",\"hours_tm\":\"null-60000-lte\",\"controls_2\":\"266\",\"distribution_2\":\"196\",\"lumens_1\":\"22500-27500-mmb\",\"cct\":\"247\",\"fixture\":\"26\"}', 'F1.ALT', '', 0, '', 1, ''),
(66, 14, 10, 'GTM_ICO-CYL-2', '{\"Fixture Type\":\"LED Fixture\"}', '{\"source\":\"497\"}', '', '', 0, '', 0, ''),
(67, 15, 9, 'JNO_T262L', '{\"Color/CCT\":\"3000K\",\"Lm Envelope\":\"1,500 Lm\",\"Power\":\"2 Circuits Track\",\"Controls\":\"ELV/Reverse/Trailing\"}', '', 'F6', '', 0, '', 67, ''),
(68, 16, 12, 'KIM_ARX09', '{\"Fixture Type\":\"Area and Site\",\"CCT Color\":\"5000K\",\"Lumen Envelope\":\"6,000 Lm\",\"Distribution\":\"Area III\"}', '{\"distribution_2\":\"194\",\"lumens_1\":\"5500-7000-mmb\",\"cct\":\"253\",\"fixture\":\"26\"}', 'F1', '', 0, 'Located at drive isles', 0, ''),
(69, 17, 12, 'KIM_ARX09', '{\"Fixture Type\":\"Area and Site\",\"CCT Color\":\"5000K\",\"Lumen Envelope\":\"6,000 Lm\",\"Distribution\":\"Area III\"}', '{\"distribution_2\":\"194\",\"lumens_1\":\"5500-7000-mmb\",\"cct\":\"253\",\"fixture\":\"26\"}', 'F2', '', 0, 'Located at drive isles', 0, ''),
(70, 17, 12, 'BGA_8977LED', '{\"Fixture Type\":\"Area and Site\"}', '{\"fixture\":\"26\"}', 'F2', '', 0, '', 24, ''),
(71, 15, 9, 'RSA_C1', '{\"CCT/Color\":\"2700K\",\"Watt\":\"10 - 15 W\",\"Voltage/Electrical\":\"120 V\"}', '{\"controls_2\":\"266\",\"depth\":\"8-null-gte\",\"lumens_1\":\"1300-1750-mmb\",\"cri\":\"null-90-lte\",\"recessed_2\":\"227\",\"fixture\":\"36\"}', 'F22', '', 320, '', 20, ''),
(72, 15, 9, 'PRF_LDA4A-4L', '{\"Fixture Type\":\"Accent\",\"Recessed Options\":\"New Chicago Plenum\",\"CRI\":\"90 or higher\",\"Lumen Envelope\":\"1,500 Lm\",\"Housing Depth\":\"8\\\" or less\",\"Controls\":\"0-10V\"}', '{\"controls_2\":\"266\",\"depth\":\"8-null-gte\",\"lumens_1\":\"1300-1750-mmb\",\"cri\":\"null-90-lte\",\"recessed_2\":\"227\",\"fixture\":\"36\"}', 'F23', '', 0, '', 100, ''),
(73, 15, 9, 'GTM_ICO-CYLLW-2', '', '', 'F21', '', 0, '', 34, ''),
(74, 15, 9, 'GTM_ICO-CYL-2', '{\"Color/CCT\":\"3000K\",\"Watt\":\"10 - 15 W\",\"Lm Envelope\":\"1,000 Lm\",\"Power\":\"120 V\",\"Controls\":\"Dimmable to 1%, 0-10V\",\"Distribution\":\"Medium\"}', '{\"brand\":\"443\"}', 'F1', 'ICO-CYL-2', 320, '', 35, ''),
(75, 15, 9, 'LTL_DSXPG-LED', '{\"Brands\":\"Acuity Brands\"}', '{\"brand\":\"443\"}', 'F6', '', 0, '', 23, ''),
(76, 15, 9, 'JNO_T254L', '{\"Brands\":\"Acuity Brands\"}', '{\"brand\":\"443\"}', 'F8', '', 0, '', 0, ''),
(77, 15, 9, 'ELM_E3R-F-B', '{\"Color/CCT\":\"3000K\",\"CRI\":\"90\",\"Lm Envelope\":\"1,000 Lm\",\"Power\":\"120 V\",\"Controls\":\"ELV/Reverse/Trailing\",\"Distribution\":\"Narrow\",\"Recessed Opt.\":\"New Chicago Plenum\",\"Housing Depth\":\"6.0\"}', '{\"watt_1\":\"10-15-mmb\",\"brand\":\"588\"}', 'F2', '', 0, '', 0, ''),
(79, 15, 9, 'USA_3113', '{\"Manufacturers\":\"USAI Lighting\"}', '{\"manf_ids\":\"522\"}', 'F9', '', 0, '', 0, ''),
(81, 15, 9, 'FOP_FNVL-22-AC', '{\"Color/CCT\":\"3500K\",\"Watt\":\"20 - 30 W\",\"Power\":\"UNV 120-277 V\",\"Controls\":\"Lutron EcoSystem H\",\"Mounting\":\"Ceiling Recessed\"}', '{\"manf_ids\":\"541\"}', 'F11', '', 0, 'Custom colors and mounting', 0, ''),
(85, 15, 9, 'MTX_22CZ-LD4', '{\"Color/CCT\":\"4000K\",\"Lm Envelope\":\"3,000 Lm\",\"Power\":\"120 V, EM Integral\",\"Controls\":\"DALI\",\"Mounting\":\"Ceiling Recessed\",\"Recessed Opt.\":\"Drywall, New Chicago Plenum\",\"Housing Depth\":\"5.5\"}', '{\"lumens_1\":\"2251-2750-mmb\",\"size\":\"457\",\"mounting\":\"60\"}', 'F11', '', 0, '', 0, ''),
(86, 18, 2, 'MTX_22CZ-LD4', '{\"Color/CCT\":\"3500K\",\"Watt\":\"20 - 30 W\",\"Lm Envelope\":\"3,000 Lm\",\"Power\":\"120 V\",\"Controls\":\"0-10V\",\"Recessed Opt.\":\"T-Grid, New Chicago Plenum\"}', '', 'F1', '', 300, '', 0, ''),
(87, 18, 2, 'ELM_EBY-L-LO', '', '', 'F25', '', 0, '', 0, ''),
(88, 15, 9, 'ELM_EBY-L-LO', '', '', 'R4', '', 0, '', 0, ''),
(89, 15, 9, 'ELM_EBY-L-LO', '{\"Color/CCT\":\"3000K\",\"Lm Envelope\":\"1,000 Lm\",\"Power\":\"120 V\",\"Controls\":\"ELV/Reverse/Trailing\",\"Distribution\":\"Medium\",\"Recessed Opt.\":\"Drywall\"}', '', 'F5', '', 0, '', 0, ''),
(90, 18, 2, 'BGA_33136', '', '', '', '', 0, '', 0, ''),
(91, 15, 9, 'MTX_14CZ-LD4', '', '', 'F12', '', 0, '', 40, ''),
(94, 15, 9, 'LWX_VIA3PD', '', '', 'F14', 'via3pd', 0, 'coordinate finish with architect', 23, 'hallways, lobby'),
(96, 19, 14, 'MDL_SNE', '', '', '', '', 0, '', 0, ''),
(97, 15, 9, 'FOP_FNVL-22-AX', '', '', 'F3', '', 0, 'OFFICE SPACE ROOM 203', 22, ''),
(101, 15, 9, 'JNO_T254L', '{\"Color/CCT\":\"2700K\",\"CRI\":\"90\",\"Watt\":\"15 - 20 W\",\"Controls\":\"ELV/Reverse/Trailing\",\"Distribution\":\"Medium\",\"Recessed Opt.\":\"Recessed Track\"}', '', 'f2', '', 0, '', 0, ''),
(102, 15, 9, 'ELM_E3R-L-B', '{\"Mounting\":\"Ceiling Recessed\",\"Environment\":\"Wet\",\"CCT Color\":\"3000K\",\"Watt\":\"15 - 20 W\",\"Recessed Options\":\"Drywall Trimless, New Construction\",\"CRI\":\"90 or higher\",\"Lumens Delivered\":\"1,000 Lm\",\"Housing Depth\":\"7\\\" or less\",\"Distribution\":\"Direct, Medium\",\"Controls\":\"Dimmable, 0-10V\",\"Power\":\"120 V, EM Integral\"}', '{\"power_3\":\"210\",\"power_2\":\"205\",\"controls_2\":\"266\",\"controls_1\":\"263\",\"distribution_2\":\"186\",\"distribution_1\":\"181\",\"depth\":\"7-null-gte\",\"lumens_1\":\"851-1250-mmb\",\"cri\":\"null-90-lte\",\"recessed_2\":\"225\",\"recessed_1\":\"221\",\"watt_1\":\"15-20-mmb\",\"cct\":\"247\",\"environment\":\"76\",\"mounting\":\"60\"}', 'F50', '', 0, '', 0, ''),
(103, 13, 9, 'KIM_ARX16', '', '', 'S1', '', 0, '', 0, ''),
(104, 15, 9, 'ELM_E3R-L-B', '{\"Color/CCT\":\"3000K\",\"Watt\":\"15 - 20 W\",\"Lm Envelope\":\"1,000 Lm\",\"Power\":\"277 V\"}', '{\"cri\":\"null-90-lte\",\"cct\":\"247\",\"environment\":\"75\"}', 'F4', '', 0, 'test', 0, ''),
(105, 24, 19, 'FOP_FNVL-22-AX', '', '', 'F11', '', 0, '', 48, ''),
(106, 24, 19, 'HLO_ELG4069', '', '', 'F2', '', 0, '', 200, ''),
(107, 24, 19, 'LOU_LPGS', '', '', '', '', 0, '', 12, ''),
(108, 24, 19, 'MDL_SNE', '', '', '', '', 0, '', 25, ''),
(109, 25, 20, 'GTM_ICO-CYL-2', '', '', '', '', 0, '', 0, ''),
(110, 25, 20, 'BWD_JAK-LED', '', '', '', '', 0, '', 0, ''),
(111, 25, 20, 'INL_SS4G2-IC430', '', '', '', '', 0, '', 0, ''),
(112, 25, 20, 'ELM_E3R-F-F', '', '', '', '', 0, '', 0, ''),
(113, 25, 20, 'LOU_LPGS', '', '', '', '', 0, '', 0, ''),
(114, 25, 20, 'LOU_LP', '', '', '', '', 0, '', 0, ''),
(115, 15, 9, 'MTX_22CZ-LD4', '', '', 'F7', '', 0, '', 0, ''),
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(117, 15, 9, 'FOP_FNVL-22-AX', '', '', 'F15', '', 0, '', 0, ''),
(136, 15, 9, 'GTM_ICO-CYL-4', '{\"Color/CCT\":\"4000K\"}', '', 'S1', 'ICO-CYL-4', 0, 'CUSTOM COLOR', 25, 'HALLWAY'),
(139, 18, 2, 'ELM_E3R-L-B', '{\"Fixture Type\":\"Accent\",\"CCT Color\":\"2700K\",\"Watt\":\"15 - 20 W\",\"Recessed Options\":\"Drywall Trimless, New Chicago Plenum\",\"Size\":\"3\\\" Width\",\"CRI\":\"90 or higher\",\"Housing Depth\":\"6\\\" or less\",\"Aperture Type\":\"Beveled\",\"Controls\":\"ELV/Reverse/Trailing\",\"Power\":\"120 V\"}', '{\"power_2\":\"205\",\"controls_2\":\"265\",\"aperture\":\"93\",\"depth\":\"6-null-gte\",\"cri\":\"null-90-lte\",\"size\":\"144\",\"recessed_2\":\"227\",\"recessed_1\":\"221\",\"watt_1\":\"15-20-mmb\",\"cct\":\"245\",\"fixture\":\"36\"}', '', '', 0, '', 0, ''),
(142, 11, 1, 'USA_3113', '{\"Color/CCT\":\"3000K Warm Dim\",\"Watt\":\"15 - 20 W\",\"Lm Envelope\":\"1,000 Lm\",\"Controls\":\"eldoLED SOLO 0-10V\",\"Mounting\":\"Ceiling Recessed\"}', '', 'A1', 'SP', 100, 'Notes', 5, 'Loc'),
(146, 23, 1, 'USA_3113', '{\"Color/CCT\":\"3000K Warm Dim\",\"Lm Envelope\":\"500 Lm\",\"Controls\":\"0-10V\",\"Mounting\":\"Ceiling Recessed\"}', '', '', '', 0, '', 0, ''),
(150, 30, 2, 'MTX_22CZ-LD4', '{\"Color/CCT\":\"3500K\",\"CRI\":\"85\",\"Power\":\"120 V, EM Integral\",\"Controls\":\"0-10V\",\"Recessed Opt.\":\"T-Grid, New Chicago Plenum\",\"Housing Depth\":\"5.5\"}', '', 'F1', '', 0, '', 20, 'conference rooms'),
(151, 30, 2, 'CKN_eW Fuse Powercore with Precision Dimming', '{\"Brands\":\"Philips\"}', '{\"brand\":\"566\"}', 'F6', '', 0, '', 0, ''),
(152, 30, 2, 'HBL_HBLH', '{\"Color/CCT\":\"4000K\",\"Watt\":\"100 - 150 W\",\"Power\":\"120 V\",\"Distribution\":\"Aisle\"}', '', 'F24', '', 120, '', 200, 'OPEN SPACE'),
(153, 30, 2, 'KIM_ARX16', '{\"Manufacturer\":\"KIM Lighting\"}', '{\"manf_ids\":\"562\"}', 'F33', '', 0, '', 0, ''),
(154, 30, 2, 'USA_3113', '{\"Fixture Type\":\"Downlight\"}', '{\"fixture\":\"38\"}', 'F1', '', 320, '', 23, ''),
(155, 30, 2, 'GTM_EVO-SQ-4', '{\"Color/CCT\":\"3000K\",\"CRI\":\"85+, 90+\",\"Watt\":\"15 - 20 W\",\"Lm Envelope\":\"1,500 Lm\",\"Hours\":\"60,000 Hours LM70\",\"Controls\":\"eldoLED SOLO DALI\",\"Power\":\"120 V\",\"Distribution\":\"Flood\",\"Fixture Type\":\"Downlight\",\"Recessed Opt.\":\"New Chicago Plenum\"}', '{\"fixture\":\"38\"}', '', '', 0, '', 0, ''),
(156, 30, 2, 'LWX_NOVRF22', '', '', 'F1.ALT', '', 0, '', 20, 'OFFICE'),
(157, 30, 2, 'ELM_E3R-F-F', '{\"Fixture Type\":\"Accent\",\"CCT Color\":\"2700K\",\"Watt\":\"15 - 20 W\",\"Housing Depth\":\"6\\\" or less\",\"Controls\":\"Dimmable\"}', '{\"controls_1\":\"263\",\"depth\":\"6-null-gte\",\"watt_1\":\"15-20-mmb\",\"cct\":\"245\",\"fixture\":\"36\"}', 'l1', '', 0, '', 0, ''),
(158, 30, 2, 'BGA_88977', '', '', 'F4', '', 0, '', 15, 'PARKING LOT'),
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(218, 25, 20, 'USA_3313', '{\"Color/CCT\":\"2700K-2200K 3000K-2200K\",\"CRI\":\"80+, 90+\",\"Watt\":\"16, 32W\",\"Lm Envelope\":\"650- 950LM, 1100 - 1600LM\",\"Hours\":\"50,000 Hours LM70\",\"Controls\":\"Warm Glow Dimming, 0-10V, eldoLED 0-10V, eldoLED DALI, eldoLED DMX, Lutron Hi-Lume\",\"Power\":\"120V, 277V\",\"Distribution\":\"30°,50°,80°\",\"Housing Depth\":\"5\\\" or less\"}', '', '', '', 0, '', 0, ''),
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(258, 44, 58, 'JNO_T254L', '{\"Color/CCT\":\"2700K, 3000K, 3500K, 4000K\",\"CRI\":\"80+, 90+, Enhanced Spectrum\",\"Watt\":\"18/19W\",\"Lm Envelope\":\"740-1438LM\",\"Hours\":\"50,000 Hours\",\"Controls\":\"ELV\",\"Power\":\"120V\",\"Distribution\":\"spot, narrow flood or flood\",\"Manufacturer\":\"Axis Lighting, Focal Point\"}', '', '', '', 0, '', 75, ''),
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(266, 45, 9, 'IRS_PN3LED12-E3PINL', '{\"Fixture Type\":\"Downlight Adjustable\",\"CCT/Color\":\"2700K\",\"CRI\":\"80\",\"Watt\":\"30 W\",\"Controls\":\"Dimmable to 1%\",\"Voltage/Electrical\":\"120 V, EM Integral\",\"Optics\":\"Narrow\",\"Recessed Opt.\":\"Drywall\",\"Housing Depth\":\"6.4\"}', '', '', '', 0, '', 0, ''),
(267, 45, 9, 'IRS_P3LED09-E3AA-E3AA20', '{\"Light Source\":\"LED Fixture\",\"Aperture Type\":\"Reflector\",\"Mounting Type\":\"Ceiling Recessed\",\"Watt\":\"15 - 20 W\",\"CCT/Color\":\"\",\"CRI\":\"\",\"Lumens\":\"\",\"Lumen Maintenance\":\"\",\"Controls\":\"\",\"Voltage/Electrical\":\"\",\"Optics\":\"\"}', '', 'F33', 'IRS_P3LED09-E3AA', 0, '', 0, ''),
(268, 1, 1, 'BGA_88977', '{\"CCT/Color\":\"3000K\"}', '', '', '', 0, '', 0, ''),
(269, 1, 1, 'LMR_Cambria 203', '{\"Compliances\":\"UL\",\"Lumens\":\"200 Lm\",\"Voltage/Electrical\":\"120 V\"}', '{\"power_2\":[\"205\"],\"lumens_1\":\"151-250-mmb\",\"listing_1\":[\"408\"]}', '', '', 0, '', 0, ''),
(270, 45, 9, 'BGA_88977', '{\"CCT/Color\":\"\",\"CRI\":\"\",\"Watt\":\"\",\"Lumens\":\"\",\"Lumen Maintenance\":\"\",\"Controls\":\"\",\"Voltage/Electrical\":\"\",\"Optics\":\"\"}', '', '', '', 0, '', 0, ''),
(271, 46, 58, 'ELM_E3R-F-F', '', '', '', '', 0, '', 35, ''),
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(276, 46, 58, 'PRU_OLV-40', '{\"Mounting Type\":\"Pendant\"}', '{\"mounting\":[\"64\"]}', '', '', 0, '', 12, ''),
(277, 47, 30, 'BCL_510580', '{\"Manufacturer\":\"Beta-Calco lighting\",\"LED Brand\":\"Xicato\",\"Light Source\":\"LED Fixture\",\"Size\":\"10\\\" Width\"}', '{\"manf_ids\":\"670\",\"size\":[\"152\"],\"source\":[\"497\"],\"fixture_finish\":[\"673\"]}', '', '', 0, '', 0, ''),
(278, 48, 30, 'LTL_DSXPG-LED', '{\"Manufacturers\":\"Acuity Brands\",\"Light Source\":\"LED Fixture\"}', '{\"source\":[\"497\"],\"brand\":[\"443\"]}', '', '', 0, '', 0, ''),
(279, 49, 61, 'DPL_SP613', '{\"CCT/Color\":\"\",\"Watt\":\"\",\"Lumens\":\"\",\"Voltage/Electrical\":\"\",\"Optics\":\"\"}', '', '', '', 0, '', 0, ''),
(280, 49, 61, 'DPL_SP613', '{\"CCT/Color\":\"\",\"Watt\":\"\",\"Lumens\":\"\",\"Voltage/Electrical\":\"\",\"Optics\":\"\"}', '', '', '', 0, '', 0, ''),
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-- --------------------------------------------------------

--
-- Table structure for table `projects_inspirations`
--

CREATE TABLE `projects_inspirations` (
  `insp_id` int(10) UNSIGNED NOT NULL,
  `project_id` int(10) UNSIGNED NOT NULL,
  `uid` int(10) UNSIGNED NOT NULL,
  `projectslib_id` mediumint(8) UNSIGNED DEFAULT NULL,
  `guide_id` mediumint(8) UNSIGNED DEFAULT NULL,
  `notes` text NOT NULL
) ENGINE=InnoDB DEFAULT CHARSET=utf8;

--
-- Dumping data for table `projects_inspirations`
--

INSERT INTO `projects_inspirations` (`insp_id`, `project_id`, `uid`, `projectslib_id`, `guide_id`, `notes`) VALUES
(14, 8, 1, 19, NULL, 'Inspiration notes'),
(15, 8, 1, 13, NULL, 'Nova Eventis Shopping Mall INSPIRATION NOTES'),
(17, 8, 1, 22, NULL, ''),
(18, 8, 1, 28, NULL, ''),
(26, 5, 3, 33, NULL, ''),
(27, 5, 3, 10, NULL, ''),
(28, 5, 3, 31, NULL, ''),
(30, 5, 3, 32, NULL, ''),
(32, 1, 1, 21, NULL, ''),
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(35, 15, 9, 25, NULL, ''),
(36, 15, 9, 9, NULL, ''),
(37, 1, 1, 19, NULL, ''),
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(46, 11, 1, 19, NULL, ''),
(47, 11, 1, NULL, 14, ''),
(48, 11, 1, NULL, 17, ''),
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(53, 19, 14, 31, NULL, ''),
(54, 20, 14, 23, NULL, ''),
(58, 23, 1, 18, NULL, ''),
(59, 15, 9, NULL, 18, 'lobby accent'),
(77, 30, 2, 43, NULL, ''),
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(80, 31, 1, NULL, 17, ''),
(81, 31, 1, NULL, 4, ''),
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(84, 31, 1, 27, NULL, '');

-- --------------------------------------------------------

--
-- Table structure for table `project_gallery`
--

CREATE TABLE `project_gallery` (
  `pr_gallery_id` int(10) UNSIGNED NOT NULL,
  `sku` varchar(32) NOT NULL,
  `active` tinyint(3) UNSIGNED NOT NULL,
  `manufacturer` smallint(5) UNSIGNED NOT NULL,
  `title` varchar(255) NOT NULL,
  `subtitle` varchar(255) NOT NULL,
  `description` text NOT NULL,
  `url` varchar(255) NOT NULL,
  `thumbnail` varchar(255) NOT NULL,
  `thumbnail_alt` varchar(255) NOT NULL,
  `tag_title` varchar(255) NOT NULL,
  `tag_description` text NOT NULL,
  `dt` date NOT NULL
) ENGINE=InnoDB DEFAULT CHARSET=utf8;

--
-- Dumping data for table `project_gallery`
--

INSERT INTO `project_gallery` (`pr_gallery_id`, `sku`, `active`, `manufacturer`, `title`, `subtitle`, `description`, `url`, `thumbnail`, `thumbnail_alt`, `tag_title`, `tag_description`, `dt`) VALUES
(7, 'TRX001', 0, 27, 'Kamppi Shopping Mall', 'Helsinki, Finland.', 'Integrating two underground terminals and a metro rail station, the Kamppi Shopping Mall in the heart of Helsinki is one of the largest shopping complexes in Finland. \nFor a stylish and unique illumination, Traxon installed its revolutionary Mirror 64PXL Wash panels, which provide Kamppi with the function of a regular mirror when switched off and an unexpected source of light when illuminated. \n\nThe DMX control of the Mirror 64PXL Wash panels allows for the emergence of a huge spectrum of different colorings and video animations, creating a thrilling shopping experience and offering a perfect stage for any promotional or entertainment event.\n\nLighting Designer : Helsinki Light Design\n\nProduct: Mirror 64PXL Wash panels.\nManufacturer: Traxon Technologies', 'http://www3.traxontechnologies.com/us/showcase/showcase_details/2672/Kamppi%20Shopping%20Mall%20-%20Helsinki,%20Finland', 'TRX001_Kamppi_Shopping_Mall_small.jpg', 'Kamppi Shopping Mall', 'LEDELUM. PROJECTS LIBRARY. Kamppi Shopping Mall', 'Project Kamppi Shopping Mall with Interior LED installation is located in Helsinki, Finland.. Discover lighting design solutions and luminaires types specified in the project.', '2015-10-17'),
(8, 'LMP002', 0, 28, 'Yale-New Haven Hospital Atrium', 'New Haven, Connecticut, United States', 'A large teaching hospital with four buildings joined to an atrium wanted to create a welcoming and vibrant space that visitors could navigate easily. Lighting designer Lam Partners of Cambridge MA chose Lumenfacade wall washing luminaires to illuminate the atrium of the Yale-New Haven Hospital (YNHH), creating a welcoming hub with a relaxing atmosphere and improving way-finding for visitors and patients.\n\nYNHH is the primary teaching hospital for Yale School of Medicine and Yale School of Nursing and the largest hospital in the state. The newly renovated, three-storey atrium is the focal point in welcoming patients to the hospital. It is important for visitors to be quickly oriented as the atrium links four ‘pavilions’. Using Lumenfacade Remote Color Changing fixtures, each building’s entrance is now identified by color-changing illumination and the reception desk is easily located. Each atrium corner above the pavilion entrance, is grazed with its own color or a series of colors, controlled using a Lumentouch™ Intelligent Control Keypad. Lumenfacade fixtures provide white LED light with a warm color temperature of 3000K that now grazes the freestanding stone wall behind the reception desk, making it a focal point.\n\nThe Lumentouch control panel behind the information desk adjusts the white light in the atrium to suit the levels of natural light available at any time of the day or night. The white light grazing the elegant wood-paneled walls is carefully focused with narrow beam optics to avoid glare from viewpoints at any height. Lumenfacade’s dual chamber design reduces maintenance by improving heat control and extending the luminaire’s lifespan. Lam Partners installed the fixtures no more than 12 foot above the ground so that regular ladders could be used for maintenance to avoid any damage to the new terrazzo flooring.\n\n\nEquipment Specified\n 37 x Lumenfacade (4’, 3000K, 10?x60? optic)\n 5 x Lumenfacade (1’, 3000K, 10?x60? optic)\n 3 x Lumenfacade (3’, 3000K, 10?x60? optic)\n 12 x Lumenfacade Remote Color Changing (3’, 10?x60? optic)\n 6 x CBOX\n 1 x iCBOX\n 2 x Lumentouch Intelligent Control Keypad\n\n\n\nLighting Design: Lam Partners \nPhotographer: Robert Benson', 'http://www.lumenpulse.com/projects/3/yale-new-haven-hospital-atrium', 'LMP002_Yale-New_Haven_Hospital_Atrium_small.jpg', 'Yale-New Haven Hospital Atrium', 'LEDELUM. PROJECTS LIBRARY. Yale-New Haven Hospital Atrium', 'Project Yale-New Haven Hospital Atrium with General Lighting LED installation is located in New Haven, Connecticut, United States. Discover lighting design solutions and luminaires types specified in the project.', '2015-10-17'),
(9, 'LMP006', 0, 28, 'Pacific Centre', 'Vancouver, British Columbia, Canada', 'A well-known landmark in the heart of downtown Vancouver, Pacific Centre is the city\'s premiere fashion destination, with 100 shops and services. It extends along three blocks, with indoor connections to six office towers, the Four Seasons Hotel and the Apple store. Before the start of the 2010 Winter Olympics in Vancouver, Cadillac Fairview, the Centre’s owners, identified an opportunity to make it easier for visitors to locate and enter the Centre.\n\n“Before, the Dunsmuir entrance was almost invisible, surrounded by the black glass facades of nearby office towers in the complex, and also situated under a bridge adjacent to the neighboring Holt Renfrew store,” says Darren Luce of Lightworks. To replace the canyon-like effect with a more dynamic and welcoming image, Lightworks teamed with exhibit designer Brian Bazett to create a traffic-generating visual introduction to the Centre.\n\nTheir strategy was to saturate the space with a strong blue color above and below the full-height glass entry doors: Lumenfacade Color Changing fixtures were used at the portals and Lumenbeam Large Color Changing luminaires in the outside space leading in from the street. Five different shows are programmed into the installation for use by the Centre’s marketing staff to promote events and celebrations. \n\nEquipment specified\n\n2 x Lumenfacade Color Changing (2’ units, RGB color mixing, 10? x 10? optic)\n 2 x Lumenfacade Color Changing (3’ units, RGB color mixing, 30? x 60?)\n12 x Lumenfacade Color Changing (4’ units, RGB color mixing, 30? x 60?)\n4 x Lumenbeam Large (RGB color mixing, flood 40? optic)\n\n\nLighting Design: CD/M2 Lightworks \nPhotographer: Ed White', 'http://www.lumenpulse.com/projects/11/pacific-centre', 'LMP006_Pacific_Centre_small.jpg', 'Pacific Centre', 'LEDELUM. PROJECTS LIBRARY. Pacific Centre', 'Project Pacific Centre with Accent Lighting LED installation is located in Vancouver, British Columbia, Canada . Discover lighting design solutions and luminaires types specified in the project.', '2015-10-17'),
(10, 'LMP007', 0, 28, 'The Casino de Montreal', 'Montreal, Quebec, Canada', 'Offering five floors of gaming, the Casino de Montreal is the largest casino in Canada, and one of the largest in the world. Housed in two former Expo 67 pavilions – facilities that were never designed for their current usage – it had, however, struggled to compete with US casinos. \n\nSeeking a change in fortune, the casino recently completed a four-year, $300 million renovation project, which included the construction of an all-new entrance and lobby. Designers Ombrages were engaged to give the new-look complex a striking night-time presence.\n\n“We wanted to do more than just provide light for the entrance – we wanted to make the building sparkle, like a diamond shining in the distance,” said Mehdi Laieb, principal at Ombrages. “The basic principle was therefore to make it seem like light was coming through transparent walls, with no apparent light sources or fixtures,” he said.\n\nTo accomplish this, the firm used Lumenpulse LED technology. “Lumenpulse is an LED leader, and after testing several products, we found that the Lumenpulse fixtures had the integration, performance and control that we needed,” Laieb said.\n\nWorking with the architects, Ombrages artfully backlit the golden, micro-perforated panels of the entrance and canopy, making the entire structure shimmer in light. The firm placed warm 2700K Lumenfacade luminaires – which fluctuate gently in intensity – at various angles behind the panels, giving the building a scintillating, jewel-like appearance. Playfully deceptive, the design leaves visitors wondering where the light comes from.\n\nTo illuminate the floor plane, Ombrages used a range of Lumenbeam Medium fixtures recessed in the canopy.\n\n“The Lumenbeam fixtures pin spot the ground floor and complement the light coming from the walls. This illuminates the entrance, but without ever making the fixtures apparent,” Laieb said.\n\nThe end result has provided the casino with a dramatic new entrance, captivating visitors upon arrival and guiding them inwards. \n\n“Everything is coordinated now, from the entrance to the interior,” Laieb said, describing the unique entrance and canopy. “There’s nothing like it in the world; it’s become the signature of the Casino de Montreal.”\n\nEquipment Specified \n\n10 x Lumenbeam Medium (40°, 2700K)\n 16 x Lumenbeam Medium (10°, 2700K)\n 6 x Lumenbeam Medium (6°, 2700K)\n 83 x Lumenfacade Interior HO (2’, 2700K, 10 x 60)\n 56 x Lumenfacade HO (3’, 2700K, 10 x 60)\n 87 x Lumenfacade Interior HO (3’, 2700K, 10 x 60)\n \n\nLighting Design: Ombrages \nPhotographer: Sebastien Racicot', 'http://www.lumenpulse.com/projects/90/the-casino-de-montreal', 'LMP007_The_Casino_de_Montreal_small.jpg', 'The Casino de Montreal', 'LEDELUM. PROJECTS LIBRARY. The Casino de Montreal', 'Project The Casino de Montreal with General Lighting LED installation is located in Montreal, Quebec, Canada. Discover lighting design solutions and luminaires types specified in the project.', '2015-10-17'),
(11, 'LMP008', 0, 28, 'Saint Louis Art Museum', 'Saint Louis, Missouri, United States', 'Originally called the “Palace of Fine Arts,” the Saint Louis Art Museum was built in 1904 to coincide with the World’s Fair. The building’s architect, Cass Gilbert, was inspired by the Baths of Caracalla in Rome when he designed it. The Museum’s comprehensive permanent art collection covers a wide range of cultures and time periods, from Oceanic to pre-Columbian, ancient China, and late 19th- and early 20th-century European and American.\n\nOnce visitors step inside, they immediately enter Sculpture Hall, a regal space with 78-foot-high arched ceilings. Though some natural light seeps in from the arched windows lining the hall, additional sources are required to illuminate the large sculptures usually showcased in this central area and to provide general lighting.\n\nPreviously, the space was lit using 500-watt incandescent lamps, but the Museum wanted to replace these with an energy-efficient solution. Museum lighting requirements are rigorous; UV emission had to be kept to a minimum so as not to damage the art on display. Lumenpulse’s Lumenbeam Large fixtures were chosen to replace the old lamps because of their long lifetime and their warm, comfortable glow.\n\n“It’s a white light that’s just easier on the eyes,” says Ed Jensen, the Museum’s Lead Engineering Technician. “We’re saving energy and manpower. With the old lighting, we had to change a lamp almost every day.”\n\nThe Lumenbeam fixtures were mounted on existing cantilevered arms and are adjustable. The luminaires are installed along the hall and also in the arched passageways on the sides, where some Lumenbeams provide uplight to accentuate the curve ceilings.\n\n“Visitors have said Sculpture Hall looks brighter and even feels bigger,” Jensen reports. “The new lighting lets the Saint Louis Art Museum – and its collection – make the best, first impression on visitors.”\n\nEquipment Specified\n 125 x Lumenbeam Large (2700K, narrow 20° flood)\n\n\nPhotographer: JJ Lane \nSales Agent: Rafferty Lighting Group, Inc. \nClient: Saint Louis Art Museum', 'http://www.lumenpulse.com/projects/64/saint-louis-art-museum', 'LMP008_Saint_Louis_Art_Museum_small.jpg', 'Saint Louis Art Museum', 'LEDELUM. PROJECTS LIBRARY. Saint Louis Art Museum', 'Project Saint Louis Art Museum with General Lighting LED installation is located in Saint Louis, Missouri, United States . Discover lighting design solutions and luminaires types specified in the project.', '2015-10-17'),
(12, 'TRX002', 0, 27, 'David H. Koch Theater. Lincoln Center', 'New York, NY, USA', 'Located in New York\'s historic and renowned Lincoln Center, the David H. Koch lobby was brought to a new, vibrant life in October 2009. The ticket windows feature a wall glowing with white light; this clean and crisp installation is surfaced with custom cut Corian diffusion which tells the theatre\'s story in elegance and style. To emit a radiance capable of setting a mood of sophistication, New York\'s Tillotson Design Associates combined over 560 of Traxon\'s 1PXL Board Warm White to illuminate the interior of the corrugated façade enhancing a Corian panel cut precisely to give the illusion of an opera scene when viewed from one angle, and a ballet scene when viewed from the other, both in photographic grey scale. With control provided by an e:cue lighting control Butler and Butler XT, the Traxon Boards’ brightness can be adjusted as necessary\n\nDue to its low-profile, lightweight nature, 1PXL Board RGB is the ideal solution for this type of installation, as it provides bright light output with discreet installation so the fixture cannot be seen. The Cube Chandelier can be recreated due to its scalability and modularity, as well as the ease of installation of Traxon 1PXL Board RGB, and the ability to pre-program e:cue’ s Butler for uninterrupted replay of the 30-minute lighting show.\n\nLighting Designer : Tillotson Design Associates \nArchitect : Diller Scofidio + Renfro \nClient : Lincoln Center', 'http://www3.traxontechnologies.com/us/showcase/showcase_details/13572/David%20H.%20Koch%20Theater,%20Lincoln%20Center%20-%20New%20York,%20NY,%20USA', 'TRX002_David_H_Koch_Theater_Lincoln_Center_small.jpg', 'David H. Koch Theater. Lincoln Center', 'LEDELUM. PROJECTS LIBRARY. David H Koch Theater Lincoln Center', 'Project David H. Koch Theater. Lincoln Center with Interior LED installation is located in New York, NY, USA. Discover lighting design solutions and luminaires types specified in the project.', '2015-11-27'),
(13, 'TRX003', 0, 27, 'Nova Eventis Shopping Mall', 'Halle/Leiipzig, Germany', 'In Germany\'s Halle/Leipzig region of economical growth the Nova Eventis recently opened its doors. Nova Eventis stands for a unique concept of shopping, leisure and experiences - all combined in a new development on 76 000 square metres. \nThe numerous offers from the tenant partners and the various events in the special action areas turn every visit to the Nova Eventis into an event. For the outdoors area, the developers designed a LED illuminated ball with a 12.5 m radius.\n\nLighting Designer : Tobias Link Peter Andres, Mariana Theiling', 'http://www3.traxontechnologies.com/us/showcase/showcase_details/14054/Nova%20Eventis%20Shopping%20Mall%20-%20Halle/Leiipzig,%20Germany', 'TRX003_Nova_Eventis_Shopping_Mall_small.jpg', 'Nova Eventis Shopping Mall', 'LEDELUM. PROJECTS LIBRARY. Nova Eventis Shopping Mall', 'Project Nova Eventis Shopping Mall with Interior LED installation is located in Halle/Leiipzig, Germany. Discover lighting design solutions and luminaires types specified in the project.', '2015-11-27'),
(14, 'TRX004', 0, 27, 'Cronos', 'Lima, Peru', 'Located in the center of Lima, Peru, one of South America\'s key business cities, the newly built A-class office building Cronos represents a symbol for modern architecture. Impressing with its huge glass facade and contemporary design, the building fits well into the city\'s night life area, becoming a new lamdmark of Lima\'s skyline. Oscar Gonzales Moix, one of the leading LED lighting architects of South America, developed in collaboration with Traxon Technologies an elaborate lighting concept for the building\'s glass facade. Using Traxon\'s Nano Liner XB, the building has been artfully illuminated with colorful lighting. Installed on the bottom of 4m high platforms, the slim profile and high power of the Nano Liner XB ensures a discreet installation and optimal illumination. \n\nControlled by Traxon\'s Micro Server, various stylish lighting sequences ranging from decent color changes to very dynamic lighting scenarios are replayed. Fascinating passers-buy and observers every night, the building represents a new highlight of the city.\n\nArchitect : Oscar Gonzales Moix', 'http://www3.traxontechnologies.com/us/showcase/showcase_details/2413/Cronos%20-%20Lima,%20Peru', 'TRX004_Cronos_small.jpg', 'Cronos', 'LEDELUM. PROJECTS LIBRARY. Cronos', 'Project Cronos with Facade LED installation is located in Lima, Peru. Discover lighting design solutions and luminaires types specified in the project.', '2015-11-27'),
(15, 'TRX005', 0, 27, 'Cube Chandelier-Zwolle', 'The Netherlands', 'Known for their ability to flawlessly integrate lighting into architectural projects, system integrator, installer and programmer Maramoja Projects was commissioned to create a simple yet stunning chandelier for Hotel Lumen’ s grand lobby in Zwolle, The Netherlands. Their stunning creation, a futuristic Cube Chandelier, exceeded all expectations, transforming the space into a glowing, surreal atmosphere. With the assistance of Traxon’ s 1PXL Board RGB and an e:cue Butler, the cubes are illuminated from the inside displaying a rich, even distribution of colored light capable of virtually any hue, determined by the programmer. \n\nDue to its low-profile, lightweight nature, 1PXL Board RGB is the ideal solution for this type of installation, as it provides bright light output with discreet installation so the fixture cannot be seen. The Cube Chandelier can be recreated due to its scalability and modularity, as well as the ease of installation of Traxon 1PXL Board RGB, and the ability to pre-program e:cue’ s Butler for uninterrupted replay of the 30-minute lighting show.\n\nLighting Designer : Herman ter Hennepe \nInstaller : Maramoja Projects bv', 'http://www3.traxontechnologies.com/us/showcase/showcase_details/14056', 'TRX005_Cube_Chandelier-Zwolle_small.jpg', 'Cube Chandelier-Zwolle', 'LEDELUM. PROJECTS LIBRARY. Cube Chandelier-Zwolle', 'Project Cube Chandelier-Zwolle with Art Installations LED installation is located in The Netherlands. Discover lighting design solutions and luminaires types specified in the project.', '2015-11-27'),
(16, 'TRX006', 0, 27, 'Lutron Showroom', 'New York, NY, USA', 'Located in Midtown Manhattan, the Lutron Showroom was completed in the Spring of 2009. Lutron, a lighting control company, sought to offer an environment where customers could experience their home automation products, creating the feel of a smart home, and displaying their ability to connect many technologies using a unified interface. Traxon was called upon to create an installation for the “great room” and “bedroom” showroom areas, which would simulate two large windows and display an outdoor environment. The installation of 330 64PXL boards in two separate groupings along a split wall in the showroom, displays medium resolution video, adding brightness and life to this replicated living environment. \n\nThe video was broken into two layers to allow separate control of each window. Control is provided by an e:cue Media Engine 2, and at the moment, videos are triggered solely by three e:cue Glass Touches. Designed by CBBLD in New York City, the Lutron Showroom installation represents several landmarks. This is the largest installation of its kind in the United States, and the first installation world-wide to implement e:cue\'s proprietary e:pix protocol and Emotion software. Additionally, this is the first installation of Video Micro Converter in the world. \n\nArchitect : Cline Bettridge Bernstein Lighting Design \nInstaller : Celtic Construction', 'http://www3.traxontechnologies.com/us/showcase/showcase_details/5697', 'TRX006_Lutron_Showroom_small.jpg', 'Lutron Showroom', 'LEDELUM. PROJECTS LIBRARY. Lutron Showroom', 'Project Lutron Showroom with Interior LED installation is located in New York, NY, USA. Discover lighting design solutions and luminaires types specified in the project.', '2015-11-27'),
(17, 'TRX007', 0, 27, 'ESPRIT Flagship Store', 'Frankfurt, Germany', 'First impressions set the tone for the experience that follows, influence communication methods, and even make or break relationships. Traxon & e:cue understands the positive potential of exterior lighting for retail environments and is committed to providing attractive, intriguing first impressions for our customers, and memorable experiences for theirs. Traxon & e:cue\'s dynamic lighting solutions create intrigue and interest in store windows. Whether beautifully showcasing well-craftedwindow displays with crisp, white light, or mesmerizing passersby with a rich, colorful glow, the magnetism of light draws customers into the store to further explore. Façade Solutions take first impressions to an exciting, larger scale. From enhancing architectural details with the legacy of a branded hue, or displaying low-to-medium resolution graphics, text, and animations, Traxon & e:cue\'s intelligent LED fixtures and control convert retail spaces and facades into landmarks. Our installations pique the interest of guests and passersby, preparing them for the unique and satisfying shopping they are about to experience.', 'http://www3.traxontechnologies.com/us/showcase/highlight/44', 'TRX007_ESPRIT_Flagship_Store_small.jpg', 'ESPRIT Flagship Store', 'LEDELUM. PROJECTS LIBRARY. ESPRIT Flagship Store', 'Project ESPRIT Flagship Store with Interior LED installation is located in Frankfurt, Germany. Discover lighting design solutions and luminaires types specified in the project.', '2015-11-27'),
(18, 'TRX008', 0, 27, 'CRUSH Teen Club at Atlantis', 'The Bahamas', 'The expansive Atlantis luxury resort hugs miles of white sand beaches on Paradise Island, Bahamas. Vacationers of all ages flock to the resort for its on-site recreational opportunities, which range from a private marine park to a world-class casino. A recent recreational addition, CRUSH Teen Club, with lighting design by Focus Lighting, is a nightclub exclusively for Atlantis’ teen guests. CRUSH is loaded with technology and entertainment features, including Internet lounges; gaming cabanas; video walls; and a touch-screen, on-demand DJ system. Traxon & e:cue\'s dynamic lighting and intelligent control solutions were selected to create the dazzling media wall element that interfaces with the nightclub’ s DJ system. \n\nTo construct the media wall, Traxon’ s Media Tube RGB were combined with e:cue’ s Butler, Butler XT, Glass Touch T12, and Video Micro Converter (VMC) e:pix. Due to their affordability and versatility, products from Traxon & e:cue were used throughout CRUSH. e:cue’ s Lighting Control Engine (LCE) was programmed to control both the static and dynamic lighting for the entire nightclub. Additional Glass Touch T12 units were installed in critical areas, allowing staff to adjust various lighting elements \n\nLighting Designer : Focus Lighting Inc \nArchitect : HKS, Inc', 'http://www3.traxontechnologies.com/us/showcase/showcase_details/14034/CRUSH%20Teen%20Club%20at%20Atlantis%20-%20The%20Bahamas', 'TRX008_CRUSH_Teen_Club_at_Atlantis_small.jpg', 'CRUSH Teen Club at Atlantis', 'LEDELUM. PROJECTS LIBRARY. CRUSH Teen Club at Atlantis', 'Project CRUSH Teen Club at Atlantis with Interior LED installation is located in The Bahamas. Discover lighting design solutions and luminaires types specified in the project.', '2015-11-27'),
(19, 'TRX009', 0, 27, 'Euratechnologies', 'Lille, France', 'Serving as an economic centre for information and communication technologies, the ‘Le Blan – Lafont’ building is located in one of France\'s economical cross points, the city of Lille. \nThe project called “EURATECHNOLOGIES” serves as a modern technology hub for companies specialized in cutting edge technologies. Within the building complex, a huge main hall has been designed for encouraging a constant exchange among the occupants. To support the purpose of this special place, a stunning LED screen has been created by Traxon in cooperation with Audio Equipement, one of the leading audio and video equipment installers in France. \n\nUsing Traxon\'s award-winning Mesh RGB, a large screen covering 48 sq. m has been installed, stretching across the hall\'s main glass façade. Comprising 78 Mesh units, the semi-transparent media screen replays TV streams, videos, as well as any kind of graphic content. The Traxon Mesh RGB is a versatile system of LED modules, convincing through its unique flexibility and diversity in application.\n\nArchitect : Vincent Brossy \nInstaller : Groupe IEC - Audio Equipement', 'http://www3.traxontechnologies.com/us/showcase/showcase_details/2223/Euratechnologies%20-%20Lille,%20France', 'TRX009_Euratechnologies_small.jpg', 'Euratechnologies', 'LEDELUM. PROJECTS LIBRARY. Euratechnologies', 'Project Euratechnologies with Facade LED installation is located in Lille, France. Discover lighting design solutions and luminaires types specified in the project.', '2015-11-27'),
(20, 'TRX010', 0, 27, 'Los Libertadores Bridge', 'Lima, Peru', 'Los Libertadores is a modern cable-stayed bridge located in Lima, Peru. The bridge was recently declared an icon by the mayor of Peru as a gift to Lima citizens in celebration of the “bicentenario” of independence. Lighting designer Claudia Paz of CAM Peru and contractor and software specialist Arquileds collaborated with Traxon Technologies to develop a sophisticated LED lighting installation for the bridge, this consists of 410 customizable Media Tube RGB. \n\nThe result is an ultra bright, full color effect for the 12 steel bands that span from the top of the bridge to the bank of the Rimac River, perfectly tracing the architectural design of the bridge. Traxon Media Tube RGB can resist nearly any weather condition, making it a versatile solution for both indoor and outdoor installations. All of the bridge\'s lighting effects are controlled using 4 e:cue lighting control Butler and one Butler XT which can be activated by an iPod touch using e:cue\'s software', 'http://www3.traxontechnologies.com/us/showcase/highlight/25', 'TRX010_Los_Libertadores_Bridge_small.jpg', 'Los Libertadores Bridge', 'LEDELUM. PROJECTS LIBRARY. Los Libertadores Bridge', 'Project Los Libertadores Bridge with Art Installations LED installation is located in Lima, Peru. Discover lighting design solutions and luminaires types specified in the project.', '2015-11-27'),
(21, 'TRX011', 0, 27, 'Project Hope', 'Munich, Germany', 'Traxon Technologies innovative lighting fixtures were used to turn a windmill into a sensational piece of LED art. Equipped with over 1,000 ultra bright Dot XL-9 lighting fixtures (9,000 LEDs) the world\'s biggest revolving media screen displays a multitude of stunning colors as well as medium-resolution video content. Challenged by the difficult winter-weather conditions as well as the implementation of an installation on a constantly rotating object, artist Michael Pendry chose Traxon as partner for realizing this spectacular project due to its innovative and customizable lighting solutions. \n\nIP67-rated the Dot XL offers exactly the flexibility needed for this demanding project. Available with 3, 6 or 9 high performance LEDs per dot casing the single controllable dots are mounted on an elastic cable with customizable pitch offering the possibility of an installation on almost any surface or three-dimensional shape. Furthermore the Dot XL has a robust casing that ensures full outdoor capability.\n\nInstaller : Micheael Pendry in collaboration with Siemens', 'http://www3.traxontechnologies.com/showcase/showcase_details/11009', 'TRX011_Project_Hope_small.jpg', 'Project Hope', 'LEDELUM. PROJECTS LIBRARY. Project Hope', 'Project Project Hope with Art Installations LED installation is located in Munich, Germany. Discover lighting design solutions and luminaires types specified in the project.', '2015-11-27'),
(22, 'TRX012', 0, 27, 'Sephora Qianmen Flagship Store', 'Beijing, China', 'Founded in Limoges, France in 1969 Sephora is a visionary beauty-retailer and part of the Paris-based LVMH Moet Hennessy Louis Vuitton group. Sephora\'s unique, open-sell environment features over 200 brands across a broad range of product categories including skincare, color, fragrance, bath & body in addition to their own private label. Opening their biggest store in China, the Qianmen flagship store in Beijing, Sephora wanted a lighting installation both eye-catching and inviting. \n\nTraxon offered the perfect solution: a total of 224 64PXL Boards installed at the entrance area of the two-story store create a hugh media screen displaying sparkling adds and video animations of Sephora\'s newest products. With its 64 individually addressable LEDs, and a pixel pitch of 31.25mm Traxon\'s 64PXL Board is a multifunctional, high brightness LED lighting fixture offering the most efficient solutions for the replay of medium to high resolution videos, graphics and texts.\n\nInstaller : Cyberconcept', 'http://www3.traxontechnologies.com/showcase/showcase_details/11079/Sephora%20Qianmen%20Flagship%20Store%20-%20Beijing,%20China', 'TRX012_Sephora_Qianmen_Flagship_Store_small.jpg', 'Sephora Qianmen Flagship Store', 'LEDELUM. PROJECTS LIBRARY. Sephora Qianmen Flagship Store', 'Project Sephora Qianmen Flagship Store with Interior LED installation is located in Beijing, China. Discover lighting design solutions and luminaires types specified in the project.', '2015-11-27'),
(23, 'TRX013', 0, 27, 'La Geode Entrance', 'Paris, France', 'An exclusive spherical IMAX theatre in the “Parc de la Villette” at the Cite des Sciences et de l\'Industrie in Paris, La Geode is equipped with the only 12.1-watt sound system in the world. To celebrate its 25th anniversary, project architect Adrien Lambert converted the reception and restaurant spaces into open areas featuring an architectural LED installation, thus improving public traffic flow and creating a clear transition zone between La Geode\'s arrival and waiting areas. \n\nArchitect : Adrien Lambert \nInstaller : ZACHARIE, RDL', 'http://www3.traxontechnologies.com/showcase/showcase_details/13866/La%20Geode%20Entrance%20-%20Paris,%20France', 'TRX013_La_Geode_Entrance_small.jpg', 'La Geode Entrance', 'LEDELUM. PROJECTS LIBRARY. La Geode Entrance', 'Project La Geode Entrance with Interior LED installation is located in Paris, France. Discover lighting design solutions and luminaires types specified in the project.', '2015-11-27'),
(24, 'TRX014', 0, 27, 'OVO', 'Lyon, France', 'OVO is an egg-shaped art structure that concentrates, magnifies, and diffuses positive energies while appealing to multiple senses. Created by ACT Lighting Design and sculpture specialist Odeaubois, OVO\'s illuminated portion consists of ultra-bright, fully-customizable Dot XL-6 RGB, programmed to communicate visual and acoustic animations. \n\nThis dynamic installation is a combination of 24 crossed spiral structures based on the Golden Proportion found in the universe, such as in DNA helixes. When visiting the installation, guests walk across a 100-square meter basin covered with two centimeters of water to reach the interior. \n\nLighting Designer : ACT Lighting Design \nInstaller : ACT Lighting Design', 'http://www3.traxontechnologies.com/showcase/showcase_details/14047/OVO%20-%20Lyon,%20France', 'TRX014_OVO_small.jpg', 'OVO', 'LEDELUM. PROJECTS LIBRARY. OVO', 'Project OVO with Art Installations LED installation is located in Lyon, France. Discover lighting design solutions and luminaires types specified in the project.', '2015-11-27'),
(25, 'TRX015', 0, 27, 'Roka Akor', 'Chicago, IL, US', 'Recently opened, Roka Akor, voted one of the Top 10 Sushi Spots in the United States by Bon Appetit, is Chicago\'s most stylish sushi restaurant and Japanese robata grill.\n\nArchitect: DMAC Architecture\nLighting Design: OP Design', 'http://www.opdesign.us/commercial.html', 'TRX015_Roka_Akor_small.jpg', 'Roka Akor', 'LEDELUM. PROJECTS LIBRARY. Roka Akor', 'Project Roka Akor with Interior LED installation is located in Chicago, IL, US. Discover lighting design solutions and luminaires types specified in the project.', '2015-11-27'),
(26, 'TRX016', 0, 27, 'Christ the Redeemer Monument', 'Rio de Janeiro, Brazil', 'Christ the Redeemer Monument has overlooked the city of Rio de Janeiro for 80 years. The largest Art Deco statue in the world, the 130-foot statue sits atop a 2,300-foot peak, and has been an historical icon of both Rio and Brazil since its completion in 1931. On March 1, 2011, the world saw Christ the Redeemer Monument in a new light. Traxon Technologies & e:cue lighting control, in a partnership with OSRAM, fulfilled lighting designer Peter Gasper\'s vision to create wonder and inspiration in Monument visitors, by illuminating the statue with bright LED light. An intelligent lighting system consisting of 64Traxon Shield AC Extend, and 30 Liner Shield AC XB-27 RGB and Cold White fixtures with specially-focused optics, were installed around the base of the statue at various distances.', 'http://www3.traxontechnologies.com/showcase/showcase_details/14039', 'TRX016_Christ_the_Redeemer_Monument_small.jpg', 'Christ the Redeemer Monument', 'LEDELUM. PROJECTS LIBRARY. Christ the Redeemer Monument', 'Project Christ the Redeemer Monument with Monuments LED installation is located in Rio de Janeiro, Brazil. Discover lighting design solutions and luminaires types specified in the project.', '2015-11-27'),
(27, 'LMP001', 0, 28, 'Banner MD Anderson Cancer Center', 'Gilbert, Arizona', 'Architectural practice Cannon Design used Lumenfacade RGB fixtures to illuminate a key element of the award-winning Banner MD Anderson Cancer Center at Gilbert, Arizona, and create a ‘Lantern of Hope’ for patients.  \n\nCannon used the luminaires to illuminate the four-storey latticed tower over the facility’s main entrance with a gentle and consistent light. They graze the metal structure’s translucent fabric panels with a uniform glow, lit in a soothing and symbolic lavender color.\n\nCannon chose Lumenfacade RGB after testing fixtures from three manufacturers to see which would deliver the necessary color saturation control, source intensity and color-changing effects with light that would reach the top of the 69-foot structure. “The Lumenpulse product out-performed its competitors in every aspect with the total package of performance, reach, cost, accessibility, adjustability, maintenance, and fixture look and design, winning it for Lumenpulse,” said Cannon lighting designer Sara Schonour.  “The ease of control through the Lumentouch system, giving the staff the ability to adjust the lighting to suit their facility’s needs, was another key element.”  \n\nThe design challenges created by the unique structure include the heat, dryness and dust of the desert combined with the need to avoid light pollution. Using custom mounting brackets developed with Lumenpulse, Cannon concealed the fixtures within the 30 x 30 foot area structure in just the right locations to light the fabric panels consistently on all four sides of the lantern. Cannon used narrow beam optics and light diffusing film and angled light on to the vertical fabric plane to reduce skyglow.  \n\nIt was crucial to have a low maintenance solution. Lumenpulse’s IP66 rated fixtures were robust enough to withstand the harsh desert environment, and besides offering an LED lifespan of 120,000 hours, enable individual components to be accessed and replaced.  \n\nEquipment Specified\n\n43 x Lumenfacade Color Changing (4’ units, 10?x10? optic) \n 5 x Lumenfacade Color Changing (2’ units, 10?x10? optic)\n\n\nArchitect: Cannon Design \nLighting Design: Cannon Design \nPhotographer: Mark Skalny', 'http://www.lumenpulse.com/projects/2/banner-md-anderson-cancer-center', 'LMP001_Banner_MD_Anderson_Cancer_Center_small.jpg', 'Banner MD Anderson Cancer Center', 'LEDELUM. PROJECTS LIBRARY. Banner MD Anderson Cancer Center', 'Project Banner MD Anderson Cancer Center with Color Changing LED installation is located in Gilbert, Arizona. Discover lighting design solutions and luminaires types specified in the project.', '2015-11-27'),
(28, 'LMP003', 0, 28, 'Montreal Museum of Contemporary Art', 'Montreal, Quebec, Canada', 'Lumenpulse Lumenbeam Large Color Changing fixtures have been used in one of Canada’s largest LED installations at the Musée d’art contemporain de Montréal (MAC), which is at the heart of Montreal’s theater and festival district, the Quartier des Spectacles. More than 100 color-changing LED fixtures at the base of the building give the illusion of weightlessness to the iconic museum’s stone facade, and help create its distinct visual identity.\n\nLeading Canadian design firm Lightemotion concealed the fixtures in the colonnade that surrounds the museum so that the building itself appears to glow from within and seems to float on a cloud of ethereal white light with hints of cool blue. The facade is revealed by the soft-hued light from the luminaires hidden within trenches so that, as Lightemotion principal François Roupinian says, ‘it is as if the lighting is coming from nowhere.’ Glare shield visors add to the subtlety of the scheme.\n\nThe Lumenbeam fixture’s compact footprint and robustness suited it precisely to this location, while rigorous testing showed that the RGB color mixing and optics would enable it to produce the quality of light that Lightemotion was looking for. The Lumenbeam’s award-winning, dual chamber design prolongs the life of the luminaires by helping to dissipate heat and making it possible to access and replace driver components. A further consideration was energy; Lightemotion opted for an all LED-based solution to save energy; the Lumenpulse fixtures consume a maximum of just 36W each.\n\nLumenpulse Products Specified\n\n48 x Lumenbeam Large Color Changing (30? optic)\n 49 x Lumenbeam Large Color Changing (40? optic with visor and refracting lens)\n 23 x Lumenbeam Large Color Changing (45? optic with visor and refracting lens)\n 13 x Lumenbeam Large Color Changing (30? optic with lens)\n\n\nLighting Design: Lightemotion', 'http://www.lumenpulse.com/projects/15/montreal-museum-of-contemporary-art-mac', 'LMP003_Montreal_Museum_of_Contemporary_Art_small.jpg', 'Montreal Museum of Contemporary Art', 'LEDELUM. PROJECTS LIBRARY. Montreal Museum of Contemporary Art', 'Project Montreal Museum of Contemporary Art with Color Changing LED installation is located in Montreal, Quebec, Canada. Discover lighting design solutions and luminaires types specified in the project.', '2015-11-27'),
(29, 'LMP004', 0, 28, 'BC Place', 'Vancouver, British Columbia, Canada', 'Lighting designer CM Kling+Associates has utilized a range of Lumenpulse’s Lumenfacade  and Lumenbeam fixtures to create spectacular light shows and signature looks for Vancouver’s landmark BC Place stadium.   \n\nWhen stadium owner BC Pavilion Corporation commissioned a massive renovation project for BC Place, the multi-purpose venue in the heart of Vancouver, British Columbia, it took the opportunity to reinvent the guest experience and the look and feel of the much-loved venue from the inside and out.   \n\nTwo major elements of the $563 million revitalization included a spectacular retractable roof and a façade of translucent polymer. Lighting consultant CM Kling+Associates chose high-output, fully controllable Lumenpulse LED fixtures to bring the new structural changes to life, creating light shows for the stadium’s home sports teams and color-branding for the building itself.   \n\nThe lighting focuses in three key areas: the façade, the roof, and the support structures of masts and cables. Lumenfacade RGB fixtures illuminate the façade and its the 1700 ETFE panels with fixed colors belonging to the home teams or gradually moving abstracted, color-changing content.\n\nThe first third elevation of the roof, the most visible from the pedestrian plaza and the surrounding street level is the most brightly illuminated with Lumenbeam fixtures mounted on the ring beam around the stadium. The next two thirds are lit from the 36 perimeter masts that support the roof. Each fixture is aimed to bathe a specific wedge-shaped segment of roof in a myriad of colors and focused precisely to give uniform illumination.   \n\nTo finish off the stunning lighting design, fixtures sit on the cables that traverse the roof offering a star-like effect. All of the façade and roof lighting is controlled by a Pharos controller, which enables a wide range of both static and dynamic programming, with over 26,000 channels to address.   \n\nEquipment Specified\n 1,616 x Lumenfacade Color Changing (4’, 30? x 60?)\n76 x Lumenfacade Color Changing (3’, 30? x 60?)\n24 x Lumenfacade Color Changing (2’, 30? x 60?)\n12 x Lumenfacade Color Changing (1’, 30? x 60?)\n92 x Lumenfacade (4’, 3000K, 30? x 60?)\n4 x Lumenfacade (3’, 3000K, 30? x 60?)\n26 x Lumenfacade (2’, 3000K, 30? x 60?)\n16 x Lumenfacade (1’, 3000K, 30? x 60?)\n293 x Lumenbeam Large Color Changing (Flood 40? optic, 72 with custom snoot)\n 144 x Lumenbeam Large (4000K, very narrow 6? optic, with custom snoot)\n 72 x Lumenbeam LBX Color Changing (with custom optics)\n\n\n\nLighting Design: C.M. Kling & Associates \nArchitect: Stantec Architecture Ltd. \nEngineer: Genivar \nPhotography by Ed White', 'http://www.lumenpulse.com/projects/4/bc-place', 'LMP004_BC_Place_small.jpg', 'BC Place', 'LEDELUM. PROJECTS LIBRARY. BC Place', 'Project BC Place with Color Changing LED installation is located in Vancouver, British Columbia, Canada. Discover lighting design solutions and luminaires types specified in the project.', '2015-11-27'),
(30, 'LMP005', 0, 28, 'St. John the Evangelist Church', 'Winthrop, Massachusetts, United States', 'St. John the Evangelist Church has been at the center of the Winthrop community for over 100 years. In the daytime, the bell tower is visible to the whole town; however, until recently, the church at night time was all but invisible.\n\nAs a result, the Church required an exterior lighting solution that would highlight the architectural features of the building without causing any spillover effects on the neighbouring residential community.\n\nThe Lumenpulse solution included Lumenfacade (3000K) fixtures mounted at the top of the bell tower to highlight the white granite detailing, while warm white Lumenfacade (2700K) fixtures were added to the base of the tower and between the three doorways to graze the 75 ft (23m) wall with a narrow beam that reveals the texture and detail of the brickwork.\n\nRequiring only a 4-inch set-back from the wall, the Lumenfacade fixtures were able to blend in with the architecture and remain discreet. The fixture’s flat lens and narrowly focussed beam prevent light spill, reducing the impact on the surrounding habitat.\n\nNot only does the Lumenpulse solution respect the architectural integrity of the building, it also dramatically reduced energy consumption by using only 441 watts, which is approximately 75% less energy than traditional sources. And, thanks to Lumenpulse\'s dual chamber technology, the entire lighting solution can be easily accessed and maintained on site providing the church with the benefit of a fully sustainable lighting solution.\n\nThe entire installation was completed in one day.\n\nLighting design was conceived by Paul Marks, in collaboration with Boston Light Source.\n\n\"One of the advantages of using the Lumenpulse luminaires was that they were compact enough to be placed in the necessary locations without being intrusive,\" explained Marks. \"And they blend into the architecture, while still packing enough punch to illuminate the building well.\"\n\nEquipment Specified\n 12 x Lumenfacade™, 12”, 3000K, on the top of the bell tower.\n 8 x Lumenfacade™, 12”, 2700K, mounted at the base of the bell tower.\n 4 x Lumenfacade™, 24”, 2700K, mounted between the doorways.\n\n\nLighting Design: Paul Marks\nPhotography by Paul Marks', 'http://www.lumenpulse.com/projects/8/st-john-the-evangelist-church', 'LMP005_St_John_the_Evangelist_Church_small.jpg', 'St. John the Evangelist Church', 'LEDELUM. PROJECTS LIBRARY. St John the Evangelist Church', 'Project St. John the Evangelist Church with Accent Lighting LED installation is located in Winthrop, Massachusetts, United States. Discover lighting design solutions and luminaires types specified in the project.', '2015-11-27'),
(31, 'LMP009', 0, 28, '230 Park Avenue', 'New York, New York, United States', 'New York City’s 230 Park Avenue was once considered a very tall structure in the Manhattan landscape, standing 34 storeys high. Yet within a very short time, it would be dwarfed by the towering Chrysler and Empire State buildings.\n\nDespite being a Beaux-Arts marvel, with its golden cupola and various ornate moldings, it was rendered virtually invisible at night. Only its lit rooftop was discernible from a distance. “The existing lighting used high-pressure sodium sources to illuminate the roof,” says Al Borden, principal at The Lighting Practice, the firm hired to create the bold new lighting design for 230 Park Avenue. “The rest of the building was in shadow. At night, it seemed to blend into the facades of surrounding buildings and disappear.”\n\nMonday Properties engaged The Lighting Practice to rebrand the building by creating a lit exterior that would be immediately recognizable from up close and from afar. “We were asked to illuminate the building from the sidewalk up to the top of the cupola on the north side, and to wrap the lighting treatment around the east, south and west sides of the building at the 29th floor and up,” Borden recounts.\n\n“Our intent has been to give the building a lively nighttime appearance by re-interpreting its historic forms and proportions with concealed uplight sources,” Borden continues. “During daylight hours, when downlit by the sun, the building’s architectural details have a familiar appearance. At night, we flip the source upside down and present a new way of looking at the building. People will see details very differently and have a new experience of the architecture.”\n\nOver 700 Lumenpulse luminaires were used to craft 230 Park Avenue’s nocturnal identity. To do this, The Lighting Practice chose Lumenpulse color-changing fixtures from the Lumenbeam and Lumenfacade families. “Lumenpulse presented excellent project experience and a committed team,” says Borden. “Their financial proposal was competitive and they showed an enthusiasm and attentiveness that was distinctive. They worked hard to get this project and have continued to work hard servicing it.”\n\n\nEquipment Specified\n\n3rd Floor – Archways\n 8 x Lumenfacade Color Changing (3\', 60° x 60° optics)\n 12 x Lumenfacade Color Changing (4\', 60° x 60° optics)\n\n5th Floor – North façade, including medallions, statues and center of building\n 4 x Lumenbeam Medium Color Changing (narrow 10° optics)\n 8 x Lumenbeam Large Color Changing (narrow 10° optics)\n 34 x Lumenbeam LBX Color Changing (very narrow 6° optics)\n 32 x Lumenbeam LBX Color Changing (narrow 10° optics)\n 6 x Lumenfacade Color Changing (4’, 10° x 60° optics)\n\n16th Floor – Upper portion of north façade, from 16th to 28th floors\n 2 x Lumenbeam LBX Color Changing (narrow 20° flood)\n 20 x Lumenbeam LBX Color Changing (narrow 10° optics)\n\n29th Floor – From 29th to 32nd floors\n 225 x Lumenfacade Color Changing (4’, 10° x 60° optics)\n\n32nd Floor\n 112 x Lumenfacade Color Changing (4’, 30° x 60° optics)\n\n33rd Floor\n 100 x Lumenbeam Large Color Changing (40° flood)\n\n34th Floor – Bottom part of sloped roof\n 44 x Lumenbeam Large Color Changing (40° flood)\n 4 x Lumenbeam LBX Color Changing (narrow 10° optics)\n 24 x Lumenfacade Color Changing (4’, 10° x 60° optics)\n\nRoof\n 8 x Lumenbeam Large Color Changing (40° flood)\n 52 x Lumenbeam LBX Color Changing (40° flood)\n\nCupola\n 8 x Lumenfacade Color Changing (4’, 10° x 10° optics)\n 16 x Lumenbeam Large Color Changing (narrow 10° optics)\n\n\nArchitect: Beyer Blinder Belle Architects & Planners LLP \nElectrical Engineer: AKF Group LLC \nOwner: Monday Properties & Invesco \nPhotographer: Evan Joseph', 'http://www.lumenpulse.com/en/projects/54/230-park-avenue', 'LMP009_230_Park_Avenue_small.jpg', '230 Park Avenue', 'LEDELUM. PROJECTS LIBRARY. 230 Park Avenue', 'Project 230 Park Avenue with Color Changing LED installation is located in New York, New York, United States . Discover lighting design solutions and luminaires types specified in the project.', '2015-11-27');
INSERT INTO `project_gallery` (`pr_gallery_id`, `sku`, `active`, `manufacturer`, `title`, `subtitle`, `description`, `url`, `thumbnail`, `thumbnail_alt`, `tag_title`, `tag_description`, `dt`) VALUES
(32, 'LMP010', 0, 28, 'Telus World of Science', 'Vancouver, British Columbia, Canada', 'For over 25 years, Telus World of Science has welcomed over a half-million visitors annually to view the displays and exhibits that has made the facility one of the world’s outstanding centers to present science topics to a broad age range. Its current harborside location occupies 113,022 sq ft (10,500 sqm) plus a 400-seat Omnimax Theater.\n\nSince its opening in the 80s, the Buckminster Fuller inspired dome has been a landmark on Vancouver’s evening cityscape, augmented by flashing strobe lights. In 2009, Science World management opted to update the dome and replace the points of light (originally fitted with A lamps and then later with CFLs) by installing sustainable LEDs. “They also specified that the new system contain opportunities for visitor interaction as do the exhibits in the science museum,” says Lightworks principal, Darren Luce, who supplied the equipment and managed the project. To meet the performance criteria, Lumenpulse created 291 customized Lumendome fixtures incorporating a 15-watt RGB LED light engine within an IP66 housing with sealed diffusing optics.\n\nEquipment specified\n291 x Lumendome Medium Color Changing\n\n\nEngineer & Lighting Design: Nemetz (S/A) & Associates Ltd. \nLighting Design: EOS Lightmedia \nClient: Telus World of Science', 'http://www.lumenpulse.com/projects/9/telus-world-of-science', 'LMP010_Telus_World_of_Science_small.jpg', 'Telus World of Science', 'LEDELUM. PROJECTS LIBRARY. Telus World of Science', 'Project Telus World of Science with Color Changing LED installation is located in Vancouver, British Columbia, Canada. Discover lighting design solutions and luminaires types specified in the project.', '2015-11-28'),
(33, 'LMP011', 0, 28, 'Pandora Jewelry', 'Hereford, United Kingdom', 'To help the BREEAM (Building Research Establishment Environmental Assessment Methodology) score at their Hereford, UK, store, Pandora Jewelry needed to implement a more energy-efficient lighting scheme. But how do you do that while still bringing out the best in the chain’s famed jewelry?\n\nPandora chose to replace the store’s Ceramic Metal Halide (CDM) lamps with Lumenalpha Multi Downlights in 3000K. The swap reduced wattage per lamp from 20W to 11.7W, resulting in a 47% decrease in energy consumption. The Multi Downlights also last roughly four times as long as traditional CDM lamps, eliminating costly and labor-intensive annual relamping and maintenance – all while ensuring a consistently high quality of light over its lifetime.\n\nInstalled in linear lines across the ceiling, the luminaires provide bright general lighting with exceptional color rendering (CRI of 80+), creating a warm, luxurious ambiance and giving Pandora’s merchandise the sparkle it deserves.  \n\nEquipment specified:\n\n33 x Lumenalpha Multi 3 (3000k, CRI 80+)\n 1 x Lumenalpha Multi 1 (3000k, CRI 80+)\n\n\nClient: Pandora Jewelry \nPhotographer: Ian Robinson', 'http://www.lumenpulse.com/projects/139/pandora-jewelry', 'LMP011_Pandora_Jewelry_small.jpg', 'Pandora Jewelry', 'LEDELUM. PROJECTS LIBRARY. Pandora Jewelry', 'Project Pandora Jewelry with General Lighting LED installation is located in Hereford, United Kingdom . Discover lighting design solutions and luminaires types specified in the project.', '2015-11-28'),
(34, 'LMP012', 0, 28, 'Latham Hotel', 'Philadelphia, Pennsylvania, United States', 'Built in 1907, the Latham Hotel is near many of Philadelphia’s most popular sites like the Liberty Bell, the Independence Mall and Rittenhouse Square. As part of overall renovations to update the historic hotel’s image, the 150-watt metal halide fixtures used to light the building’s exterior were replaced with Lumenfacade Stand Alone fixtures, while the canopy is lit with Lumenfacade Remote luminaires.\n\nOn the second and third floors, 10° x 60° optics graze the building’s textured facade in a warm 3000K glow, accentuating the Art Nouveau stone carvings. The 2-foot fixtures fit perfectly between the windows, with no light leaking into the guest rooms. The canopy, where the Lumenfacade Remote fixtures are installed, provides a comfortable, abundant expanse of light at the entrance.\n\nThe retrofit project went smoothly and the owner, Ocean Properties, Ltd., appreciates the fixtures’ slim design and strong light quality. Because the Lumenfacade fixtures have an L70 lifetime of 120,000 hours, the Latham Hotel staff are also pleased with not having to change the lamps frequently, a problem they faced with the previous luminaires.\n\nEquipment Specified\n\nExterior Facade:\n 14 x Lumenfacade Stand Alone (2’, 3000K, 10° x 60°)\n\nCanopy:\n 6 x Lumenfacade Remote (4’, 3000K, 30° x 60°)\n 2 x Lumenfacade Remote (3’, 3000K, 30° x 60°)\n 2 x Lumenfacade Remote (2’, 3000K, 30° x 60°)\n\n\n\nClient: Ocean Properties, Ltd. \nPhotographer: Barry Halkin', 'http://www.lumenpulse.com/projects/65/latham-hotel', 'LMP012_Latham_Hotel_small.jpg', 'Latham Hotel', 'LEDELUM. PROJECTS LIBRARY. Latham Hotel', 'Project Latham Hotel with Flood lighting LED installation is located in Philadelphia, Pennsylvania, United States. Discover lighting design solutions and luminaires types specified in the project.', '2015-11-28'),
(36, 'BGA001', 0, 40, 'Chandler City Hall', 'Chandler, AZ', 'This five-story building, featuring a modern façade, unusual angles, colorful night lighting, fountains and landscaped courtyard, has been open for less than a year but continues to draw rave reviews from residents and visitors alike.\nThe location, designed to house the city\'s offices, has become a favorite for local photographers. \"I\'m amazed at how many great shots there are in this complex. The lighting is phenomenal,\" said city spokesman Craig Younger, an amateur photographer.\nAmong the favorite spots is beneath a five-story \"Turbulent Shade\" that covers the building\'s west side. Created by California artist Ned Kahn, the illuminated work is made of 1,000 rectangles of perforated stainless-steel that undulate with the breeze above the \"Chandler City Hall\" letters.\nThe new city hall\'s popularity is not by happenstance. SmithGroup designed this elegant building for the community to create a sense of place and identity to encourage activity and interaction between visitors. The multi-purpose complex reflects the surrounding terrain and consists of council chambers, administrative offices, a public television studio and a 330-space parking structure.\nIt is estimated that pedestrians can reach any location on the Historic Downtown square, as well as the Community Center, Senior Center, Library, and Transportation and Development buildings in an easy walk of five minutes or less.\nBEGA\'s versatile light building elements and rectangular bollards provide the perfect lighting solution for this spectacular setting.', 'http://www.bega-us.com/projects_chandler.aspx?l=-635px', 'Bega_Chandler_lg_02_small.jpg', 'Bega. Chandler City Hall', 'Chandler City Hall', 'Among the favorite spots is beneath a five-story', '2016-09-19'),
(37, 'EDG001', 0, 44, 'Residence.', 'USA', 'LED Soft Strip SS3 RGB. Accent and ambient color changing lighting.', 'http://www.edgelighting.com/products/soft_strip_rgb-3w-24v.php', 'Edge_Lighting_ss3_soft_strip_rgb_install_07_small.jpg', 'SS3 soft strip. cove lighting', 'LED Strip. Accent and ambient color changing lighting.', 'LED Strip. Accent and ambient color changing lighting.', '2016-09-19'),
(38, 'EDG002', 0, 44, 'Showroom.', 'USA', 'LED Soft Strip SS3 RGB. Accent and ambient color changing lighting.', 'http://www.edgelighting.com/products/soft_strip_rgb-3w-24v.php', 'Edge_Lighting_soft_strip_3w_12v_install2_small.jpg', 'SS3 RGB Installation', 'SS3 RGB Installation', 'LED Strip. Accent and ambient color changing lighting.', '2016-09-19'),
(39, 'EDG003', 0, 44, 'Origami Risk Office', 'USA', 'Cirrus Channel D1 installation.', 'http://www.edgelighting.com/products/cirrus_channel_60d.php', 'Edge_Lighting_merch_mart_11_small.jpg', 'Cirrus Channel D1 installation.', 'Origami Risk Office', 'Cirrus Channel D1 installation.', '2016-09-19'),
(40, 'EDG004', 0, 44, 'Lobby', 'USA', 'Cirrus Channel D1 installation.', 'http://www.edgelighting.com/products/cirrus_channel_60d.php', 'Edge_Lighting_cirrus_channel_d1_install_08_small.jpg', 'Cirrus Channel D1 installation.', 'Cirrus Channel D1 installation.', 'Cirrus Channel D1 installation.', '2016-09-19'),
(41, 'FOP001', 0, 45, 'Office', 'Criteo, Boston, Massachusetts', 'Architect: Dyer Brown Architects\nPhotography: Nick Rezendes Photography', 'http://www.focalpointlights.com/products/linear/seem-2-fsm2ls#overlay=modal-overlay/571%3Fslide%3D0', 'Focal_Point_FSM2LS_criteo_01_small.jpg', 'Seem 2 LED Suspended', 'Seem 2 LED Suspended', 'Seem 2 LED Suspended', '2016-09-19'),
(42, 'FOP002', 0, 45, 'Office', 'Salesforce, San Francisco, California', 'Architect: Gensler\nPhotography: Jasper Sanidad Photography', 'http://www.focalpointlights.com/products/downlight/id-45-x-45-downlight-flc44d-lc44#overlay=modal-overlay/3419%3Fslide%3D1', 'Focal_Point_FLC44_salesforce_small.jpg', 'Salesforce, San Francisco, California', 'Salesforce, San Francisco, California', 'Salesforce, San Francisco, California', '2016-09-19'),
(43, 'ELM001', 0, 46, 'Store', 'USA', 'Element Lighting. Adjustable LED downlight installation.', 'http://www.element-lighting.com/Gallery', 'Element_Lighting_element_square_sl_hires_small.jpg', 'Element Lighting Applications', 'Element Lighting Applications', 'Element Lighting Applications', '2016-09-19'),
(44, 'ELM002', 0, 46, 'Residence', 'USA', 'Element Lighting. Adjustable LED downlight installation.', 'http://www.element-lighting.com/Gallery?sid=54&sname=3in%20LED%20Adjustable%20Downlight', 'Element_Lighting_CherryWoodKitchen1_small.jpg', 'Adjustable LED downlight installation.', 'Element Lighting. Adjustable LED downlight installation.', 'Element Lighting. Adjustable LED downlight installation.', '2016-09-19'),
(45, 'ELM003', 0, 46, 'Office', 'New-York, USA', 'Element Lighting. Adjustable LED downlight installation.', 'http://www.element-lighting.com/Gallery?sid=54&sname=3in%20LED%20Adjustable%20Downlight', 'Element_Lighting_EmpireStateOffice1_small.jpg', 'Adjustable LED downlight installation.', 'Element Lighting. Adjustable LED downlight installation.', 'Element Lighting. Adjustable LED downlight installation.', '2016-09-19'),
(47, 'TRX017', 0, 27, 'Nemours Children’s Hospital', 'Orlando, FL, USA', 'Nemours Children’s Hospital, a state-of-the-art pediatric healthcare facility, now features vibrant, interactive lighting throughout its 60-acre campus, a concept developed by architect-of-record Stanley Beaman & Sears (SBS), associate architect Perkins+Will, and lighting designer Anjan Sarkar of CD+M. The motor court of the Orlando, Florida children’s hospital, the only LEED® Gold Certified hospital in Central Florida, features a set of concentric arcs, illuminated by Traxon String RGB installed under the wall caps. Upon entering the main lobby, the focal point is a dynamic and inspirational digital artwork lighting installation, conceived as a folding pane, which begins at the wall and blends into the ceiling. Developed in partnership by the Design Team, with programming and installation by idesign, Traxon 16PXL Boards create the wall application and 1PXL Boards are installed in the ceiling, all wrapped in 3Form Chroma Diffusion, displaying preprogrammed video and animation clips, such as images of the sky, fields, and landscapes. The installation, also integrated by idesign, offers color-changing options and is controlled by e:cue’s Lighting Control Engine. Just past the media wall, Traxon String RGB is installed in the reception desk and overhead drum, and over 1,600 linear feet of Traxon Cove Light AC Dim in warm white provide ambient lighting throughout the hospital’s hallways and elevator lobby. In the patient rooms, 1PXL Cove Light XR RGB fixtures are installed over the beds in a ceiling canopy, washing the walls with dynamic color, which is controlled by each patient through interactive television. The Cove Lights in the patient rooms also provide colorful exterior lighting for the building façade, which was designed by SBS and Perkins+Will to resemble a Rubik‘s Cube. In addition to providing engagement and distraction for patients and visitors, the innovative lighting display adds inspirational content that supports Nemours’ mission to create a healthcare facility 100 percent focused on the needs of children and their families.\n\n\nLighting Designer :Anjan Sarkar, CD+M\nClient :Nemours Children’s Hospital	 	\nArchitect :Stanley Beaman Sears\nM&E Contractor/General Contractor: Skanska\nVAP/System Integrator: idesign\nLighting Programmer: idesign', 'http://www3.traxontechnologies.com/us/showcase/showcase_details/14229/Nemours%20Children%E2%80%99s%20Hospital%20-%20Orlando,%20FL,%20USA', 'Nemours_Children_Hospital_small.jpg', 'Nemours Children’s Hospital - Orlando, FL', 'Nemours Children’s Hospital', 'Nemours Children’s Hospital, a state-of-the-art pediatric healthcare facility, now features vibrant, interactive lighting', '2016-11-19'),
(48, 'LAW100', 0, 40, 'X office', 'go figure installation', 'test', 'test', 'go figure installation.jpg', 'go figure installation', 'go figure installation', 'go figure installation', '2018-01-26'),
(51, 'LMP013', 0, 28, 'Jacques-Cartier Bridge', 'Montreal, Quebec, Canada', 'Client: The Jacques Cartier and Champlain Bridges Incorporated\nLighting Concept: Moment Factory\nLighting Consultants: Ambiances Design Productions, ATOMIC3, Éclairage Public/Ombrages, Lucion Média, Réalisations, UDO Design\nEngineer: Consortium WSP–AECOM\nProject Management: The Jacques Cartier and Champlain Bridges Incorporated\nInstallation: Pomerleau\nPhotographer: The Jacques Cartier and Champlain Bridges Incorporated', 'https://www.lumenpulse.com/en/projects/241/jacques-cartier-bridge', 'LMP_Jacques_Cartier_Bridge_Lumenbeam_LBX_DWH_small.jpg', 'Lumenpulse.Jacques-Cartier Bridge.Lumenbeam LBX DWH', 'Jacques-Cartier Bridge', 'Jacques-Cartier Bridge, Montreal, Quebec, Canada', '2018-02-04'),
(52, 'LMP014', 0, 28, 'Åre Ski Resort', 'Åre, Sweden', 'Equipment Specified\n66 x Lumenbeam LBX (custom static blue and 4000K white, narrow flood 20? optics)\n61 x Lumenbeam LBX (custom static blue and 4000K white, narrow spot 10? optics)\n3 x Lumenbeam LBX (RGB, very narrow 6? optics)\n2 x Lumenbeam LBX (RGB, flood 40? optics)\n8 x Lumenbeam Large (RGB, narrow flood 20? optics)\n2 x Lumenbeam Large (RGB, narrow spot 10? optics)\n2 x Lumenbeam Large (3000K, narrow spot 10? optics)\n90 x Lumenbeam Medium (3000K, narrow spot 10? optics)\n6 x Lumenbeam Medium (RGB, narrow spot 10? optics)\n1 x Lumenbeam Medium (RGB, flood 40? optics)\n\nLighting Design: Ljusarkitektur\nPhotographer: Mikael Silkeberg\nPartner: Stockholm Lighting', 'https://www.lumenpulse.com/en/projects/12/are-ski-resort', 'LMP_Are_Ski_Resort_Lumenbeam_LBX_DWH_small.jpg', 'Lumenpulse.Åre Ski Resort.Lumenbeam LBX DWH', 'Åre Ski Resort', 'Åre Ski Resort, Åre, Sweden', '2018-02-04'),
(53, 'LMP015', 0, 28, 'Space Shuttle Atlantis', 'Cape Canaveral, Florida, United States', 'Fisher Marantz Stone design team:\nCharles Stone, President\nZack Zanolli, Design Principal\nPaula Martinez-Nobles, Project Manager\n\nEquipment Specified\n2 x Lumenbeam XLarge DWH (40°)\n27 x Lumenbeam XLarge DWH (20°)\n11 x Lumenbeam XLarge DWH (10°)\n1 x Lumembeam XLarge (4000K, 6°)\n48 x Lumenbeam Large DWH (20°)\n10 x Lumenbeam Large DWH (10°)\n5 x Lumenbeam Large DWH (6°)\n48 x Lumenbeam Large (4000k, 10°)\n13 x Lumenbeam Large (4000K, 6°)\n43 x Lumenbeam Medium (4000K, 6°) \n25 x Lumenbeam Medium DWH (6°)\n66 x Lumenbeam Medium (4000K, 20°)\n18 x Lumenbeam Medium (4000K, 10°)\n68 x Lumenfacade Interior (4\', 4000K, 30 x 60)\n10 x Lumenfacade Interior (1\', 4000K, 30 x 60)\n62 x Lumenfacade (4\', 4000K, 10 x 60)\n2 x Lumenfacade Interior RGB (1\', 30 x 60)\n14 x Lumenfacade Interior RGB (2\', 30 X 60)\n1 x Lumenfacade Interior RGB (3\', 30 X 60)\n87 x Lumenfacade Interior RGB (4\', 30 X 60)\n40 x Lumenfacade Interior DWH (1\', 10 x 60)\n\nArchitect: PGAV Destinations\nPhotographer: Ben Cooper', 'https://www.lumenpulse.com/en/projects/92/space-shuttle-atlantis', 'LMP_Space_Shuttle_Atlantis_Lumenbeam_LBX_DWH_small.jpg', 'Lumenpulse.Space Shuttle Atlantis.Lumenbeam LBX DWH', 'Space Shuttle Atlantis', 'Space Shuttle Atlantis, Cape Canaveral, Florida, United States', '2018-02-04'),
(54, 'LMP016', 0, 28, 'College Montmorency', 'Laval, Quebec, Canada', 'The corridors of College Montmorency in Laval, Quebec are illuminated with Lumenbeam Large Pendants in a warm and comfortable colour temperature. A narrow 10-degree optic was chosen to provide distinctive accents of light on the floor, while a wider optic was used to provide a more general ambient light. The pendants were fitted with snoots to shield against any glare.\n\nEquipment specified\n\n7 x Lumenbeam Large Pendant (3000K, narrow spot 10° optic, 4\' stem, with snoot)\n13 x Lumenbeam Large Pendant (3000K, flood 40° optic, 4\' stem, with snoot)\n\nArchitect: Vincent Leclerc et Associés\nEngineer: Dessau', 'https://www.lumenpulse.com/en/projects/35/college-montmorency', 'LMP_College_Montmorency_Lumenbeam_LBLP_Color_Changing_small.jpg', 'Lumenpulse.College Montmorency.Lumenbeam LP Color Changing', 'College Montmorency', 'College Montmorency, Laval, Quebec, Canada', '2018-02-04'),
(55, 'LMP017', 0, 28, 'Duty-Free Boutiques - Montréal–Pierre Elliott Trudeau International Airport', 'Montreal, Quebec, Canada', 'The colour temperature (3500K) of all luminaires was easily matched to the temperature of other fixtures throughout the terminal. Different optics were used, depending on the luminaires\' task; the Multi3 spotlight retail displays, the Lumenline fixtures offer general lighting. while the Lumencove fixtures graze display backdrops.\n\nEQUIPMENT SPECIFIED?\nDownlight Multi 3, 700lm, 3500K, 40° medium beam\nDownlight Multi 3, 2000lm, 3500K, 40° medium beam\nDownlight Multi 3, 1300lm, 3000K, Narrow 10° spot\nSpot Small, 2000lm, 3500K, 40° medium beam\nLumenline Recessed Direct\nLumenline Pendant Direct\n\nArchitect: PROVENCHER_ROY\nEngineer: Pageau Morel\nProject Management: AerRianta International (North America) Inc.\nPhotographer: Stéphane Brugger', 'http://www.lumenpulse.com/en/projects/198/duty-free-boutiques-montreal-pierre-elliott-trudeau-international-airport', 'LMP_Duty_Free_Boutiques_LAMC3_small.jpg', 'Lumenpulse.Duty-Free Boutiques.LAMC3', 'Duty-Free Boutiques - Montréal–Pierre Elliott Trudeau International Airport', 'Duty-Free Boutiques - Montréal–Pierre Elliott Trudeau International Airport, Montreal, Quebec, Canada', '2018-02-04'),
(56, 'LMP018', 0, 27, 'BMW Rome', 'Rome, Italy', 'Lighting designer Piero Comparotto was brought in to develop a new, sustainable lighting scheme, which would reduce day-to-day operational costs and ensure a consistent level of performance.\nOpting for a warm 3000K colour temperature, Comparotto mounted the luminaires in linear lines throughout the showroom. A combination of different beam angles, sometimes within the same multi-head downlight, was then selected to create display contrasts and focal points. This multiple beam angle option also allowed the same style of luminaires to be used in all areas of the space, including the showroom and sales offices, maintaining a unified aesthetic.\n\nThe result is a high-performance, energy-efficient lighting design that is easy to operate and every bit as elegant as the BMW brand itself.\n\nEquipment specified:\n\n16 x Multi 1 (3000K, 80CRI, 40°)\n12 x Multi 1 (3000K, 80CRI, 60°)\n64 x Multi 2 (3000K, 80CRI, 40°)\n36 x Multi 2 (3000K, 80CRI, 60°)\n27 x Multi 3 (3000K, 80CRI, 60°)\n179 x Multi 3 (3000K, 80CRI, 40°/60°/40°)\n20 x Multi 3 (3000K, 80CRI, 20°/40°/20°)\n48 x Multi 4 (3000K, 80CRI, 40°)\n16 x Multi 4 (3000K, 80CRI, 60°)\n43 x Multi 4 (3000K, 80CRI, 40°)', 'http://www.lumenpulse.com/en/projects/117/bmw-rome', 'LMP_BMW_Rome_LAMC3_small.jpg', 'Lumenpulse.BMW Rome.LAMC3', 'BMW Rome', 'BMW Rome, Rome, Italy', '2018-02-04'),
(57, 'LMP019', 0, 28, 'Next, Rugby', 'Rugby, Warwickshire, United Kingdom', 'In an ongoing effort to improve efficiency and the customer experience, UK fashion retailers Next have turned their store in Rugby, Warwickshire, into a test bed for new lighting applications and technology. To accomplish this, the chain turned to Lumenpulse and Lumentalk technology.\n\n\"Next had been looking for ways to reduce energy consumption across its stores, and so the goal at the outlet in Rugby was to increase flexibility, allowing them to test and measure the effect of different dimming and control scenarios,\" said Simon Morrison Senior Vice-President Global Business EMEA at Lumenpulse.\n\nWith Lumentalk, Next, Rugby can individually dim and control over 500 Lumenpulse AlphaLED downlights and spotlights via DMX, over existing power lines.\n\nThis ability to test, and then fine-tune, different control strategies may end up having a transformative effect on the operation and appearance of the chain\'s stores across the UK, and this has not gone unnoticed: Next, Rugby has been named the Lux AwardsControls Project of the Year for 2015.\nEquipment Specified:\n\nLumentalk\nMulti 3 Downlight\nMulti 4 Downlight\nTrack Spot Large\n\nPhotographer: Ian Robinson', 'http://www.lumenpulse.com/en/projects/144/next-rugby', 'LMP_Next_Rugby_LAMC_small.jpg', 'Lumenpulse.Next,Rugby.LAMC3', 'Next, Rugby', 'Next, Rugby, Rugby, Warwickshire, United Kingdom', '2018-02-04'),
(58, 'LMP020', 0, 28, 'Birks Laval', 'Laval, Quebec, Canada', 'Birks is Canada\'s first jewellery chain in Canada, with the opening of its Square Philips flagship store in 1879. In order to better illuminate the jewels from its Carrefour Laval store, the Canadian company partnered with the design and architect firm Ædifica, which then collaborated with Lumenpulse, with whom it has been working for years.\n\n\'\'The main lighting challenges consisted in using judiciously the lighting sources and the light colours to illuminate the jewels at their best, and also to insure an optimal positioning of the lighting (angles, distance, etc.) to favour the products\' shimmering effects,\'\' says Boutin.\n\nTo achieve this, the firm chose a mix of Multi 1, Multi 2 and Multi 3 Downlights in 3000K and 3500K. Installed on the ceiling throughout the store, the luminaires illuminate displays case, while also providing bright general lighting. Spot Small luminaires were then installed in the black niche above the centre of the boutique. Fully adjustable, the luminaires increases the store\'s flexibility, allowing it to change or enhance display lighting, as needed.\n\nEquipment specified:\n\n46 x Spot Small (3000K, CRI 80+)\n11 x Lumencove Nano (1\', 3000K, CRI 80+)\n4 x Lumencove Nano (4\', 3000K, CRI 80+)\n46 x Downlight Multi 1 (3000K, CRI 80+)\n1 x Downlight Multi 1 (3500K, CRI 80+)\n36 x Downlight Multi 2 (3000K, CRI 80+)\n2 x Downlight Multi 2 (3500K, CRI 80+)\n6 x Downlight Multi 3 (3000K, CRI 80+)\n1 x Downlight Clear Small (3500K, CRI 80+)\n\nLighting Design: Ædifica\nPhotographer: Sebastien Racicot', 'http://www.lumenpulse.com/en/projects/163/birks-laval', 'LMP_Birks_Laval_LAMC3_small.jpg', 'Lumenpulse.Birks Laval.LAMC3', 'Birks Laval', 'Birks Laval, Laval, Quebec, Canada', '2018-02-04'),
(59, 'LMP021', 0, 28, 'XXXXX Jolly\'s House of Fraser', 'Bath, United Kingdom', 'HoF used downlights at 3000K, illuminating the central walkways and displays with warm white light. The luminaires use a high colour rendering option of 98 to bring out the vibrancy and colours of the makeup counters, ensuring customers get an accurate (and flattering) perspective. The luminaires also provide an additional benefit: they use significantly less energy, reducing the overall cost of operation.\n\nEquipment specified:\n\n67 x Multi 1 Downlight (3000K, 98CRI, 40°)', 'http://www.lumenpulse.com/en/projects/119/jollys-house-of-fraser', 'LMP_Jollys_House_Fraser_LAMC1_small.jpg', 'Lumenpulse.Jolly\'s House of Fraser.LAMC1', 'Jolly\'s House of Fraser', 'Jolly\'s House of Fraser, Bath, United Kingdom', '2018-02-06'),
(60, 'LMP022', 0, 28, 'XXXXX BMO Capital Markets', 'Montreal, Quebec, Canada', 'Equipment Specified:\n\n1 x Lumenline Recessed (12\', 3500K)\n6 x Lumenline Recessed (3500K)\n6 x Lumenline Recessed TBAR (14\', 3500K)\n25 x Lumenline Recessed TBAR (4\', 3500K)\n2 x Lumenline Recessed (6\', 3500K)\n1 x Lumenline Recessed (8\', 3500K)\n2 x Lumenline Recessed (12\', 3500K)\n3 x Lumenline Pendant (16\', 3500K) \n2 x Lumenline Pendant (20\', 3500K)\n2 x Lumenline Pendant (9\', 3500K)\n2 x Lumenline Pendant (23\', 3500K)\n7 x Multi 1 Downlight (60, 3500K)\n25 x Lumencove 2.0 (4\', 3500k)', 'http://www.lumenpulse.com/en/projects/149/bmo-capital-markets', 'LMP_BMO_Capital_Markets_LAMC1_small.JPG', 'Lumenpulse.BMO Capital Markets.LAMC1', 'BMO Capital Markets', 'BMO Capital Markets, Montreal, Quebec, Canada', '2018-02-06'),
(61, 'ERC001', 0, 62, 'Danubiana Meulensteen Art Museum', 'Bratislava, Slovakia', 'Architecture: Jan Kukula with Atelier 008, Bratislava. Photographer: Dirk Vogel, Dortmund.', 'http://www.erco.com/products/indoor/swf-3circuit/pantrac-5733/en_us/', '', '', 'LEDELUM. PROJECTS LIBRARY. Danubiana Meulensteen Art Museum', 'Project Danubiana Meulensteen Art Museum is located in Bratislava, Slovakia.', '2018-02-22'),
(62, 'ERC002', 0, 62, 'City Hall', 'Florence, Italy', 'City Hall, Florence. Photographer: Dirk Vogel, Dortmund.', 'http://www.erco.com/products/indoor/swf-3circuit/pantrac-5733/en_us/', '', '', 'LEDELUM. PROJECTS LIBRARY. City Hall', 'Project City Hallis located in Florence, Italy. discover lighting design solutions and luminaires types specified in the project.', '2018-02-22'),
(63, 'DLT001', 0, 64, 'Other Criteria', 'New York (US)', 'Other Criteria, the arts-based publishing company founded by Damien Hirst, announced the opening of its first retail location in the United States on May 6th 2014. Located at 458 Broome Street in New York’s SoHo, the store will carry the full array of products found in the brand’s stores in the United Kingdom, including original prints, editions, books, jewelry, and artist designed items, including rugs, wallpaper and vases.\n\nDelta Light’s Supernova – a range of large size luminaires – were used for general lighting and an eye catcher on the ground floor level of the store. Working around ducts and services, an intricate pattern of suspended dimmable track lights was used throughout the store. Delta Light’s circular Supernova XS was used for general lighting and Ultra Twin point source luminaires for a directed light effect. These high-efficient LED luminaires offer maximum flexibility in movement; enabling the store management to adapt the lighting at any time to match the changing needs of the use of the store. \n\nArchitect\nMichel Schranz Design & Architecture Ltd.\n\n\nContractor\nTeamCIS', 'https://www.deltalight.us/en/inspiration/all-projects/project/other-criteria-new-york-us-2726', 'Delta-Light-Other-Criteria_small.jpg', 'Other Criteria', 'LEDELUM. PROJECTS LIBRARY. Other Criteria', 'Project Other Criteria is located in New York, USA. Discover lighting design solutions and luminaires types specified in the project.', '2018-02-25'),
(64, 'DLT002', 0, 64, 'Designspace', 'London, GB', 'This showroom is a dramatic 4000 sq ft space in which DesignSpace London have created fifteen realistic living spaces, showcasing inspirational kitchen, bathroom and living concepts. The displays feature many new products never seen before in the UK including the latest in ‘technical’ materials and developments.\n\nDelta Light worked closely with the showroom designers to create a subtle lighting system that showcases their products to their best. We used a selection of lighting products including our Supernova XS Pivot, Boxy, Spy and B-Liner suspended profile. In the main room sets we used a track lighting system with You Turn Opto 360° rotating system to fully accommodate the demands of a changing showroom.', 'https://www.deltalight.us/en/inspiration/all-projects/project/designspace-london-gb-2917', 'Delta-Light-Designspace_small.jpg', 'Designspace', 'LEDELUM. PROJECTS LIBRARY. Designspace', 'Project Designspace is located in London, GB. Discover lighting design solutions and luminaires types specified in the project.', '2018-02-25'),
(65, 'TRX018', 0, 27, 'Chevy Chase Pavilion', 'Washington, D.C., USA', 'Located in the Friendship Heights neighborhood of Washington D.C., the newly renovated Chevy Chase Pavilion features a large, attention-grabbing media wall in the atrium of the upscale shopping mall. The investor representing ownership, Clarion Partners, recently embarked on a $32 million repositioning plan with the architectural firm Streetsense to rejuvenate the mall, attract high-end retailers and position it as the go-to retail and dining destination in the region. Comprised of Traxon 16PXL Boards and 4PXL add-on Boards behind 3Form material, the three-story media wall not only displays color-changing effects, but tells a narrative through videobased content, imagery, and abstract effects. The installation became three dimensional through the addition of 16PXL Boards to the sides of the main escalators situated directly in front of the wall. Opposite of the escalators and wall is a staircase where the edge of each stair riser is smoothly illuminated by Traxon’s 1PXL Strip. The floor edges of the atrium are lined with 1PXL Strip RGB designed to encircle customers and draw attention to the main wall by creating coordinated linear effects. Controlled by e:cue’s Butler, Video Micro Converter, Lighting Control Engine (LCE), and LCE-fx, the wall and escalators work in tandem, tying together the entire atrium space. Traxon worked closely with the architect, Streetsense, and programmer/installer, idesign, to overcome the challenges of designing and installing a large-scale project of this nature. The result is an exciting, lively and modern shopping and dining environment that sets the Chevy Chase Pavilion apart from other shopping malls.\n\nProgrammer: idesign, LLC\nGeneral Contractor: Hitt Construction\nLighting Designer: MCLA Architectural Lighting Design\nClient: Clarion Partners	 	\nArchitect: Streetsense', 'http://www3.traxontechnologies.com/us/showcase/showcase_details/14236/Chevy%20Chase%20Pavilion%20%E2%80%93%20Washington,%20D.C.,%20USA', 'Traxon-Chevy-Chase-Pavilion_small.jpg', 'Chevy Chase Pavilion', 'LEDELUM. PROJECTS LIBRARY. Chevy Chase Pavilion', 'Project Chevy Chase Pavilion is located in Washington, D.C., USA. Discover lighting design solutions and luminaires types specified in the project.', '2018-02-25'),
(66, 'TRX019', 0, 27, 'Norwegian Cruise Line', 'Papenburg, Germany', 'Lighting on a cruise ship calls for something striking, elegant, and luxurious, yet at the same time robust and energy-efficient. With the help of OSRAM‘s energy efficient LED technology, two of Norwegian Cruise Line (NCL)’s newest ships – “Getaway” and the award-winning “Breakaway” – are able to achieve the design vision, while reducing ship operators’ energy costs by up to 18%. With this target in mind, the Meyer Werft shipbuilders installed about 17 kilometers of flexible LED modules and other luminaires, ranging between 60,000 and 80,000 lights per ship, from simple spotlights to chandeliers and disco lighting. OSRAM worked closely with shipbuilders to offer a wide range of energy-efficient lighting solutions—from lamps and ballasts to flexible LED systems and LED luminaires, down to intelligent dynamic lighting and control solutions from our subsidiary Traxon Technologies and its control brand, e:cue. Additionally, the solution needed to meet the high standards required when it comes to fire safety and the saltwater resistance of the luminaires, without compromising the design intent. After successfully tackling the complex task of constructing a cross between luxury hotel and ocean liner, OSRAM is working alongside Meyer Werft with other partners on further projects.\n\nLighting Design General Illumination: Project International, London\nLighting Design Entertainment Area: FUNA\nHead of OSRAM Marine Lighting: Andreas Bär\nProject Manager Getaway: Stephan Schmees', 'http://www3.traxontechnologies.com/us/showcase/showcase_details/14255/Norwegian%20Cruise%20Line%20%E2%80%93%20Papenburg,%20Germany', 'Traxon-Norwegian-Cruise-Line_small.jpg', 'Norwegian Cruise Line', 'LEDELUM. PROJECTS LIBRARY. Norwegian Cruise Line', 'Project Norwegian Cruise Line is located in Papenburg, Germany. Discover lighting design and luminaires types specified in the project.', '2018-02-25'),
(67, 'TRX020', 0, 27, 'PCK refinery', 'Schwedt, Germany', 'The new control center at the PCK refinery in Schwedt is housed in an explosion-proof and therefore windowless building. In cooperation with the Fraunhofer Institute for Industrial Engineering (IAO), Lichtvision Design and LightLife, the company responsible for design planning and implementation, a lighting concept was developed that creates a pleasant working atmosphere for the employees even without daylight. Innovative LED modules and lighting control from Traxon and e:cue play a major part.\n\nTogether with the Fraunhofer Institute the values were matched to one another according to the latest scientific findings to ensure optimum conditions for a 24-hour shift operation. In addition to cloudy skies, there are airplanes and birds flying across the light ceiling every now and then, and shift changes are accompanied by colorful mood lighting.\n \nThe 108 square meter video light ceiling comprises a total of 1,724 Traxon 16 PXL Board RGB LED modules. Eight e:cue Video Micro Converters (VMCs) convert the digital video signals to e:pix control signals.\n\nLighting Designer: Lichtvision Design\nInstaller: LightLife', 'http://www3.traxontechnologies.com/us/showcase/showcase_details/14361/PCK%20refinery%20-%20Schwedt,%20Germany', 'Traxon-PCK-refinery_small.jpg', 'PCK refinery', 'LEDELUM. PROJECTS LIBRARY. PCK refinery', 'Project PCK refinery is located in Schwedt, Germany. Discover ligting design solutions and luminaires types specified in the project.', '2018-02-25'),
(68, 'IGZ001', 0, 65, 'Castellana 77', 'Madrid, Spain', 'Azca is Madrid’s business district, and for almost forty years, the tower that stands at number 77 Paseo de La Castellana has marked its centre. Built in the 1970s, the tower was originally known as the Ederra Tower or the Saint Gobain building. For years, then, it has stood contemplating the passing of time and being marked by time in a process that gradually aged its facade, depriving it of the kind of interaction with its urban context that every building should enjoy.\n\nNow, its recent acquisition by the Gmp property group and the refurbishment carried out by the Luis Vidal + Arquitectos studio has made the tower a new Azca icon, thanks mainly to the management of its energy impact that is so efficient the complex has even been awarded prestigious LEED Gold certification.\n\nLight and identity are the two main concepts on which the design is based, as the architectural studio is firmly convinced that only a powerful identity can make what is visible invisible. The first goal defined was that of taming sunlight and exploiting it to create an image that would express a clear identity during both the day and night. Light is a source of both energy and heat. The issue of heat has been resolved by adding a series of ETFE blade-like strips to the facade, which allow light to pass, but not heat. The strips were positioned after careful research into the exposure of different kinds of facade to sunlight. The result is a series of waves with specific curves and consequently specific areas of shade, in order to guarantee protection, energy savings and visual comfort.\n\nKilometres of RGB Underscore InOut light lines, using DALI protocol, have been installed along these ETFE strips to create changes in colour, tone and movement that light up the building and turn it into a landmark on the nocturnal skyline. So, it has become a building that literally changes through light.\n\nClient:\nGmp Group\nArchitectural project:\nVidal y asociados\nEngineering:\nVectoria', 'https://www.iguzzini.com/us/projects/project-gallery/castellana-77/', 'iGuzzini-Castellana-77_small.jpg', 'iGuzzini Castellana 77', 'Castellana 77, Madrid, Spain', 'Project Castellana 77 is located in Madrid, Spain. Discover lighting design and luminaires types specified in the project.', '2018-03-13'),
(69, 'IGZ002', 0, 65, 'The Scrovegni Chapel', 'Padua, Italy', 'The Scrovegni Chapel in Padua is an absolute masterpiece of medieval art. Currently a candidate for a place in the UNESCO List of World Heritage sites, the chapel’s interiors host Giotto’s most complete cycle of frescoes. \n\nThe desire to improve both the visitor’s experience of Giotto’s masterpiece and the management of the previous lighting system has encouraged the ISCR (Higher Institute of Conservation and Restoration) and iGuzzini to develop an innovative lighting system and implement a groundbreaking application of smart lighting to art heritage. The project, conducted in close collaboration with the Photometry Division of the Higher Institute of Conservation and Restoration and supervised by the Interdisciplinary Scientific Commission for the Conservation and Management of the Scrovegni Chapel, has generated a continuous relationship with the Chapel. iGuzzini has also committed to suggesting eventual improvements in the years to come as advances in technology bring about new solutions.\n\nThe new IoT lighting system is a “restoration of perception” project that combines LED luminaires, environment sensors and internet protocol software to light the fourteenth century fresco cycle. The installation of Palco COB and Laser Blade luminaires offer a high colour rendering index and a design that blends perfectly with the chapel’s architectural features, as well as immediately guaranteeing a better perception of the frescoes’ colours, especially in terms of the warm tones (yellow-orange-red), which enhance the gold leaf used in the haloes and other features. The system also brings immediate improvements to the already optimal conservation conditions of the painting cycles by zeroing UV and IR emissions to avoid any risk of damage, and achieves energy savings that are 60% more than the previous system. Using products with Tunable White technology that enables white light tones to be adjusted dynamically as the intensity of natural light varies, means that in a second phase, visitors will be able to see these frescoes more clearly no matter what time of day it is. In an initial phase, sensors designed specifically for the Chapel will measure the variations in natural light. Then, once this data has been processed, a dynamic smart lighting system will be installed that will use a specific and highly advanced algorithm to adapt the artificial light to any changes in environmental conditions. This will benefit both the visual experience and the conservation of the paintings, as the artificial light will interact dynamically with the natural light and automatically adjust the colour temperature and intensity to constantly achieve values that offer the best possible viewing conditions.\n\nThe system operates on an internet protocol developed for sensor nodes and compatible with the worldwide web. So, each sensor node can be reached remotely to view the data measured or to change the settings for a more emotional, true and immersive experience of the magical colours of Giotto’s art.\n\nClient:\nMunicipality of Padua\nLighting project:\nISCR, with the technical collaboration of iGuzzini\nScientific commission:\nInterdisciplinary Scientific Commission for the Conservation and Management of the Scrovegni Chapel\nPhotographer:\nCristian Fattinnanzi', 'https://www.iguzzini.com/us/projects/project-gallery/the-scrovegni-chapel/', 'iGuzzini-The-Scrovegni-Chapel_small.jpg', 'iGuzzini. The Scrovegni Chapel', 'The Scrovegni Chapel, Padua, Italy', 'Project The Scrovegni Chapel is located in Padua, Italy. Discover lighting design and luminaires types specified in the project.', '2018-03-13'),
(70, 'IGZ003', 0, 65, 'St. Pierre Cathedral', 'Geneva, Switzerland', 'With its imposing Gothic-Romanesque style and Neoclassic façade added in 1750, the St. Pierre Cathedral, in the historic centre of Geneva, is one of the symbols of the Protestant Reformation. \n\nIn 2010, the Clefs St. Pierre Foundation entrusted the Ruffieux Chehab Associes studio and Piero Castiglioni with the design of a new indoor and outdoor lighting system for the cathedral. The definitive design was installed in 2017 and its integration with the cathedral’s architecture was conducted in collaboration with the architect, Tiziano Borghini, and his Geneva-based studio, GM Architectes Associés, that was responsible for the cathedral’s restoration.\n\nHaving been stripped of all decoration during the Reformation, the cathedral’s interior is bare, austere and distinguished mainly by the bold rhythm of its pillars. During the day, sunlight filters in through high, stained-glass windows that create a soft, even, diffuse light that is naturally dynamic and changes colour and quality according to the time of day and year. The artificial lighting respects the building’s architecture and atmosphere by using low level, high contrast lighting with a colour temperature of 3000 K. The form of the large circular chandeliers that previously hung midway between the ceiling and floor in the central nave and side aisles was also kept. This old-fashioned style of lighting was maintained for its aesthetics, but the materials and lamps were updated and are now operated by a modern control system.\n\nIn line with a design by Piero Castiglioni, iGuzzini created a special, wheel-shaped Cestello luminaire in three different diameters: 3 metres for the large version, 2 metres for the medium version and 1.5 metres for the small one. At night, these pendant fixtures generate the same kind of diffuse, homogeneous illumination the building enjoys during the daytime. The direct emission of these special luminaires is also combined with indirect lighting from linear, 15 and 18 mm-width Underscore luminaires, mounted on profiles and tilted by means of a small bracket made specifically by iGuzzini for this project.\n\nThis fitting allowed the Underscore light lines to be installed in a slightly set-back position at the same height as the upper string-course that indicates the structure of the vaulting. This meant that the luminaires did not have to be mounted directly on the string-course, which is extremely fragile and could have been damaged during installation. To illuminate certain important areas in the cathedral, like the altar and parts of the apse, accent lighting was created using wall-mounted Cestello luminaires and small version iPro spotlights, sometimes grouped into units of 3, 4 or 6. The mounting brackets for these spotlights were also specially designed, this time to minimize the number of drill holes in the stone.\n\nClient:\nClefs St. Pierre Foundation\nArchitectural project:\nGM Architectes Associes - Tiziano Borghini\nLighting project:\nRuffieux – Chehab Architectes & Piero Castiglioni\nPhotographer:\nDaniele Lupini', 'https://www.iguzzini.com/us/projects/project-gallery/st-pierre-cathedral/', 'iGuzzini-St-Pierre-Cathedral_small.jpg', 'iGuzzini. St. Pierre Cathedral', 'St. Pierre Cathedral, Geneva, Switzerland', 'Project St. Pierre Cathedral is located in Geneva, Switzerland. Discover lighting design and luminaires types specified in the project.', '2018-03-14'),
(71, 'IGZ004', 0, 65, 'The Iso Omena shopping centre', 'Espoo, Finland', 'Iso Omena (Finnish for “big apple”) is a pleasant shopping centre full of services and more than 180 stores focused on fashion, leisure and wellness, as well as the classic supermarket. The centre is part of the Citycon group, which builds and manages urban shopping centres in Northern Europe and the Baltic. It is the market leader in Finland, and amongst the market leaders in Norway, Sweden and Estonia. Citycon shopping centres are located in strategic points, with good connections to public transport, healthcare facilities and municipal services. The same Iso Omena is rapidly becoming the centre of the city and home to social and healthcare offices on the third floor. Functional and enjoyable, the design of the centre features white as the dominant colour and glass walls that maintain a constant relationship with outside, especially through the large skylight in the central area, above the square which is the meeting and relaxation point.\n\nThe artificial lighting is based on two luminaires: Laser Blade, positioned at irregular intervals in the false ceilings along the corridors that the shops open onto to create a feeling of movement and the pole top system Albero, which stands out in the central square, installed in the benches area, almost recalling the idea of a pleasant stop in the open air.\n\nClient:\nCitycon Oyj\nArchitectural project:\nHKP Arkkitehti Tolmisto\nLighting Designer:\nGranlund Oyj\nPhotographer:\nMikael Linden', 'https://www.iguzzini.com/projects/project-gallery/the-iso-omena-shopping-centre/', 'iGuzzini-Iso-Omena-shopping-centre_small.jpg', 'iGuzzini. The Iso Omena shopping centre', 'The Iso Omena shopping centre, Espoo, Finland', 'Project The Iso Omena shopping centre is located in Espoo, Finland. Discover lighting design and luminaires types specified in the project.', '2018-03-14'),
(72, 'TRG001', 0, 66, 'Boston Consulting Group', 'Los Angeles, CA', 'The lighting design for this business consulting firm was awarded an Lumen Award of Excellence for Interior Lighting Design.  Oculus Light Studio’s core beliefs of “partnership and transformation by integrating lighting within the architecture to transform it into a sustainable, enjoyable, and open environment” helped to secure this award of distinction from the IESNA.\n\n“The concept combines architectural lighting in the form of recessed linears, downlights and pendants, together with large decorative luminaires that support the scale of the space, all on individual controls with special daylight sensors. ” – Oculus Light Studio.\n\nArchitectural elements such as the RGB programmable skylight and stairways with concealed LED strip-lights are striking focal features that were provided by Targetti – DuraTape RGB product.\n\nProject Details\nLighting Design Oculus Light Studio – Designer: Carol Prendergast\nArchitect: Shubin & Donaldson\nPhotos: ©Benny Chan/Fotoworks\nAwards: 2017 Lumen West – Award of Excellence – Interior Design', 'http://targettiusa.net/project/boston-consulting-group/', 'Targetti-Boston-Consulting-Group_small.jpg', 'Targetti Boston Consulting Group', 'Boston Consulting Group, Los Angeles, CA', 'Project Boston Consulting Group is located in Los Angeles, CA. Discover lighting design and luminaires types specified in the project.', '2018-03-20'),
(73, 'TRG002', 0, 66, 'Wynn Palace Resort Hotel', 'Cotai, Macau', 'The Wynn Palace is a magnificent, floral-themed luxury hotel and casino resort located in Cotai, Macau and has been honored as the “Best Luxury Hotel” in Macau by the Annual China Travel Awards. The resort is Steve Wynn’s latest masterpiece and is set in a commanding position in Cotai, Macau’s bustling new tourist hub. The vision and aspiration of Mr. Wynn was to create a new masterpiece that would help launch a new era of prosperity for Macau and attract more international tourists to the city. Wynn Palace is cited by Steve Wynn himself as “arguably the most beautiful hotel in the world.”\n\nThe USD $4.2 billion resort took six and a half years to design and build and offers 1,706 exquisitely furnished rooms, suites and villas with numerous personal touches overseen by Steve Wynn. The spa is the largest in Macau and features 22 treatment rooms and the resort’s pool and pool-side restaurant overlook the Performance Lake. The Wynn Palace Esplanade is 18,580 square meters of luxury shopping and is home to more than 50 of the most renowned names in retail.\n\nTargetti worked closely with Wynn Design & Development to provide the ideal accent lighting solutions they needed in the resort restaurants, spa, main casino, junkets, and in a variety of the guest accommodations. The lighting design team focused on utilizing the custom color capabilities and flexibility of Targetti and Duralamp’s multiple LED solutions to deliver, not only consistent lighting and color temperatures throughout each setting, but to also accommodate unique custom lighting that the opulent resort setting required.\n\nProject Details\nWynn Design & Development\n\nPhotos: Roger Davis, Barbara Kraft', 'http://targettiusa.net/project/wynn-palace-resort-hotel/', 'Targetti-Wynn-Palace-Resort-Hotel_small.jpg', 'Targetti Wynn Palace Resort Hotel', 'Wynn Palace Resort Hotel, Cotai, Macau', 'Project Wynn Palace Resort Hotel is located in Cotai, Macau. Discover lighting design and luminaires types specified in the project.', '2018-03-20');
INSERT INTO `project_gallery` (`pr_gallery_id`, `sku`, `active`, `manufacturer`, `title`, `subtitle`, `description`, `url`, `thumbnail`, `thumbnail_alt`, `tag_title`, `tag_description`, `dt`) VALUES
(74, 'TRG003', 0, 66, 'Lugano Diamond Retail Salon', 'Aspen, Colorado', 'The Newport Beach based, LuganoDiamonds has opened its third fine jewelry store, adjacent to one of the world’s most celebrated boutique hotels—The Little Nell in Aspen, Colo. The retailer opened this sleek, thoughtfully designed atelier, the Lugano Diamonds Salon, at The Residences at The Little Nell resort in June. 2017.\n\nThe welcoming space features muted blue-gray colors, polished wood floors, nods to Aspen’s luxe mountain culture—including a stylized mannequin holding a set of white skis.  Lighting throughout the salon was crafted by First Circle Design and features extensive use of CCTLed Architectural Mini Series and DuraTape cove lighting for accents throughout the space.  The shop offers a bevy of big-ticket gemstone jewelry, created by Lugano Diamonds, for affluent Aspen locals and tourists.\n\nProject Details\nLighting Design First Circle Design\n\nLocation: Aspen, Colorado\n\nPhotos: ©Michael Hefferon', 'http://targettiusa.net/project/lugano-diamond-project-aspen/', 'Targetti-Lugano-Diamond-Project_small.jpg', 'Targetti Lugano Diamond Retail Salon', 'Lugano Diamond Retail Salon, Aspen, Colorado', 'Project Lugano Diamond Retail Salon is located in Aspen, Colorado. Discover lighting design and luminaires types specified in the project.', '2018-03-20'),
(75, 'USA001', 0, 67, 'National Museum of African American History & Culture', 'Washington, D.C., USA', 'The National Museum of African American History and Culture is the only national museum devoted exclusively to the documentation of African American life, history, and culture. It was established by Act of Congress in 2003, following decades of efforts to promote and highlight the contributions of African Americans. To date, the Museum has collected more than 36,000 artifacts and nearly 100,000 individuals have become members. The Museum opened to the public as the 19th and newest museum of the Smithsonian Institution.\n\nProducts Used:\n\nBeveLED 2.1 Classic\nBeveLED Mini Classic\n\nLighting Designer: Fisher Marantz Stone\nPhotographer: Alan Karchmer/NMAAHC', 'http://www.usailighting.com/national-museum-of-african-american-history-culture-led-downlights', 'USAI-National-Museum-of-African-American-History-&-Culture_small.jpg', 'USAI. National Museum of African American History & Culture', 'National Museum of African American History & Culture, Washington, D.C., USA', 'Project National Museum of African American History & Culture is located in Washington, D.C., USA. Discover lighting design and luminaires types specified in the project.', '2018-03-21'),
(76, 'USA002', 0, 67, 'Museum of the Bible', 'Washington, D.C., USA', 'Museum of the Bible aims to be among the most technologically advanced and engaging museums in the world. Showcasing rare artifacts spanning 3,500 years of history, the museum offers visitors an immersive and personalized experience with the Bible, and its ongoing impact on the world around us.\n\nDedicated to one of the world’s oldest texts, the 8-level, 430,000-square-foot new museum in Southwest Washington, D.C. is resolutely modern, incorporating striking architectural forms and cutting-edge technologies. The finished project is a built equivalent of a manuscript that bears traces of several versions of text added and erased over time.\n\nArchitect: SmithGroupJJR \nPhotograph: Alex Fradkin Photography\n\nProducts used:\n\nBeveLED 2.1 Classic\nBeveLED Basic\nBeveLED Mini Classic\nNanoLED NXT Classic', 'http://www.usailighting.com/museum-of-the-bible-recessed-led-ceiling-lights', 'USAI-Museum-of-the-Bible_small.jpg', 'USAI. Museum of the Bible', 'Museum of the Bible, Washington, D.C., USA', 'Project Museum of the Bible is located in Washington, D.C., USA. Discover lighting design and luminaires types specified in the project.', '2018-03-21'),
(77, 'USA003', 0, 67, 'The Bridge at Cornell Tech', 'New York (US)', 'The Bridge is designed to leverage the resources of a major university with the world\'s leading technology-focused companies. The seven-story building, developed by Forest City New York, supports Cornell Tech\'s efforts to fuse entrepreneurial and academic ambitions on its new Roosevelt Island campus in New York City.\n\nOne-third of the 235,000-square-foot building hosts Cornell Tech studios, labs, classrooms, and event spaces, while the upper levels are dedicated to a mix of technology-focused companies and start-ups. All of the occupants share central, light-filled circulation spaces with panoramic skyline views and lounges that encourage social interaction and collaboration. The building\'s cantilevered southwest and northeast wings shelter outdoor social spaces that animate the ground floor retail spaces and entry terrace. \n\nLighting Designer: Renfro Design Group\nArchitect: Weiss | Manfredi\nPhotograph: © Albert Vecerka / Esto\n\nProducts Used:\n\nBeveLED 2.1 Classic\nBeveLED 2.1 Double Classic\nBeveLED Mini Classic', 'http://www.usailighting.com/the-bridge-at-cornell-tech-beveled-downlights', 'USAI-The-Bridge-at-Cornell-Tech_small.jpg', 'USAI. The Bridge at Cornell Tech', 'The Bridge at Cornell Tech, New York, USA', 'Project The Bridge at Cornell Tech is located in New York, USA. Discover lighting design and luminaires types specified in the project.', '2018-03-21'),
(78, 'WEF001', 0, 68, 'Valentine Place', 'London, UK', 'Outdoor lighting enhances ambience at Valentine Place\nThe location is perfect – in the heart of London, just a few minutes from Waterloo station and equally close to South Bank, the cultural district on the south bank of the Thames. This is where property developer Crest Nicholson realised the high-quality Valentine Place residential project. \n\nBehind the thoroughly renovated facades of an Edwardian flour mill and bakery are residential units in completely different formats. They range from apartments to penthouses and mews houses – a type of house from the 18th and 19th century that originally combined stables on the ground floor with servants’ quarters above them, and have now been transposed to modern living.\n\nA further reference to urban planning in historic London can also be found at Valentine Place. Similar to the terraced houses that were built in the West End from the 18th century onwards around the typical London squares, the residential units at Valentine Place are built around an open space. The design incorporates a park with lawns, trees, hedges, small terraces, benches and paved walkways.\n\nNumerous luminaires from WE-EF create a quiet and relaxed atmosphere in this hidden green oasis. Street and area lighting luminaires, bollards, wall luminaires and inground luminaires provide balanced general lighting, create good visibility and safety on the paths and emphasise features. CTY150 LED-FT bollards line the walkways through the residential development. The CAD-optimised, indirect optics of these luminaires, which are at least a metre in height, direct the light precisely to the circulation areas and reliably protect pedestrians from unnecessary glare. A CFT540 street and area lighting luminaire, which has been installed in the middle of the courtyard, is the 42 W version with 36 LEDs and 4,842 lumen. The lens type selected for this project [R] produces rectangular distribution befitting the layout of the park, and provides appropriate basic lighting for the whole area.\n\nETC130-GB inground luminaires installed in selected places are an additional design feature. The gimbal-mounted ETC130 versions are precisely directed at special trees and plants in the courtyard.  \n\nThe Valentine Place apartments feature high-quality technology and exquisite design. Residents will also find a high-class ambience outside their homes. This applies both to the attractive landscaping and the luminaires designed by WE-EF – they harmonise extremely well with the architecture of the residential units, which is also in keeping with the style of the historic bakery and the old warehouses along the River Thames.', 'http://www.we-ef.com/#!/int/project/valentine-place-uk', 'We-ef-Valentine-Place_small.jpg', 'We-ef Lighting Valentine Place', 'Valentine Place, London, UK', 'Project Valentine Place is located in London, UK. Discover lighting design and luminaires types specified in the project.', '2018-03-22'),
(79, 'WEF002', 0, 68, 'Ringwood Station', 'Australia', 'Lighting key to new-look Ringwood transport interchange\nWE-EF products have played a vital role in delivering a modern and vibrant redevelopment of the railway station and bus interchange in the Ringwood suburb of Melbourne, Victoria. \n\nLocated 23 km east of Melbourne\'s central business district, Ringwood is undergoing a transformation. Aside from the multi-million dollar expansion of the Eastland Shopping Centre, new community facilities coming to the area, including  new council library and cultural centre. The new rail/bus interchange links to the Town Square for easier commutes and the new shopping centre is expected to attract shoppers from across the region, encouraging growth and further investment.\n\nIn January Vic Roads, on behalf of Public Transport Victoria, completed the redevelopment of Ringwood train station, featuring a seamless bus interchange with new and improved facilities. Arup (Melbourne office) was the appointed consultant and design engineering firm in the A$ 66 million upgrade.\n\nThe WE-EF VFL500 LED street and area luminaire series was selected by the engineers to illuminate the station’s public activity areas, and was supplied by WE-EF sales partner Buckford Illumination Group.\n\nThe small VFL520, 12 W with [S60] \'side throw\' distribution, has been used to provide illumination for general pedestrian movement. The VFL530 has been cleverly used in different wattages and beam distributions – from an [A60] \'forward throw\' lens to the [S70] \'side throw\' lens – to achieve the recommended lighting levels over ramps and other connecting elements in the space. The larger version in the series, the VFL540, 84 W, has been used with the [S70] \'side throw\' distribution to illuminate the street footpath along the Maroondah Highway. The engineers chose the WE-EF VFL500 LED luminaire series because it offers a wide range of options that allow the designer to combine different lumen packages with a flexible optical system that ensures precision light distribution and uniform illuminance in every outdoor lighting application. In additional, the full cut-off design of the VFL500 luminaire provides critical glare-controlled illumination for pedestrians and especially for motorists along the road.\n\nDarren Bucknall, Director at Buckford Illumination Group, WE-EF\'s partner, said: “WE-EF products are well-known in the industry for their quality, durability and excellent performance”. He explained that the integration of LED technology into most of the WE-EF product range, and the development of new optics to improve lighting management, have produced more efficient and effective lighting tools to cater to the needs of lighting designers and engineers. “The VFL500 is a good example,” he noted. “The all-rounder outdoor luminaire features different light distributions – from a forward to a side throw beam distribution – and a series of lumen packages to suit a broad range of outdoor lighting applications.”\n\nOverall, WE-EF\'s expertise in exterior lighting has been integral in creating a safer, more accessible and visually attractive environment for the 5,000 customers that use the station on any given weekday.', 'http://www.we-ef.com/#!/int/project/we-ef-project-201707-ringwood-aus', 'We-ef-Ringwood-Station_small.jpg', 'We-ef Lighting Ringwood Station', 'Ringwood Station, Australia', 'Project Ringwood Station is located in Australia. Discover lighting design and luminaires types specified in the project.', '2018-03-22'),
(80, 'WEF003', 0, 68, 'The Piece Hall', 'Halifax, West Yorkshire, England', 'The Piece Hall in Halifax, West Yorkshire, England, is the only remaining example of an eighteenth century northern cloth hall, a prestigious building where trading of woollen cloth  “pieces” produced by handloom weavers took place. It was intended to create a more competitive and efficient market, discourage fraudsters as well as make a statement of the wealth of Halifax and the importance of the cloth trade during that time.  The building combined commercial and cultural values of the surrounding community by creating this vast and highly prominent building, and those values continue in its use today.\n\nThis important, Grade I listed building has been through a £19 million conservation programme, with funding from the Calderdale Council and the Heritage Lottery Fund. The project adapted the building into a new cultural and commercial centre for all to enjoy. Piece Hall now houses restaurants, shops, cafes and conference facilities. The objective of the project was to treat this unique property with the upmost of care. For such a sensitive project, the need for a high quality and expert finish in all aspects was required to ensure that this piece of history can be enjoyed for many years to come.  \n\nWE-EF was chosen to provide the luminaires that provided the high specification and reliability that this sensitive project required. \n\nThe ETC130-GB inground uplight luminaire was chosen to illuminate all of the structure’s pillars to highlight the stunning architecture of this influential building. WE-EF’s ETC140-GB inground luminaires were also used to light up the grand entrance arches and highly-decorated doors.\n\nIn addition to highlighting the building’s architectural features, WE-EF RAIL66 with FLC121 luminaires were installed in the corners of the square to add ambient illumination that prevents them from appearing as dark spaces. \n\nThe project was completed in July 2017 by Graham Contractors and the complex was reopened in August 2017. It is now operated by a new independent body, The Piece Hall Trust.', 'http://www.we-ef.com/#!/int/project/piece-hall-halifax', 'We-ef-The-Piece-Hall_small.jpg', 'We-ef Lighting The Piece Hall', 'The Piece Hall, Halifax, West Yorkshire, England', 'Project The Piece Hall is located in Halifax, West Yorkshire, England. Discover lighting design and luminaires types specified in the project.', '2018-03-22'),
(81, 'WEF004', 0, 68, 'Chadstone Shopping Centre', 'Melbourne, Australia', 'Chadstone Shopping Centre transport hub light for 1 million passengers every year\nAs part of a massive redevelopment in the heart of Chadstone, located south-east of Melbourne CBD, a new bus interchange and taxi rank offer the latest in smart bus technology, visual appeal and commuter comfort.\n\nWE-EF\'s LED technology was the engineers\' first choice for the lighting scheme due to its quality and performance as well as its ability to contribute to the project\'s sustainable design philosophy.\n\nThe construction of this new infrastructure is part of Chadstone\'s A$ 600 million redevelopment, which will also include a 10-level office tower, new retail and dining precincts, and two new carpark areas.\n\nSimpson Kotzman engineers have provided the building services design from the centre\'s initial concept stages and throughout the construction development. The firm developed a lighting scheme for the transport hub, and with the help of WE-EF sales partner in Victoria, Buckford Illumination Group, was able to implement a solution that was both elegant and functional for Public Transport Victoria.\n\nThe completion of the project marked the end of the first stage of the centre\'s mega redevelopment, and it is expected to make Australia\'s biggest shopping mall more accessible to the community. At least 1 million passengers are expected to use the bus interchange every year, which will also provide shoppers with a central access point to the mall through a network of 14 bus lines that connect with the suburban train network to Melbourne\'s east and south.\n\nThe design of the interchange includes a multipurpose roof canopy that will capture rain to be reused via a rainwater tank for toilet flushing, gardens and landscaping irrigation. The canopy also provides a weather-protected zone with heating, CCTV and real-time electronic signage as well as sufficient seating benches for the commuters. The project\'s lighting was carefully integrated with the architectural streetscape in order to provide accent and orientation illumination where required.\n\n\"WE-EF FLD131 LED 24 W projectors with a medium beam distribution and linear lens are used to uplight the white canopies. The indirect uplighting provides adequate illumination for safety and pedestrian circulation, while creating an architectural focal point in the space,\" according to Buckford Illumination Group.\n\nIn addition, Buckford Illumination Group pointed out that the \"catenary RFS540 LED luminaires were selected for illuminating the bus lanes and minimising any visual intrusion that could have been created with the use of light poles. The suspended luminaires blend beautifully with the architecture, creating sufficient light to comply with the requirements stated by Australian standards.\"\n\nThe project also features a series of 144W VFL540-SE mounted on 8.5-metre poles to illuminate the rooftop of the new car park building. The side-entry luminaire is also used in a triple configuration to light the intersection and merging point with the bus interchange via Dandenong Road.', 'http://www.we-ef.com/#!/int/project/chadstone-shopping-centre-melbourne', 'We-ef-Chadstone-Shopping-Centre_small.jpg', 'We-ef Lighting Chadstone Shopping Centre', 'Chadstone Shopping Centre, Melbourne, Australia', 'Project Chadstone Shopping Centre is located in Melbourne, Australia. Discover lighting design and luminaires types specified in the project.', '2018-03-22'),
(82, 'PRE001', 0, 69, 'Natural History Museum - Hintze Hall', 'London, UK', 'Precision Lightings LED range has been used extensively throughout the newly transformed Hintze Hall at the Natural History Museum in London. The treasured Hintze Hall has been transformed with its new addition ‘Hope’; the female blue whale skeleton which has taken the place of ‘Dippy’ the beloved Diplodocus. Measuring at 25.2 metres long, she is a spectacular sight to behold that celebrates the relationship between humanity and a sustainable future. \n\nHope is not the only addition to the exhibit; she is accompanied by hundreds of other new specimens, including an American Mastodon. The huge Ice-age mammoth is illuminated by Precision’s Evo X16s on a custom curved basis track from above, finished in an unique anodic brown to fit the traditional and historic surrounding architecture. \n\nThroughout Hintze Hall, there are 10 ‘Wonder Bays’ (the ground-floor alcoves along either side of the hall) that are filled with the other new specimens, all of which are lit using Evo X11s that along with their Evo X16 counterparts, are finished in antique bronze effect paint. The Evo X family was perfect for lighting these fantastic historical pieces due to their beautifully minimal aesthetic and high CRI, meaning these specimens can be seen in their true glory.\n\nWorking closely with the Lighting Designer - DHA Designs, we produced bespoke curved track that integrated seamlessly into the historic grade 1 listed building. Rubbed bronze and antique effect finishes were used extensively to complement the existing interior.\n\nLighting Designer: DHA Designs\nLocation: London, United Kingdom', 'http://www.precisionlighting.co.uk/~precli/index.php/projects/item/nhm-hintze-hall', 'Precision-Lighting-Natural-History-Museum-Hintze-Hall_small.jpg', 'Precision Lighting Natural History Museum - Hintze Hall', 'Natural History Museum - Hintze Hall, London, UK', 'Project Natural History Museum - Hintze Hall is located in London, UK. Discover lighting design and luminaires types specified in the project.', '2018-03-23'),
(83, 'ERC003', 0, 62, 'Volvo Retail Experience in the Luleå showroom', 'Luleå, Sweden', 'The new retail design concept of the Swedish automotive brand Volvo is based on contrasts – soft and hard, warm and cold, tranquillity and dynamism as well as light and shadows. Accent light from ERCO Light Board spotlights brings out the best of the products and their features and creates the right atmosphere. \nWe got together with Erik Stigmar, Senior Manager for Retail Experience at Volvo Cars from Göteborg, the location of the newly designed Volvo showroom at Luleå. As the responsible brand architect, he talks about the concept behind the \"Volvo Retail Experience\" and the importance of perception-orientated lighting for compellingly presenting merchandise.\n\nContrasts emphasised with light\n\"Volvo is a brand targeted to its users – the various zones in the showroom should also relate to the different needs and preferences of our target groups,\" said Erik Stigmar. The two central areas are supplemented with an open reception, small glazed offices and a workshop. All spaces are bright and transparent and can be viewed without obstruction. \nThe dualism of the communicative lounge zone and the product zone is supported with a perception-orientated lighting concept. Light Board spotlights from ERCO bathe the lounge area in diffuse, warm white light with 3000K, whilst LED spotlights from the same luminaire range emphasise the fast, fresh atmosphere of the \"street\" with 4000K neutral white light similar to daylight. The formality of the unobtrusive track spotlights achieves a subtle bridge between the two zones.\n\n?\n[alt]\nA focus via contrasts and depth from wallwashing\nThe perception-orientated lighting concept is an inherent part of Volvo\'s new retail design. Despite the high ceilings, hard accent lighting serves to focus the visitors’ attention on the vehicles whilst the circulation zones between the products recede into the background as darker areas. Using the sense of contrast as a stylistic device intensifies the brand experience for visitors in the Volvo dealerships, and the differences in brightness levels create a sense of tension and an impression of speed in the street zone. The crisp light beams also create an individual backdrop for each of the vehicles – \"what we\'re actually doing is washing the cars with light,\" explained Erik Stigmar. \"We also use additional highlights to display the striking contours, high quality of the materials and important details such as door handles.\"\nIn addition to the rhythmic accent light some of the walls are washed uniformly with light, giving the spaces a wide, open impression in keeping with the Scandinavian mood and identity. ERCO wallwashers also define the lines of the gently curved paint samples and surfaces of the refined, natural-coloured upholstery patterns in the vertical plane. A touch screen recessed into the wall, used for configuring individual vehicle models, is illuminated completely without glare.\n\"This lighting concept focusing on perception really achieves the ideal product presentation for us,\" confirmed Erik Stigmar. Volvo also places high importance on sustainability. \"We also save quite a lot in energy overheads because we\'re only illuminating the target plane.\"\n\n\nLighting design: Anne Eklund, Lighting Designer\nWSP Sverige AB | WSP Ljusdesign, Stockholm / Sweden\nwww.wspgroup.se\nPhotography: Johan Elm, Stockholm / Sweden\nSpecial Thanks to:\nTomas Lejon, CEO\nNordiska Bil AB, Luleå\nwww.nordiskabil.se\nPlace: Luleå\nCountry: Sweden', 'http://www.erco.com/projects/retail/volvo-retail-experience-in-the-lule-showroom-6457/en/', 'ERCO-Volvo-Retail-Experience-showroom_small.jpg', 'ERCO the Volvo Retail Experience in the Luleå showroom', 'Volvo Retail Experience in the Luleå showroom', 'Project Volvo Retail Experience is located in Luleå, Sweden. Discover lighting design and luminaires types specified in the project.', '2018-03-28'),
(84, 'ERC004', 0, 62, 'Faerber Architekten, Mainz', 'Faerber Architekten office in Mainz', 'The new office construction of Faerber Architekten in Mainz, Germany demonstrates the extent to which good light contributes to a sophisticated, appealing and ergonomic work environment. Contemporary office lighting with ERCO LED lighting tools creates maximum visual comfort, supports concentration and communication at the place of work and also brings out the very best of high quality interior design.\n\nFaerber Architekten in Mainz, founded in 1991, employs more than 20 urban planners, architects and interior designers for projects throughout the whole Rhein-Main region. As a consequence of its continuous expansion, the company decided in 2016 to construct a new building close to their established location in the old city area of Mainz. The site selected was a plot in a narrow street next to the attractive church of Saint Stephen and includes an existing building in the rear courtyard. The team from Faerber Architekten moved into the office spaces in May 2017 consisting of prestigious reception and conference rooms as well as state-of-the-art office spaces on around 450 square metres across five floors – and perfectly illuminated with cutting-edge ERCO LED lighting technology. Working closely together with ERCO, Faerber Architekten developed a perception-oriented lighting concept. The illumination of room zones featuring high visual comfort and general lighting with good glare control using the new, linear Compar downlights was a priority. Individually illuminating the various workstations was also important for the lighting designers. All prestigious areas with client contact, e.g. the entrance area, reception, library and conference rooms are illuminated with warm white light (3000K) and all work areas with neutral white light (4000K).', 'http://www.erco.com/projects/work/faerber-architekten-mainz-6788/en/', 'ERCO-Faerber-Architekten_small.jpg', 'ERCO Faerber Architekten, Mainz', 'Faerber Architekten, Mainz', 'Project Faerber Architekten is located in Mainz, Germany. Discover lighting design and luminaires types specified in the project.', '2018-03-28'),
(85, 'ALY001', 0, 76, 'The Word', 'The Word, National Centre for the Written Word, South Shields, UK', 'Located on a prominent gateway site linking South Shields’ riverside area with the town centre, The Word is one of the first projects for the redevelopment of the area, and as such the scheme needed to be successful to provide a striking new focal point in the North East town’s marketplace, in which its community can take great pride, and from which the wider regeneration will develop.\n\nBecause of this, the design and construction team created a shining example of an attractive, efficient civic building, encompassing design features that reflect the town’s industrial and manufacturing heritage, enhanced by a complementary, bespoke lighting scheme, developed by Desco, to attract and engage visitors.\n\nAt the heart of the development is a bespoke, 6.5-metre wide LED luminaire, designed by Desco and FaulknerBrowns in collaboration with Atelje Lyktan. The chandelier – the largest single fitting ever manufactured by Atelje Lyktan, was custom-made to fit an architectural ceiling recess with the depth of the fitting dictated by the architect’s vision. The installation is comprised of 84 ‘drums’ mounted to a bespoke frame. As the chandelier is literally bolted to the soffit, all cables were hidden within the bespoke mounting frame of the luminaire installation, with the cabling cast within the concrete before the installation design had been completed.\n\nThe chandelier was incorporated with tuneable white LEDs, allowing for the atmosphere and mood of the building to be altered depending on the time of day, as Davison explained: “The colour temperature of the fitting is designed to simulate daylight; a warm 2700k light in the morning gradually changes to a colour temperature of 6500k as the sun peaks, then turning back to 2700k tones at sunset.\n\nThe winner of four awards at the 2017 RICS Awards including overall ‘Project of the Year’. Since opening in October last year, The Word has been a truly inspiring and interactive community-led centre with a 21st century library. A varied calendar of exhibitions, workshops and events has encouraged new visitors to the town.\n\nLocation: The Word Library, South shields\nClient: South shields\nArchitect: Faulkner Browns\nElectrical consultant: Desco\nElectrician: Imtech\nLuminaire: Custom made centre-piece luminaire made up of 82 circular colour changing light drums measuring 6.5 m in diameter', 'http://www.atelje-lyktan.se/en/projekt/south-shields', 'ateljé-Lyktan-the-Word_small.jpg', 'ateljé Lyktan The Word', 'The Word, National Centre for the Written Word, South Shields, UK', 'Project The Word is located in South Shields, UK. Discover lighting design and luminaires types specified in the project.', '2018-03-30'),
(86, 'ROX001', 0, 78, 'ANTWERP PORT AUTHORITY', 'Antwerpen, Belgium', 'The renowned Zaha Hadid Architects brought together the old and new into the renovation of the Antwerp Port Authority (Belgium), which resulted into a stunning building, where several products from Indelague Group were specified.', 'http://www.indelague.com/en/whatsnew/index/75-antwerp-port-authority', 'ROXO-Lighting-ANTWERP-PORT-AUTHORITY_small.jpg', 'ROXO Lighting ANTWERP PORT AUTHORITY', 'ANTWERP PORT AUTHORITY, Antwerpen, Belgium', 'Project ANTWERP PORT AUTHORITY is located in Antwerpen, Belgium. Discover lighting design and luminaires types specified in the project.', '2018-03-31'),
(87, 'BUZ001', 0, 80, 'Kienbaum Consultants International office', 'Cologne, Germany', 'For the Cologne office of HR consultancy Kienbaum Consultants International, Sam and Plankton Architects were tasked with subdividing the new open-plan office into flexible zones without detracting from the spaciousness of the room. In order to create work islands that are not only visually appealing but also functional, the interior designers opted for products from Buzzispace. \n \nAs a contrast to the desks, seating areas have been created in cheerful colors, offering flexible use tailored to the requirements of different tasks: One-on-one meetings are given the necessary discretion thanks to the “BuzziMe” wingback chairs, while the volume of team meetings is kept down in the “BuzziHub” along with additional noise filtering provided by the “BuzziShade” lampshade. To assist employees with the need for exercise, the presentation area is equipped with several models of the “BuzziBalance”, a pouf which has a carved wooden wobble-board, and the “BuzziBalance Board”, enabling the user to wobble back and forth, thus activating the muscles. The pouf also functions as an acoustic element.', 'http://buzzi.space/blog/project-spotlight-kienbaum-deu/', 'Buzzi-Space-Kienbaum-Consultants-International-office_small.jpg', 'Buzzi Space Kienbaum Consultants International office', 'Cologne office of HR consultancy Kienbaum Consultants International', 'Project Office of Kienbaum Consultants International is located in Cologne, Germany. Discover lighting design and luminaires types specified in the project.', '2018-04-19'),
(88, 'ART001', 0, 81, 'Auditorium SACMI', 'Imola, Italy', 'Year: 2017\nProject: Auditorium SACMI\nCategory: Culture\nLocation: Imola, Italy\nAuthor: A2 studio Gasparri e Ricci Bitti Architetti associati\nPhoto: Michele Nastasi', 'https://www.artemide.com/en/projects#4653912/auditorium-sacmi', 'Artemide-Auditorium-SACMI_small.jpg', 'Artemide Auditorium SACMI', 'Auditorium SACMI, Imola, Italy', 'Project Auditorium SACMI is located in Imola, Italy. Discover lighting design and luminaires types specified in the project.', '2018-04-19'),
(89, 'ART002', 0, 81, 'Hotel Il Castelfalfi', 'Castelfalfi, Italy', 'Year: 2017\nProject: Hotel Il Castelfalfi\nCategory: Hospitality\nLocation: Castelfalfi, Italy\nAuthor: Arch. Burresi\nPhoto: Toscana Resort Castelfalfi', 'https://www.artemide.com/en/projects/4653877/hotel-il-castelfalfi', 'Artemide-Hotel-Il-Castelfalfi_small.jpg', 'Artemide Hotel Il Castelfalfi', 'Hotel Il Castelfalfi, Italy', 'Project Hotel Il  is located in Castelfalfi, Italy. Discover lighting design and luminaires types specified in the project.', '2018-04-19'),
(90, 'AXO001', 0, 83, 'Radisson Blue Hotel', 'Yerevan, Armenia', 'Beautifully positioned by Victory Park and Areni Lake, the Radisson Blue Hotel, Yerevan offers 5-star accommodation on the upscale Azatutyan Avenue. This magnificent hilltop setting provides awesome views of the city center against a backdrop of biblical Mount Ararat.\n\nIn addition to a breathtaking location, the hotel features 142 immaculate rooms and suites housed in an eye-catching stone and glass façade. Out Skirt suspended lamps are installed in the main entrance of the hotel. These custom-made lights are an example of bespoke design, as Axolight’s pay-off reveals. In fact the lampshade is extra-sized to illuminate the high lobby of the hotel. \n\n\nPhotos by: Radisson Blue Hotel \n\nProject by: Ara Design and Andre Avedian', 'http://www.axolight.it/europe/en_GB/projects/bespoke/radisson-blue-hotel-yerevan-armenia', 'Axolight-Radisson-Blue-Hotel_small.jpg', 'Axolight Radisson Blue Hotel', 'Radisson Blue Hotel, Yerevan, Armenia', 'Project Radisson Blue Hotel is located in Yerevan, Armenia. Discover lighting design and luminaires types specified in the project.', '2018-04-19'),
(91, 'HOF001', 0, 84, 'NRW state parliament', 'Düsseldorf, Germany', 'NRW state parliament making savings with LED illumination\n\nThe entire lighting system of the plenary hall in the Düsseldorf state parliament was extensively renewed during the summer break. The original lighting with high-output metal halide lamps has been replaced by recessed LED lights from Hoffmeister. The President of the State Parliament, Eckhard Uhlenberg, believes that the annual energy costs will fall from currently EUR 50,000 to EUR 5,000 as a result. In order to achieve this target, the DL170 un.limited LED downlights used have been equipped with dimmable controls which allow for their regulation according to the level of natural light. The components used are compatible with television recordings. The drivers and LEDs ensure flicker-free operation when on full power and when dimmed, especially in the frequency range critical to television recordings. The illumination was planned by the renowned lighting designer “Peter Andres – Beratende Ingenieure für Lichtplanung, Hamburg”. The recessed luminaires are equipped with highly efficient 2000 lm LED modules with a power consumption of only 36W. As the luminaires are positioned at a great height, maintenance intervals play a big role when considering their efficiency. The luminaires can only be reached using elaborate scaffolding. LED lights such as the DL170 un.limited have a clear advantage in this regard. With an average life cycle of 50,000 hours, they don´t need any maintenance for many years. The downlights are equipped with passive flow.tec thermal management. Without active, moving elements, without additional energy consumption and without wear, the flow.tec system maximises heat dissipation away from the LED surface in the DL 170 un.limited. Low temperatures are a prerequisite for low-impact operation of these luminaires to ensure maximum luminous power and a long life cycle. The elimination of solid cooling elements reduces the inherent weight of the light. Thanks to this weight-optimised design, the overall eco-balance of the DL170 LED luminaires is also significantly better than that of luminaires with electrically operated active cooling systems or solid aluminium cooling elements. Besides the expected energy savings, the overall look of the plenary hall has also been enhanced. The luminaires pick up the rounding of the distinctive ceiling design, pleasantly complementing the overall impression. Although visually recessed themselves, their light effect still contributes significantly to the interior design.\n\nBuilding owner: Land Nordrhein-Westfalen \nLighting designer: Peter Andres, Consultant engineer for light planning, Hamburg', 'http://www.hoffmeister.de/en/projects/?tx_dreipchoffmeistercatalog_catalog%5BprojectId%5D=%7Bprocat%3A%28groups.BaseGroup%3A%28%5B%40IMID%3ANode%3Agroup5684817300754%5D%29%29%7D&cHash=a994b52f08ed55cfb7928b27f83a75e2', 'Hoffmeister-NRW-state-parliament_small.jpg', 'Hoffmeister NRW state parliament', 'NRW state parliament, Düsseldorf, Germany', 'Project NRW state parliament is located in Düsseldorf, Germany. Discover lighting design and luminaires types specified in the project.', '2018-04-20'),
(92, 'DGR001', 0, 85, 'Enigma restaurant', 'Barcelona, Spain', 'Project: RCR Arquitectos (Rafael Aranda, Carme Pigem, Ramón Vilalta) and Pau Llimona.\nLight project: Artec3 Studio\nCustomer: Albert Adrià\nBarcelona 2017\n\nEnigma started as an idea by the famous Catalan chef, Albert Adria’. He wanted to create a “mysterious restaurant” that would reflect his cuisine and his career.\nStudio RCR Arquitectes, winner of the Pritzker Prize 2017, helped Adria’ to put his idea onto paper by coming up with a watercolour rendition of what they thought he wanted. The result was so inspiring that they decided to go ahead with the project.\nAlbert Adria’ is famous for his experimental cuisine and surprising menus. His vision for a restaurant was an place in which each guest would be totally immersed in his world, and where the experience of eating would be unforgettable.\nHow one cooks and a chef’s menu have always been strongly influenced by its surroundings. This is how RCR Arquitectes came up with the idea for this particular space, an intriguing ambience filled with curves and tight corridors, where David Groppi’s NULLA lamp leads the way, but overall where NULLA makes every table “unique and magic”.', 'http://davidegroppi.com/en/progetto/ristorante-enigma/', 'Davide-Groppi-Enigma_small.jpg', 'Davide Groppi Enigma restaurant', 'Enigma restaurant, Barcelona, Spain', 'Project Enigma  is located in Barcelona, Spain. Discover lighting design and luminaires types specified in the project.', '2018-04-20'),
(93, 'DGR002', 0, 85, 'Zaha Hadid Model Apartment', 'NEW YORK CITY', 'Project: West Chin Architects & Interior Designers\n\nLight project: west | nyc home and west | out east showrooms\nNEW YORK CITY	2017\n\nDavide Groppi’s lamps for the model apartment project in the new Zaha Hadid building. \nDesigned by WCA, the model apartment in the new Zaha Hadid building features a selection of furnishings \nfrom the west | nyc home and west | out east showrooms that enhances the design of this dynamic, \nmodern residential building. \nThe building is a new iconic fixture of the New York City skyline and the newly developed High Line area. 520 West 28th St.\n\nLamps\nSAMPEI\nNEURO\nARIA', 'http://davidegroppi.com/en/progetto/zaha-hadid-model-apartment/', 'Davide-Groppi-Model-Apartment_small.jpg', 'Davide Groppi Zaha Hadid Model Apartment', 'Zaha Hadid Model Apartment, New York, USA', 'Project Zaha Hadid Model Apartment is located in New York, USA. Discover lighting design and luminaires types specified in the project.', '2018-04-23'),
(94, 'IGZ005', 0, 65, 'The Museum of the Second World War', 'Gdansk, Poland', 'The Museum of the Second World War stands on a plot of land in the W?adys?aw Bartoszewski Square near the city centre. It is a symbolic location with an important past, as it is just 3 kilometres from the Westerplatte peninsula and 200 metres from the historic Polish post office that were the first places the Nazi army attacked in September 1939 when they invaded Poland and sparked the start of the Second World War. The 1,700 square metre plot on which the museum is built reaches as far as the Radunia canal to the west and the Mot?awa river to the south. Today, this suburban area lies just outside Old Gdansk, but it will soon be right at the heart of the city when the regeneration project designed to transform the historic local shipyard into Gdansk’s new modern centre has been completed.\n\nSettlements have existed in this area since ancient times and it was first fortified in the year thousand. In the mid-seventeenth century the area underwent a significant transformation and its first regular urban plan was laid down at the beginning of the eighteenth century.\n\nThe architectural design for the Second World War Museum was decided through an international architectural competition and the jury proclaimed the winner on September 1st 2010.\n\nThe competition notice asked not only for design ideas for the museum, but also for the rearrangement of the entire area, and the contest was decided by a jury, presided over by Daniel Libeskind, who judged the winner to be the project presented by the Kwadrat studio on account of its comprehensive consideration of all the various urban, architectural, functional and aesthetic criteria.\n\nThe building covers a surface area of about 23,000 square metres, of which 5,000 are dedicated to the permanent exhibition that uses cutting-edge display systems to tell the story of the Second World War, with a focus on the lives of ordinary people as well as the policies of the Great Powers. The international community of architects applauded the museum’s design which divides the museum area into three areas symbolizing the relationship between the past, the present and the future of war. The past is located on the museum’s underground floors, the present is represented by the open space around the building and the future is the part that rises up from the ground. The lighting design is based on Palco luminaires that are track-mounted in the exhibition spaces as well as in the transit areas. Both spot and wall washer versions of the projector have been track-installed to offer maximum versatility, and its notable power and efficiency succeeds in illuminating the building effectively, despite its extremely high ceilings. Outside, Underscore InOut luminaires have been installed under the handrails on the walkways.\n\nYear:\n2017\nClient:\nMinistry for Cultural Affairs\nArchitectural project:\nKwadrat / Loft\nLighting project:\nLoft / Praxis\nPhotographer:\nTomasz Kurek', 'https://www.iguzzini.com/us/projects/project-gallery/the-museum-of-the-second-world-war/', 'iGuzzini-The-Museum-of-the-Second-World-War_small.jpg', 'iGuzzini The Museum of the Second World War', 'The Museum of the Second World War, Gdansk, Poland', 'Project The Museum of the Second World War is located in Gdansk, Poland. Discover lighting design and luminaires types specified in the project.', '2018-04-23'),
(95, 'IGZ006', 0, 65, 'Station F', 'Paris, France', 'Formally opened in 2017, Station F is the biggest startup campus in the world. Located in the centre of Paris, it is the brainchild of the internet and mobile phone entrepreneur Xavier Niel who has always been interested in the world of startups. Niel has succeeded in attracting investments from a number of corporate giants, such as  Facebook, who invested in the “Startup Garage” programme for data handling companies, Microsoft, that runs the artificial intelligence sector and Vente Privée, the French e-commerce colossus.\n\nThe facility is housed in the 34,000 square metre, former Austerlitz Station rail freight depot, built between 1927 and 1929 by the engineer Eugène Freyssinet. Halle Freyssinet, as the building was originally known, is a splendid building constructed of pre-compressed concrete with an extraordinarily light load-bearing structure based on an innovative technique later patented by Freyssinet. Thanks to this highly original characteristic in 2012 Halle Freyssinet was officially nominated a historical monument.\n\n310 metres long and 58 metres away, Station F consists of three parallel naves with slim pre-compressed concrete arches, each of which has a specific function. The refurbishment plan designed by the Wilmotte & Associés studio is simple and effective. It eliminates any superfluous decoration to reveal the elegance of the structure and enhance the refined proportions of the main and secondary pre-compressed reinforced concrete elements. The new window frames that complete the building are made of flat iron and create a comfortable environment while also matching the structure’s original style. \n\nThe building basically consists of a main central space under a vast barrel vault with a large skylight in the middle of it, and a series of individual startup boxes, created from iron structures, which run down either side and are completely separate from the original concrete walls. The small rooms located on the ground and first floor have glass fronts overlooking the shared central space, while the top floor hosts a series of cantilevered container boxes that recall the depot’s original purpose. The building includes a “Share Area - a large open space for meeting and sharing skills and digital technologies - is located, as well as a “Fab Lab” that is equipped with freely accessible 3D printers and a 370-seat auditorium. \n\nThe real heart of the facility, though, is the “Create Zone”, a creative space where all the functional startup structures are located in the form of 24 \"villages\" (8 on each floor). Each village is unique and houses various services (kitchens, Skype boxes, meeting rooms and so on). The shared work spaces all have an open space design and are equipped with modular, connected tables. Last of all, is the “Chill Zone”, a relaxation area with a restaurant and a south-facing gallery offering a view over a multi-level garden, that is open to outsiders as well as those who work at Station F.\n\nThe building’s new interior layout called for a lighting design split between general lighting for the large spaces and low luminance and more adaptable lighting for the work spaces. For the general lighting, Jean Michel Wilmotte used the Platea Pro projector, a luminaire created for exterior application and therefore perfect for the light effects required for the structure’s considerable height. Two different optics were used, a Wide Flood and an asymmetric street optic, and to install the luminaires, a special metal bracket was designed that straddles the beams that run the entire length of the hall and create a constant rhythm along the “Share Area”. In the locker area where the people who work at station F store their personal belongings, recessed Ledplus luminaires fitted with a Floor Washer optic were used as they create a soft homogeneous atmosphere items. The main entrance to Station F, on the other hand, is illuminated with Laser Blade InOut luminaires protected by a special case.\n\nYear:\n2017\nClient:\nSDECN - Xavier Niel\nDesigner:\nWilmotte & Associés\nArchitectural project:\n2B2M\nLighting project:\nWilmotte & Associés\nStructural engineering:\nMIZRAHI\nCurator:\nDidier Boy De la Tour\nFacades:\nARCORA\nSustainability engineering: \nTRANSSOLAR', 'https://www.iguzzini.com/us/projects/project-gallery/station-f-light-for-the-biggest-startup-campus-in-the-world/', 'iGuzzini-Station-F_small.jpg', 'iGuzzini Station F', 'Station F, Paris, France', 'Project Station F is located in Paris, France. Discover lighting design and luminaires types specified in the project.', '2018-04-23');
INSERT INTO `project_gallery` (`pr_gallery_id`, `sku`, `active`, `manufacturer`, `title`, `subtitle`, `description`, `url`, `thumbnail`, `thumbnail_alt`, `tag_title`, `tag_description`, `dt`) VALUES
(96, 'IGZ007', 0, 65, 'The Ancient Theatre of Taormina', 'Taormina, Italy', 'The lighting design for the ancient theatre of Taormina was commissioned by the Department of  Cultural Heritage and Sicilian Identity in order to extend visiting hours at the site into the evening. Operating in collaboration with the Energy Service Company Metaenergia (ESCo), with whom an agreement was signed for the provision of electrical energy and services from 2013 to 2017, this Department opted to use iGuzzini technology for the new project. ESCo also immediately recognised iGuzzini\'s immense expertise in the lighting sector and its skill in using light to both protect and enhance cultural heritage.\n\nThis particular project has two general aims: on one hand it seeks to use light to enhance the site\'s splendid classical architecture, while on the other, it allows visitors to access the theatre in perfect safety even at night. The increase in revenue created, thanks to a rise in visits, together with lower management costs also mean that the archaeological site can enjoy simple, programmed maintenance while simultaneously bringing other benefits to the area.\n\nThe project designed by Engineer Roberto Sannasardo from the Department of  Cultural Heritage and Sicilian Identity involved updating the existing lighting system (installed in 1999 by the French studio Roland Jeol) with new technological solutions that were not available at the time.  Non-invasive design solutions were specifically requested in the commission, so compact and hidden luminaires were chosen, and wherever possible, the existing installation system was used to avoid attaching more brackets to the ancient walls.  The overall aim was to create a lighting system that would have a realistic effect and succeed in reproducing the subtle colours of dusk. This is why warm colour temperatures (2900-3000 K) were chosen that create a picturesque image of the theatre. At the same time, using products with high colour rendering  (a CRI of 90) ensures that the site\'s natural materials are properly saturated with the required range of colour. Moreover, replacing all the existing lighting units with new DALI LED elements has resulted in an 80% reduction in consumption and consequently lower management costs. To ensure that the site can be visited in perfect safety at night, the exit routes have been lit with linear lighting created by Underscore InOut luminaires recessed in the handrails and diffused lighting produced by Woody series floodlights . The theatre entrance is also lit by Woody luminaires that anticipate the line of floodlights used in the arena. The designer chose the Woody series because of its high level of visual comfort and wide variety of installation systems and uses, which range from highlighting details to landscaping. From the site\'s viewing platform, a rhythmic procession of pole-mounted iTeka luminaires introduces the visitor to this remarkable example of classical architecture with directional lighting  created by optics with OptiSmart reflectors that optimizes both visual comfort and the spacing of the luminaires. Woody downlights illuminate both the vaulted portico and the open portico, emphasizing the structure of the steps. From there, Underscore InOut Side Bend luminaires installed in the handrail guide the visitor towards the orchestra with an even and continuous line of light that produces no shadow areas whatsoever. In this way light becomes a kind of geometrical sign that indicates the way ahead. Underscore InOut luminaires are incredibly reliable and perfectly suited  to the site\'s climate, so constant, long-lasting, high performance is guaranteed. Continuing up to the orchestra, the cavea (auditorium) and paraskenia  (side wings) are lit with wide beam Maxiwoody luminaires, whereas Woody luminaires guide visitors along the parodoi (stage side entrances) towards the skene (backstage) where Miniwoody luminaires light up the proskenion (area in front of the skene) and Maxiwoody floodlights the skene. \n\nThis new lighting system, officially unveiled at a press conference and opening event on June 28th, illuminates the splendid architecture and natural beauty of this archaeological site perfectly while also strictly complying with all the relevant safety standards.\n\nYear:\n2017\nClient:\nDepartment of Cultural Heritage and Sicilian Identity Metaenergia E.S.Co.\nLighting project:\nRoberto Sannasardo\nPhotographer:\nGianluca Scalia & Mario Tordini', 'https://www.iguzzini.com/projects/project-gallery/the-ancient-theatre-of-taormina/', 'iGuzzini-The-Ancient-Theatre-of-Taormina_small.jpg', 'iGuzzini The Ancient Theatre of Taormina', 'The Ancient Theatre of Taormina, Italy', 'Project The Ancient Theatre of Taormina is located in Italy. Discover lighting design and luminaires types specified in the project.', '2018-04-24'),
(97, 'INL001', 0, 86, 'NautaDutilh', 'Amsterdam, The Netherlands', 'This law firm office is not only a 10,000 m2 space, it’s THE space in the financial district of Amsterdam. It’s ages away from the usual radiance. It’s quirky, it’s layered and it’s subtle.\n\nIt\'s a place of ultimate balance of representatives, warmth, and artistry. And it starts with the entry.\n\nIt all started with the idea of a work environment, that offers more than just an office, that\'s space where work and life blend in a relaxed way. \n\nThe heart of the office is the restaurant with a bar, where lighting follows the concept of creating a warm and personal ambient ideal for informal chats.\n\nThe architects aimed to create a fusion of traditional values, contemporary rituals with a human eye on the future.\n\nLight had to fulfil the modern aspect and create a space where people feel good. \n\nArchitect: Casper Schwarz\nLighting Designer: Studio Rublek\nPhotographer: Peter Baas; Gerke van de Hoef', 'https://www.intra-lighting.com/solution?solution=OFFNaut1&name=nautadutilh', 'Intra-Lighting-NautaDutilh_small.jpg', 'Intra Lighting NautaDutilh', 'NautaDutilh, Amsterdam, The Netherlands', 'Project NautaDutilh is located in Amsterdam, The Netherlands. Discover lighting design and luminaires types specified in the project.', '2018-04-26'),
(98, 'WEF005', 0, 86, 'Neues Rathaus', 'Dresden, Germany', 'Following extensive renovations, the Neues Rathaus (New Town Hall) in Dresden is now seen in a new light.\n\nWhen they devised the exterior lighting for the Neues Rathaus, the Studio DL lighting designers had to comply with the requirements for listed buildings as well as the master plan for Dresden\'s city lighting. Their concept is based on several carefully co-ordinated elements that present the town hall as a landmark on Dresden\'s skyline while at the same time allowing a close look at the architecture and the decorative elements. WE-EF luminaires accentuate the main facade and incorporate the rhythm of the ground floor archway and the pilasters on the upper floor.\n\nThe column lighting on the arcade of the main facade is created by ETC330-GB LED inground luminaires. The uplights feature a gimbal mounting system, whereby the lighting can be rotated 360° and tilted 30°, enabling it to be precisely aligned. This section uses ETCs with a very narrow beam distribution combined with a linear spread lens in order to provide a powerful “scalloping” effect. For the four arches located directly in front of the main entrance, the ETC330-GB installations at the side of the columns additionally “wash” the wide intrados. This highlights the entrance to the building while also accentuating the lattice doors right behind it, known as the \"golden gate\".\n\nThe 13 columns at ground level are matched by 13 pilasters on the upper floor, which are also accentuated by column lighting. FLD121 LED projectors are placed on the fascia to cover this area. With connected wattage of just 12 watts and symmetric medium beam distribution, they not only emphasise the vertical columns but also project light to the cornice above. As a result, the fine structure of the facade is visible all the way up to the edge of the roof.\n\nTwo large bronze heraldic lions that guard the entrance to the Neues Rathaus have naturally been integrated into the lighting concept as they are an important part of the artistic decoration. Two ETC130-GB LED uplights set in the ground in front of the bases of the sculptures are aimed at the lions\' heads with a very narrow beam distribution.\n\nPrincipal: State capital Dresden, urban planning office\nPlanning of the building lighting: Studio DL, Hildesheim\nProject supervision and electrical planning: ILB Dr. Rönitzsch GmbH, Freital\nPhotos: Dirk-Andre Betz', 'http://www.weef.de/#!/us/project/rathaus_dresden_germany', 'We-ef-Neues-Rathaus_small.jpg', 'We-ef Lighting Neues Rathaus', 'Neues Rathaus, Dresden, Germany', 'Project Neues Rathaus is located in Dresden, Germany. Discover lighting design and luminaires types specified in the project.', '2018-04-26'),
(99, 'WEF006', 0, 68, 'Monash University\'s Caulfield campus', 'Melbourne, Australia', 'Integral landscaping and lighting design for Monash University\'s Caulfield campus.\n\nA water feature, a bright blue sports ground, at the other end a platform with a beautiful pavilion, and lawns, benches and wooden decks everywhere – Monash University\'s Caulfield campus in Melbourne is tough competition for the lecture halls and seminar rooms. The redesign of the campus including a former car park was so successful that the Australian Institute of Landscape Architects (AILA) awarded the VIC Urban Design Award of Excellence to the project.\n\nLighting designers from the company Electrolight were involved in the planning process from an early stage. This is can be seen in a particularly close interlinking of the design of the park and the lighting concept. An example of the consistent integration of the lighting in the environment is the lighting solution for the sports ground. \"Sports ground lighting is usually characterised by four poles positioned in the corners\", says Jess Perry, director of Electrolight. \"But here we departed from this traditional approach and implemented a more theatrical lighting effect instead of conventional flood lighting for the area that features graphic elements and lettering.\" FLC141 LED projectors with snoots are used. They are fitted on clearly inclined poles which – like the projectors – are painted in the blue of the flooring.\n\nIn contrast, the general lighting chosen for the campus has a stronger focus on functional aspects. The planners decided to use RFL530 LED street and area lighting luminaires along the main path. One pole holds two luminaires. Those that illuminate the path have asymmetric \'side throw\' distribution, while the luminaires directed at the adjoining areas, lawns and terraces fitted with [A60] lenses have symmetric \'forward throw\' distribution. Supplementing them, FLC121 LED projectors fitted unobtrusively on the parapet of the surrounding buildings illuminate smaller side paths on the campus. \n\nThe special material and surface structure of the Caulfield Sound Shell pavilion is illuminated by ETC300 inground luminaires from WE-EF. Further ETC300 variants add lighting accents around the whole campus on selected trees, mark contours, zone areas and highlight details. They are fitted with a large range of optical accessories, from wallwash to narrow, linear lenses.\n\nProject participants (selection):\nPrincipal: Monash University, www.monash.edu\nLandscape architects: TCL – Taylor Cullity Lethlean, www.tcl.net.au\nLight planning: Electrolight, http://electrolight.com\nArtwork on the sports ground: Agatha Gothe Snape, https://agathagothesnape.net', 'http://www.weef.de/#!/us/project/monash-uni-melbourne', 'We-ef-Monash-University-Caulfield-campus_small.jpg', 'We-ef Lighting Monash University\'s Caulfield campus', 'Monash University\'s Caulfield campus, Melbourne, Australia', 'Project Monash University\'s Caulfield campus is located in Melbourne, Australia. Discover lighting design and luminaires types specified in the project.', '2018-04-26'),
(100, 'WAY001', 0, 90, 'International Airport Main Terminal', 'Ashgabat, Turkmenistan', 'Constructed in Turkmenistan’s capital city, Ashgabat, Ashgabat International Airport is one of the biggest projects of the country. The design of the new Ashgabat International Airport Complex was inspired from a historical Turkish character Oguz Khan and the lacyn bird (falcon), which is one of the national symbols of Turkmenistan. The Airport Complex consists of 266 buildings with different functions and constructed on the site area of 12-million sqm, including 2.5-million sqm area of runways, taxiways and aprons. The new airport also will be able to host 14 million domestic – international passengers per year with providing IATA Class A service standards, and ready for being the logistics centre of the region owing to its new cargo structuring.\n\nIn both daytime and nighttime, this building will be the last building seen by passengers arriving to or departing from Ashgabat. The exterior lighting of the main terminal building needed to create a prestigious and strong perception and to highlight the structural elements that refer the culture of the country.\n\nThe building has a huge bird shape so the façade lighting was designed to emphasise this extraordinary architectural form. While the LED uplight projectors on the entrance canopy illuminate the two wings homogenously, the linear lighting fixtures integrated on the front façade imitates a bird’s flapping motion.\n\nOn the roof, the ‘arrows and bow’ shapes that have an important place in the culture of the country, are shown by linear LED fixtures. Also, the patterns adapted from the Turkmenistan flag to the building were also emphasised by the same kind of luminaries.\n\nThroughout the design process, international aviation regulations were taken into account. For the low energy consumption, all lighting products have been selected with LED lamps.\n\nLighting Design:\nLighting LAB.1, Turkey\n\nClient:\nPolimeks Construction\n\nArchitect:\nPolimeks Construction, Turkey\n\nInterior Design:\nPolimeks Construction, Turkey; Tekeli-Sisa Architecture, Turkey', 'http://www.waysonlighting.com/airport-main-terminal.html', 'Wayson-Lighting-Ashgabat-International-Airport-Main-Terminal_small.jpg', 'Wayson Lighting Ashgabat International Airport Main Terminal', 'International Airport Main Terminal, Ashgabat, Turkmenistan', 'Project International Airport Main Terminal is located in Ashgabat, Turkmenistan. Discover lighting design and luminaires types specified in the project.', '2018-04-27'),
(101, 'ACD001', 0, 91, 'Oxford Street', 'London, UK', 'Occupying 89m of Oxford Street façade from North Audley St to Balderton Street, is situated on one the busiest and prestigious shopping destinations in London.\n\nThe project brief\n\nThe project brief was to unify the block of buildings, by picking out the features that would render the facades character best at night.  To ensure the façade not only looked impressive at night, unsightly cabling should not detract from the buildings charm and architectural beauty during the day, attracting higher end retailers and discerning shoppers, by giving the development presence and charisma.\n\nacdc’s solution\n\nThrough extensive lighting trials and 2D Photoshop visuals LDI picked out the features that would render the facades character best at night, the team produced detailed mounting drawings for each fittings location and cable routes.\n\nRed brick vertical features are picked out by 10° Plaza 10 fittings in 2700K, to enhance the warm tone of the red brick giving an inviting warm glow. The rhythm of narrow beam uplighting was carefully planned to ensure the right amount of shadow and highlight, ensuring the form of the building was expressed from all viewing positions without over lighting the features and loosing contrast. Window reveals and wider features are lit with spread 12 x 40 Plaza 10 fittings, and horizontal lighting is provided  Fino to link and unify the verticals.\n\nThe lighter stone building, with dark stone columns, is lit with 3000K Plaza 10 fittings, to preserve the lighter finish, and to ensure the light stone is not given an unnatural tone from the warm 2700K lighting used on the majority of the development. This change in colour temperature also intentionally makes the light stone building a feature within the estate as a whole. This façade is lit by the same techniques that unify the development, but given its own identity tailored to its own architectural elegance by using a more suitable neutral white colour temperature.\n\nAll visible fittings used on the project are RAL finished to match the various mounting surfaces, ensuring minimal visual impact on the façade by day, and all cabling routes are well concealed from direct view by pedestrians.\n\nThe fittings are all selected and tested for their precise optical performance, and all fittings are equipped with glare snoots and louvers where necessary, to ensure no glare is experiences by pedestrians or building occupants. The glare snoots are finished to match the fittings, and the internal louvers when used are matt black and orientated perpendicular to viewing angles, to ensure glare control is optimal.\n\nLighting Design:\nLighting Design International, UK\n\nClient:\nTribeca Holdings\n\nArchitect:\nESA Architects, UK', 'https://www.acdclighting.co.uk/projects/oxford-st-estate/#.WuMiNMiFNPY', 'acdc-Oxford-Street_small.jpg', 'acdc Oxford Street', 'Oxford Street, London, UK', 'Project Oxford Street is located in London, UK. Discover lighting design and luminaires types specified in the project.', '2018-04-30'),
(102, 'ACD002', 0, 91, 'Troia Cathedral', 'Apulia, Italy', 'Built in the first quarter of the 12th century, Troia Cathedral  in Apulia region of Italy is dedicated to the Assumption of the blessed Virgin Mary. .\n\nThis beautifully preserved and carefully maintained monument stands is recognized one of the jewels of Apulian Romanesque architecture.  The Cathedral’s facade is of significant importance and extraordinary beauty full of symbolic meanings with its magnificent bronze door with symbolic decorations which has been admired by locals and visitors for centuries.\n\nProject brief\n\nOwners of this historical monument the Diocese of Lucera-Troia, the Apulia Region and the Municipality of Troia authority approached world renowned architects Stefano Cibelli and Piero Guadagno and Giordana Arcesilai to provide an innovative lighting scheme to enhance the interior space.\n\nAn innovative lighting scheme with low energy consumption was required to highlight the architectural detail whilst remaining respectful to the original structure and the functionality of the space.  The interior is a three-nave-shaped Latin cross, containing a central nave.   Two side aisles are separated by two impressive rounded arched arcades of 6 marble columns each with a double first column seen when entering the main door, thus making a total of thirteen marble columns.\n\nCareful consideration was required when lighting the beautiful carved wooden crucifix by Pietro Frasa, which is linked to the town’s popular traditions and festivals. Of particular ceremonial importance, are the stone pulpit and the two chapels, that of the patron saints and the Chapel of the Assumption from which the cathedral takes its name.\n\nSolution\n\nacdc and Thorn from the Zumtobel group have provided, innovative technology and products that meet three lighting criteria: for ceremonial purposes, artistry and architectural highlighting, together with a touch screen lighting control system is\n\nPre-programmed to the different needs of the space allowing the lighting scheme to be tuned to suit specific functions or required mood, changing from a solemn scene during ceremonial services, to an artistic theme whilst sightseeing groups are visiting the building to create drama and highlight the architectural beauty of the monument.\n\nIllumination of the central heart of the building was solved with Thorn’s SATIN 2 linear projectors alongside the beams and with QBA projectors for the general lighting placed laterally.  In the side aisles, INTEGREX linear fittings provided arched lighting with ARTEMIS spotlights for Via Crucis have been placed on the capitals.\n\nThe cathedral of Troy is full of history, charm and culture, and the new lighting enhances the liturgies and celebrations, improves tourist’s enjoyment and experience whilst remaining respectful of the cathedral’s religious function.', 'https://www.acdclighting.co.uk/projects/troia-cathederal-italy/#.Wube6MiFNPY', 'acdc-Troia-Cathedral_small.jpg', 'acdc Troia Cathedral', 'Troia Cathedral, Apulia, Italy', 'Project Troia Cathedral is located in Apulia, Italy. Discover lighting design and luminaires types specified in the project.', '2018-04-30'),
(103, 'LMP023', 0, 28, '180 Wellington', 'Ottawa, Ontario, Canada', 'The recently restored Wellington Building is the first to be lit following the newly implemented Master Plan for the Parliamentary Precinct in Canada\'s capital, Ottawa. Returned to its 1920s splendor, the onetime insurance building now house MP offices, a library, and governmental meeting rooms. Public Works and Government Services Canada turned to lighting design firm Lightemotion to highlight this stunning example of Beaux-Arts architecture and sets it aglow with subtle elegance.\n\n\"We employed a theatrical approach to lighting with very detailed control systems to avoid flooding the building with light\" states Francois Roupinian, Founder of Lightemotion, \"Delicate, beautiful accents on key architectural features preserve the historic integrity of its architecture while maintaining a cohesive luminous environment with the neighboring buildings.\" \n\nOn the ground level along Wellington Street, Lightemotion employed Lumenpulse Lumenfacade Remote 2-foot luminaires to light the inner window arches. At a 3000k color temperature, they give the façade an organic glow without compromising the resonance of the natural stone. The Lumenpulse Lumenfacades used in this area are equipped with a custom cage that matches the stone façade, this cage both protects and hides the luminaires within the façade.\n\nBetween each of the building\'s columns and pilasters, Lumenfacade Horizontal luminaires were placed to add drama and create a softer light while also making these architectural elements stand out from the façade. The light intentionally bleeds up and onto the cornices, so as to allow additional light onto the façade.\n\nThe DALI lighting control system allows each luminaire to be individually controlled; lighting levels can be specifically tailored to each area of the building depending on the nature of the architectural features and reflectivity of the surfaces. The strategically placed strokes of light covering all four-tiers of the building accentuate and underscore this historic landmark\'s eminence in a timeless, lasting design that enhances its beauty. \n\nAs Ottawa\'s Master Plan comes to light, it is clear that the lighting design and the luminaires used for 180 Wellington Street is the standard to follow. \n\nEQUIPMENT SPECIFIED?\n24 x Lumenfacade Horizontal, 1ft, 3000K, 10°x10°\n30 x Lumenfacade Horizontal, 1ft, 3000K, 10°x60°\n41 x Lumenfacade Horizontal, 2ft, 3000K, 10°x60°\n7 x Lumenfacade Horizontal, 3ft, 3000K, 10°x60°\n24 x Lumenfacade Horizontal HO, 3ft, 3000K, 10°x60°\n89 x Lumenfacade Horizontal, 4ft, 3000K, 10°x60°\n30 x Lumenfacade Horizontal HO, 4ft, 3000K, 10°x60°\n8 x Lumenfacade Remote, 2ft, 3000K, 10°x60°\n\nClient: Public Works and Government Services Canada\nLighting Design: Lightemotion\nArchitect: NORR\nContractor: Pomerleau\nPhotographer: Gordon King', 'https://www.lumenpulse.com/projects/257/180-wellington?region=meaf', 'Lumenpulse-180-Wellington_small.jpg', 'Lumenpulse 180 Wellington', '180 Wellington, Ottawa, Ontario, Canada', 'Project 180 Wellington is located in Ottawa, Canada. Discover lighting design and luminaires types specified in the project.', '2018-04-30'),
(104, 'PHI001', 0, 92, 'Viaduct Harbour', 'Auckland, New Zealand', 'Viaduct Harbour is a heavily obstructed area by cables, gangways and other infrastructure. Philips Lighting was tasked to adapt to local celebrations and events, allowing programming from anywhere with regular content updates.\n\nThe Philips luminaires also had to survive sea air, salt spray and even partial immersion, and still have a satisfactory light output in ten years\' time.\n\nThe right lighting\n\nFor the western wall, Philips iColor Flex LMX Gen2, a direct view system, was mounted on stainless steel plates and overlaid with a customised diffusing screen resulting in seamless light movements.\n\nFor the southern wall, the luminaire chosen was the Philips ColorGraze MX4 Powercore from Color Kinetics, an IP66 fitting made of high-quality aluminium with a low copper content to withstand the marine location. To avoid the wall looking flat and featureless, the interior of each frame was washed with carefully-directed light that used a gradation in intensity across the surface to provide interest and contrast.\n\nA waterproof secondary housing was designed and built locally from marine-grade 316 stainless steel with a glass lens, and the luminaire was mounted and sealed inside this.\n\nLighting designer Angus Muir was commissioned to design the creative content while the Philips ActiveSite gateway monitors the health of the system sending real-time fault alerts to address immediately.\n\nAs the project progressed, it became clear that the color-changing lighting would also provide another opportunity—to revitalize the city and the whole downtown experience.\n\n“As we worked on the project we realized that through the use of color-changing lighting, we had the chance to essentially brand the city,” said Fox. “The new lighting could extend beyond the station and tie back to city events and happenings, and with the nearby commercial railroad station, we could create a ‘gateway’ to San Diego.”\n\nTo uplight the canopy, Ceballos and Fox used a combination of four Philips Color Kinetics ColorBlast Powercore and two iW Blast Powercore fixtures mounted within each of the 12 existing metal shrouds located 35 ft (10.7 ft) above the station which replaced high wattage metal halide uplights. More than 30 different themed lighting shows were programmed—both static and dynamic—and run during trolley operating hours treating travelers and passersby to a lighting experience. After hours, the uplights switch to white light in order to increase safety and security in the area. The new lighting system has reduced the overall energy consumption.\n\n“It was exciting to take the objectives of the project one step further and have the chance to really make an impact on the city,” said Ceballos. “We hope the new lighting will instill pride in local citizens and create a welcoming and memorable entrance for visitors.”\n\nProducts Used\nColorGraze MX4 Powercore  \niColor Flex LMX gen2  \n\nCLIENT:\nAngela Bull, CEO,\nViaduct Harbour Holdings Ltd\n\nDESIGN:\nGeoff Lewthwaite,\nPhilips Lighting New Zealand\n\nAngus Muir,\nAngus Muir Design\n\nTECHNICAL DESIGN:\nChris Huff,\nChris Huff Technical Ltd.\n\nELECTRICAL CONTRACTOR:\nEmpire Electrical Services Ltd', 'http://mirror.philipsnas.com/Showcase/installs/Viaduct-Harbour/index.html', 'Philips-Viaduct-Harbour_small.jpg', 'Philips Viaduct Harbour', 'Viaduct Harbour, Auckland, New Zealand', 'Project Viaduct Harbour is located in Auckland, New Zealand. Discover lighting design and luminaires types specified in the project.', '2018-04-30'),
(105, 'PHI002', 0, 92, 'OVO Wroc?aw Apartments', 'Wroc?aw, Poland', 'Philips Lighting (Euronext Amsterdam ticker: LIGHT) has implemented dynamic LED lighting for the prestigious apartment and hotel complex OVO Wroc?aw, in Wroc?aw, Poland. The building is equipped with over one kilometer of linear LED fixtures, 8,500 luminaries and 6,750 remote controlled modules.\n\nThe OVO Wroc?aw building includes apartments, is home to a Double Tree hotel by Hilton, office spaces, a casino and a fitness club. Located in the centre of Wroc?aw, the curved building features an open court and white façade equipped with over 300 meters of Philips Vaya Linear luminaires that provide a subtle embellishment, complementing the surrounding architecture. The LED lighting technology is designed and tailor-made to meet the specific requirements of the rooms, reception areas and façade.\n\nThe interior of the building is equipped with ceiling luminaires, Philips LuxSpace Accent, Philips StoreFlux and Philips Coreline downlights. These are computer controllable so that special light effects may be applied to transform the lobby, reception desk, restaurant, ballroom and foyer in the blink of an eye. \n\nThe lobby, restaurant and the ballroom also feature tailor-made Volcano luminaires, mounted to the ceiling and covered in uniquely shaped plaster frames. The Volcano luminaires contain 6,750 Philips Color Kinetics eW Flex Compact modules.\n\nThe interior luminaires are controlled using Philips Dynalite controls. Light scenes have been created to transform the spaces for any occasion by the simple tap of a LCG touch panel screen. Facility managers also enjoy a personalized interface and remote access capabilities.\n\nThe lighting in the public spaces of the building offer a warm hue in a range between 2700-3000K. Zones that are not accessible to guests feature luminaires with a color temperature of 4000K.\n\nBy adopting Philips LED lighting technology, the OVO Wroc?aw complex can save up to 60% of energy consumption in public zones, compared to conventional lighting.\n\nProducts Used\neW Flex Compact  \nVaya Linear MP, White & Mono  \nVaya Cove LP G2', 'http://mirror.philipsnas.com/Showcase/installs/OVO-Wroclaw/index.html', 'Philips-OVO-Wroc?aw-Apartments_small.jpg', 'Philips OVO Wroc?aw Apartments', 'OVO Wroc?aw Apartments, Wroc?aw, Poland', 'Project OVO Wroc?aw Apartments is located in Wroc?aw, Poland. Discover lighting design and luminaires types specified in the project.', '2018-04-30'),
(106, 'ZTB001', 0, 94, 'ELBE PHILHARMONIC HALL', 'Hamburg, Germany', 'Zumtobel accentuates the magical atmosphere of the Elbe Philharmonic Hall in Hamburg with a tailored lighting solution that uniquely brings the heart of this spectacular concert hall to life. Zumtobel has referenced the architectural philosophy of combining old and new by working closely with the Swiss architects Herzog & de Meuron and the glass designer Detlef Tanz from Wegberg to carefully craft 1200 hand-blown glass ball luminaires. Paying homage to the nearby River Elbe, the fittings appear like light-filled water bubbles emerging from the undulating acoustic ceiling. The combination of traditional craftsmanship and modern LED technology made the development of this lighting solution a special challenge for Zumtobel. The result is a custom-made luminaire with an especially attractive appearance, which uses a colour temperature of 2700 K to create an emotive atmosphere in the room. The ball fittings are seamlessly dimmable via DMX controls and fully compatible with HDTV, meaning that video recordings made in the concert hall are completely flicker-free.\n\nThe Plaza features a further 870 machine-made plastic ball luminaires. These LED solutions are grouped in diamond shapes and provide pleasant warm-white general illumination. Zumtobel developed another customised luminaire specifically for the foyer and the cloakroom in front of the concert hall. This hybrid product incorporates a hand-crafted fluorescent fitting with an RGB LED module, which can be separately controlled using a DALI interface. Depending on the particular event, this means that the 750 luminaires can be individually adjusted to create poignant effect lighting.\n\nZumtobel has also used a number of established standard luminaires in the Elbe Philharmonic Hall. Track-mounted DIAMO and VIVO spotlights controlled by LITECOM provide general illumination in the Störtebecker restaurant. Furthermore, PANOS infinity guarantees homogenous basic lighting in the hallways and conference rooms of the Westin Hotel.\n\nArchitect: Herzog & de Meuron (CH)\nLighting design: Ulrike Brandi Licht, Hamburg (DE)', 'https://www.zumtobel.com/com-en/art_and_culture.html', 'Zumtobel-ELBE-PHILHARMONIC-HALL_small.jpg', 'Zumtobel ELBE PHILHARMONIC HALL', 'ELBE PHILHARMONIC HALL, Hamburg, Germany', 'Project ELBE PHILHARMONIC HALL is located in Hamburg, Germany. Discover lighting design and luminaires types specified in the project.', '2018-05-01'),
(107, 'ZTB002', 0, 94, 'Faculty of Civil Engineering', 'Faculty of Civil Engineering on the Josip Juraj Strossmayer University campus in Osijek, Croatia', 'Zumtobel has implemented a comprehensive lighting solution throughout the new Faculty of Civil Engineering at a university in the Croation city of Osijek. The architect Dinko Pera?i? has enjoyed a long and successful partnership with Zumtobel, so he knew straight away that the Austrian lighting specialists could offer the essential skills and experience for this fascinating project - in which light was to play such a key role - along with customised solutions for areas with special requirements.\n\nThe new Faculty of Civil Engineering on the Josip Juraj Strossmayer University campus in Osijek, Croatia, is on the way to becoming a centre of engineering excellence. Architect Dinko Pera?i? called on the knowledge and expertise of Zumtobel to help realise the lighting concept for the building that encompasses around 10,000 square metres of usable space – a construction that symbolises the rich potential of the built environment. The lighting solutions specified in the many different areas and rooms optimise the effect of the architecture itself, while also maximising visual comfort for students and employees and meeting stringent demands in terms of energy efficiency.\nInitial situation and special requirements\nFrom the very outset, Dinko Pera?i? was convinced that light needed to play a central role in this project. “With other university buildings closely flanking the project on both sides, the biggest challenge was deciding how to bring enough daylight into the new building to create real places of encounter. The artificial light primarily had the task to extend the fundamental spatial quality into the evening and night. The plan was to make the rooms as open and light as possible, with evening visitors guaranteed the same pleasant atmosphere as those using the space during the day. In addition, the building is characterised by different areas that each offer their own distinct ambience. This includes everything from bright classrooms and lecture halls, where luminaires with 360-degree light uniformly illuminate the entire room, to lively entrance areas and even an archaeological site, which is integrated in the foundations of the building. Light interacts with the various spatial geometries and emphasises their unique character. Only with the right light can individuals truly experience the architecture of the building.”\n\nThe number of students attending the Faculty of Civil Engineering at the Josip Juraj Strossmayer University has grown steadily since 1976. For many years the department was dispersed throughout Osijek in a series of different buildings. The completion of the new Faculty of Civil Engineering in spring 2016 has finally established a single fixed location on the university campus, creating the ideal conditions for the academic institution to achieve its goal of becoming the leading higher education centre for construction in Eastern Croatia. The invitation to tender, which was financed using public funds, was first issued in 2006. Zumtobel has been involved with the design and realisation of the lighting solution since 2010.\n\nA building with many aspects requires a varied lighting solution\nIn addition to optimising the energy footprint of the project by introducing measures such as daylight integration, the lighting solution was subject to a number of important stipulations. The high room heights demanded an intelligent solution to fuse adequate light with excellent glare control, while there was also a clear preference for luminaires with a subtle design – in other words, luminaires that use their lit effect to focus attention on the way the space is presented. The client was impressed with the way Zumtobel could draw from a broad product portfolio to provide almost all of the indoor and outdoor functional lighting, including the emergency lighting, while the ability to offer comprehensive service also favoured the Austrian company. Zumtobel was even able to engineer customised mounting solutions for the special ceiling constructions and could call on its Thorn sister brand to realise the exterior lighting installation.\n\nHigh efficiency for high rooms\nIn the entrance area it was necessary to generate a welcoming atmosphere and to simplify orientation for people entering the expansive building. The slim TUBILUX tube luminaire with its 90mm diameter proved the ideal option. Even with ceiling heights of almost 16 metres, the 360-degree circular distribution produces ample light and allows for the uniform illumination of walls and floors.\n\nThe height of the rooms also played a decisive role in the specification of the lighting for the 94 classrooms and offices. The luminaires, mounted on ceilings with heights of between 4 and 8 metres, had to deliver enough light for the various different visual tasks undertaken by both students and staff. In addition, they needed to simultaneously demonstrate outstanding glare control and contribute to a pleasant atmosphere that is intended to promote learning and concentration.\n\nAn MPO+ micro-pyramidal optic and perforated side reflector helped the ECOOS fitting catch the eye of the client. The pendant luminaire blends an attractive design with excellent lighting performance, producing 360-degree light from a single light source. Direct, indirect and lateral light components ensure glare-free light at the workplace and at the same time deliver strong vertical illumination. This combination enhances visual comfort and supports careful working, while bright ceilings and walls pave the way for a pleasant atmosphere. Continuous rows of ECOOS draw straight lines through the classrooms of the new university building, accentuating the special geometry of the learning spaces.\n\nThe addition of LUXMATE DIMLITE further improves the overall energy performance. The basic version of this lighting management system integrates available light and enables daylight-dependent control in each of the 94 classrooms and offices. Artificial light is added where necessary to achieve the desired light intensity. LITECOM is combined with the modular SEQUENCE adjustable office luminaire in certain conference rooms to offer lighting scenarios tailored to suit particular tasks and situations.\n\nThe entire building is equipped with the ONLITE RESCLITE safety luminaire. Excellent efficiency and an optimal light distribution mean that relatively few products were required to meet the relevant standards for safety lighting. The emergency lighting solution is carefully monitored by an ONLITE SB controller, which removes the need for individual checks by automatically reporting issues or problems on a central system.\n\nOne contact for a comprehensive range of services\nAlongside the indoor areas, the addition of LED exterior lighting was a decisive factor in the success of the project. As a member of the Zumtobel Group, Zumtobel was able to utilise the know-how of its sister brand, Thorn. The simple and yet elegant URBA LED street lighting lantern perfectly complements the overall architectural concept of architects Dinko Pera?i? and Roman Šilje, who were both responsible for the outdoor space. Integrated controls help keep energy consumption and maintenance costs to an absolute minimum.\n\nThe architects and developers of the new Faculty of Civil Engineering in Osijek were won over by the quality, functionality and aesthetic design of the luminaires – an effective combination that has come to exemplify the Zumtobel portfolio. At the same time, the lighting solution also fulfils its most important objective by providing students and employees with high-quality, glare-free light.\n\nAn overview of all the Zumtobel luminaires used in the project:\n\nClassrooms and offices: ECOOS, PERLUCE, TECTON, SLOTHLIGHT 2, ELEEA, SEQUENCE\nCorridors and entrance areas: SLOTLIGHT 2, TUBILUX, TROIKA, CONTRAST\nSafety lighting: ONLITE RESCLITE with SB Controller, ONLITE CROSSIGN\nLighting management: LUXMATE DIMLITE, LITECOM', 'https://www.zumtobel.com/media/downloads/2017_08_03_PR_Z_Fakultaet_Osijek_EN.pdf', 'Zumtobel-Civil-Engineering-Faculty-Osijek_small.jpg', 'Zumtobel Faculty of Civil Engineering', 'Faculty of Civil Engineering on the Josip Juraj Strossmayer University campus in Osijek, Croatia', 'Project Faculty of Civil Engineering on the Josip Juraj Strossmayer University campus is located in Osijek, Croatia. Discover lighting design and luminaires types specified in the project.', '2018-05-01'),
(108, 'REG001', 0, 95, 'GASTRO BOUTIQUE BALFEGÒ', 'Barcelona, Spain', 'Balfegó is a gastronomic space designed to spread the culture of tuna. Its lighting concept seeks the immersion of the diner in an idyllic maritime environment.\n\nAlong with the interior designers and chefs, the goal was to create different immersion levels accompanied by a dim dynamic light that resembled the sun filtered by water in order to enhance the gastronomic experience. The main hall functions as a restaurant, where the dynamic light receives the guests and invites them to learn more about the Bluefin. With fish swimming in space, and waves surrounding the scene, everyone is welcome to an immersive world.\n\nThe total immersion of the guest into the maritime world was achieved through the dynamic light concept of the main hall. This displays a central piece: the “school of fish”, composed of 88 units of customized LED spots with warm filters (2700K), placed down the central room, illuminating more than a hundred acrylic fish hanging from the ceiling, forming a circle. Also, these luminaries mark the atmosphere throughout the room, with another 60 led spots on the curtains and bars (3000K), creating a wave effect and controlled by DMX programming to simulate the sea movement. The blue curtains surrounding it, resemble fishnets and have a wave shape, which interacts within the ambiance to get the diner to sit down, relax and start their gastronomic journey. The main tables and bar are illuminated by thin pendant cylinders hanging suggesting the edge of the boats with 2W warm LED spot lights.\n\nThrough the different levels of immersion, the guest embarks on a thematic, didactic and special journey.\n\nProject Gastro Boutique Balfegò\nYear of completion : 2017\nPlace: Barcelona, Spain\nLighting designer: artec3\nArchitect: El Equipo Creativo\nPhotography: ©Adrià Goula', 'http://www.reggiani.net/en/projects/balfego/', 'Reggiani-GASTRO-BOUTIQUE-BALFEGÒ_small.jpg', 'Reggiani GASTRO BOUTIQUE BALFEGÒ', 'GASTRO BOUTIQUE BALFEGÒ, Barcelona, Spain', 'Project GASTRO BOUTIQUE BALFEG is located in Barcelona, Spain. Discover lighting design and luminaires types specified in the project.', '2018-05-02'),
(109, 'REG002', 0, 95, 'THAMES TOWER', 'Reading, UK', 'Reggiani UK, working hard to support London and Oslo-based lighting design and consulting studio, Light Bureau, have provided the perfect lighting solution for the dramatic new reception area in the Thames Tower refurbishment project in Reading, Berks.  Consideration had to be given to aesthetics, energy-efficiency, efficacy, a potential BREEAM rating and lifecycle costs to deliver a stunning yet cost-effective solution to the client.  Reggiani’s YORI downlights were the ideal choice for the extensive new reception space that leads out onto the busy concourse at Reading Railway Station.\n\nThames Tower was a 1970’s derelict office building. The developer, a joint venture between Landid and Brockton Capital, added 4 additional floors to the 10-storey building, dramatically improving the aspect ratio.  On the ground floor a grand, double-height reception has been created by removing the original first floor and introducing new retail spaces to add to the already vibrant offering of Reading Town Centre.  The atrium itself is accessed through impressive 3-metre high revolving glass doors and shares part of the ground floor area with a restaurant and café. The building has been designed to provide everything that is needed for the modern-day tenant.\n\nReggiani’s YORI fittings with a 13W LED light source and 16 degree beam angle have been utilised for the project and a black finish chosen,  mounted on suspended track.  Mini YORI fittings in a white finish with 10W light source and a 48 degree beam angle were also incorporated into the scheme on recessed track.  As always, the YORI range has provided a high performance, energy-efficient scheme that ensures a flexible and versatile lighting solution.\n\nArve Olsen, Director of Light Bureau Ltd, commented: “The sleek and modern design of Reggiani’s YORI range combined with a wide range of optical accessories makes the range a uniquely flexible tool of light for a variety of applications. With its honeycomb louvre, high output light source and narrow beam angle, the YORI spotlight works perfectly in the tall reception space. The luminaires contribute in creating a dramatic and memorable arrival experience at Thames Tower”.\n\nThe drama of the building unfolds as soon as you enter through its revolving doors into the light-filled reception, setting the scene for the inspirational space in the building’s interior.\n\nJames Silver, Development Director at Landid, stated: “We are incredibly proud to have completed Thames Tower.  We have created a workspace that is like no other in Reading, offering a stylish and contemporary office environment with amenities that are second to none”.\n\n\n\n\nTHAMES TOWER\n    \nphotos of project (high definition)  \nphotos of project (low definition)  \nContact us\nProject Thames Tower\nYear of completion : 2017\nPlace: Reading, UK\nLighting designer: Light Bureau Ltd - Lighting Consultant: Arve Olsen, Director and Designer\nArchitect: dn-a architects\nOther contributions: Redevelopment Project Owner: Landid and Brockton Capital (Joint Venture developers)\nPhotography: Jack Hobhouse', 'http://www.reggiani.net/en/projects/thames-tower/', 'Reggiani-THAMES-TOWER_small.jpg', 'Reggiani THAMES TOWER', 'THAMES TOWER, Reading, UK', 'Project THAMES TOWER is located in Reading, UK. Discover lighting design and luminaires types specified in the project.', '2018-05-02');
INSERT INTO `project_gallery` (`pr_gallery_id`, `sku`, `active`, `manufacturer`, `title`, `subtitle`, `description`, `url`, `thumbnail`, `thumbnail_alt`, `tag_title`, `tag_description`, `dt`) VALUES
(110, 'BZI001', 0, 96, 'AB: IL LUSSO DELLA SEMPLICITÀ', 'Milan, Italy', 'THE NEW  RESTAURANT OF ALESSANDRO BORGHESE\n\nBuzzi & Buzzi gives a warm and cosy atmosphere to “AB: il lusso della semplicità”, the new 1920s restaurant of the famous chef Alessandro Borghese, designed by the studio of architects Alfredo Canelli and Giovanni Antonelli of Well Made Factory. In Milan, in Viale Belisario, in a historic building, a new restaurant dedicated to living and eating well has opened: a place where sharing and culinary experience combine perfectly thanks to the sparkling personality of the chef.     \n\nFrom the entrance of the restaurant, the incredible expertise of the company gives the location an elegant light effect: BUZZZ and EGGY will guide you through the stairs and the wide hallway, revealing the incredible location of the new food kingdom. Both the lighting solutions, installed on the ceiling of the entire restaurant irregularly, but at the same time designed to give a uniform light to the space, are the real protagonists: BUZZZ illuminates the restaurant area from the anthracite floor to the green and brass and the gold ceiling and dividing panels which prevail. The same lighting has been used for the lounge bar, which has been decorated with small trunk-shaped tables, red velvet poufs and nut-brown leather seats.\n\nInstead, EGGY and FUNNEL LAMP enhance the piano bar and the work of the expert barman, and illuminate the meetings and private events room. BUZZZ, perfect for this project because it is a totally recessed hexagonal indoor luminaire made of AirCoral® with rear frosted glass and asymmetric light beam, installable on plasterboard or brick ceilings.\n\nEGGY, is a totally recessed luminaire made of AirCoral® with egg-shaped light emission hole and rear light source, installable on plasterboard or brick ceilings. Two exclusive and refined products which add value to different locations and create unique light atmospheres.\n\nAnother important luminaire in the restaurant is FUNNEL: installed in a row of four, FUNNEL is a pendant luminaire with an adjustable silicone cable which gives an extra touch to the important bar characterized by emerald green tiles. An optical white funnel with an elegant clean design made of AirCoral®, an innovative material customizable with coloured finishes, available in the single version with recessed housing or with a steel, white-painted soft touch case, or even with three pendant lamps installed in a single case.\n\nThe luminaires of Buzzi & Buzzi light up the restrooms too, characterized by a sophisticated three-dimensional boiserie: X1, a luminaire of the special line Iron, is installable on ceilings with adjustable projector and interchangeable lens and it is placed in the bathrooms in the black finishing version (available in white too). It is a high-performance projector realized with a clean-cut design to obtain a minimal visual impact, provided by an adjustable arm which can be angled up to 360° both horizontally and vertically, and installable on ceilings, walls or rail.\n\nInstead, the adjustable light of TAURUS is installed in the wc: a single, double or triple recessed lighting installable on plasterboard ceilings or walls, with a recessed\n\nbody made of Coral® and an extraible projector, which highlights spaces and details with a precise beam of light. Lastly, the single installation of the linear and clean PIPEDINO OPEN, a bi-emission surface luminaire made of AirCoral®, which warms up the atmosphere with its diffused, symmetrical and regular light.\n\nThe lighting project by Buzzi & Buzzi successfully enhances the already bright ambience of the restaurant: the precious and refined gold ceiling is made even warmer and brighter thanks to the light effect created company’s products. As always, skillful work is the basis of these experts in the lighting world.', 'http://www.buzzi-buzzi.it/en/reference/public/67/alessandro-borghese-il-lusso-della-semplicita-milan', 'Buzzi-Buzzi-AB-IL-LUSSO-DELLA-SEMPLICITÀ_small.jpg', 'BUZZI & BUZZI AB: IL LUSSO DELLA SEMPLICITÀ', 'AB: IL LUSSO DELLA SEMPLICITÀ, Milan, Italy', 'Project AB: IL LUSSO DELLA SEMPLICITÀ is located in Milan, Italy. Discover lighting design and luminaires types specified in the project.', '2018-05-03'),
(111, 'SAT001', 0, 97, 'INFINITY', 'Amsterdam, the Netherlands', 'The INFINITY Business Center is one of Amsterdam’s most spectacular buildings, located directly on the city’s beltway and built on 16 pillars. It is transparent, innovative, eco-friendly and welcoming. Its extraordinary architecture featuring a double facade for natural ventilation, plenty of daylight, energy-efficient technology and, last, but not least, a fantastic view over Amsterdam equally fascinate visitors and onlookers.\n\nSoft-Delta luminaires by SATTLER accentuate the foyer. The integrated acoustic membrane improves the room acoustics and also reduces the reverberant sound.\n\nArchitect: MVSA – Architects, Client: Dutch Light Pro – Ridderkerk,\nDelivered by: Unique Brands b.v. – Alblasserdam\nFotos: Nathalie Peters\n \n\nProductinfo: SOFT DELTA', 'http://www.sattler-lighting.com/en/object/infinity-amsterdam/', 'Sattler-INFINITY_small.jpg', 'Sattler INFINITY', 'INFINITY, Amsterdam, the Netherlands', 'Project INFINITY is located in Amsterdam, the Netherlands. Discover lighting design and luminaires types specified in the project.', '2018-05-03'),
(112, 'LOU001', 0, 98, 'Tirpitz Museum', 'Varde, Denmark', 'In the protected dune landscape along the Danish west coast, the architects Bjarke Ingels Group (BIG) have created a spectacular yet almost completely hidden museum. Louis Poulsen was in charge of the lighting plan, and designed a customised fixture for the project.\n\nFrom the outset, light played a key role in designing the 2,800-square-metre exhibition space, which with its large open glass sections stands in strong contrast to the gloomy bunker behind.\n\nLouis Poulsen developed a lighting plan for the project as well as a new pendant. The pure, conical shape effectively directs the light downwards, and ensures that the pendant illuminates the space and the exhibits without disturbing the dramatic effect of the exhibitions.\n\nThe Tirpitz museum is situated near Varde in west Jutland, and takes visitors on a journey through a treasure trove of stories from the area – tales about lost ships, dangerous smugglers and clandestine love affairs during the Second World War. The museum is built into a sand ramp that leads up to the bunker – i.e it is man-made. Thus, it was possible to bring together three museums in a single building and create a spectacular cultural institution in the otherwise totally protected area.\n\n“In addition to the functional and technical requirements, we wanted to create a fixture which harmonises with the museum’s simple design idiom and execution in pure materials such as concrete, glass and steel. Everything is stripped down to the basics with absolutely no decoration – and this also needed to apply to the lamp. Therefore, we developed an LED fixture in a tight conical shape in galvanised zinc, which is perfectly suited to a building where nothing is painted, and everything is raw and naked and honest,”\n\nOle Elkjær-Larsen, an architect at BIG and project manager for the Tirpitz project.\n\nArchitect: BIG – Bjarke Ingels Group \nLighting designer: BIG IDEAS – Bjarke Ingels Group & Louis Poulsen. \nEngineer: Ingeniørgruppen Syd. \nInstaller: TeknikGruppen, Erichsen & Søn \nPhotographer: Jesper Ray', 'https://www.louispoulsen.com/int/professionals/theme/indoor/tirpitz/', 'Louis-Poulsen-Tirpitz-Museum_small.jpg', 'Louis Poulsen Tirpitz Museum', 'Tirpitz Museum, Varde, Denmark', 'Project Tirpitz Museum is located in Varde, Denmark. Discover lighting design and luminaires types specified in the project.', '2018-05-10'),
(113, 'LOU002', 0, 98, 'The Qvest', 'Cologne, Germany', 'The former city archive in Cologne is now home to The Qvest– a spectacular design hotel located in a NeoGothic building designed by Friedrich Carl Heimann – where modern art and design of an exceptionally high standard provides a stark contrast.\n\nThe hotel is owned by art collector Michael Kaune, who runs the German Qvest Magazine. His impressive collection of photographs, modern art and furniture by such designers as Arne Jacobsen, Mies van der Rohe and Verner Panton provides a consistent design theme throughout the hotel, adding to its unique atmosphere.\n\nStep inside the design hotel where all 34 rooms are individually furnished and where Louis Poulsen’s new and classic light fixtures mingle with the carefully selected pieces of vintage furniture.\n\nPhotographer: Constantin Meyer\n\nProducts: Yuh Table Panthella Floor NJP Floor AJ Wall PH Artichoke AJ Table Yuh Floor VL38 Table PH 5 Mini Panthella Mini Table VL45 Radiohus Pendant LP Cité AJ Floor Doo-Wop Ripls NJP Wall', 'https://www.louispoulsen.com/int/professionals/theme/indoor/contemporary-hospitality/', 'Louis-Poulsen-The-Qvest_small.jpg', 'Louis Poulsen The Qvest', 'The Qvest, Cologne, Germany', 'Project The Qvest is located in Cologne, Germany. Discover lighting design and luminaires types specified in the project.', '2018-05-10'),
(114, 'WMN001', 0, 99, 'Bayer Consumer Care AG', 'Basel, Switzerland', 'Bayer Consumer Care AG is a global player. Bayer is, in fact, a life science corporation with a history of more than 150 years and core competencies in the sectors of health and agriculture. The mission statement of this company that employs 115,000 people in 78 countries runs as follows: Bayer: Science For A Better Life.\n\nA growing and ageing world population demands adequate nutrition and ever better medical care. Due to this fact, Bayer concentrates on improving the quality of life of people through the prevention, alleviation and healing of diseases. Bayer AG also makes an important contribution to the reliable supply of high-quality foodstuffs and animal feed as well as plant-based raw materials.\n\nIn the office buildings in Basel, Bayer AG entrusts Waldmann with its selection of luminaires. As a result, several luminaires will be entering service with immediate effect in the new office premises of Bayer. LAVIGO VTL luminaires from Waldmann have been installed to ensure that there is no lack of natural light for the staff in the interior. The VTL lighting control system developed by the \"Engineer of Light\" brings the dynamic of the natural daylight and its positive effect directly to each office workstation. The VIVAA suspended luminaire knows how to carry conviction with its optimum light conditions. It blends harmoniously into each ambience. Its seamless design in stainless steel bathes rooms in a pleasant, bright light. The Suspended Luminaire IDOO.line is also used by Bayer. The IDOO.line scores especially with high glare protection.\n\nLighting solution: Free-Standing Luminaire LAVIGO VTL, Suspended Luminaire LAVIGO, Suspended Luminaire IDOO.line, Suspended Luminaire VIVAA\n\nImages:\n© Bayer Basel', 'https://www.waldmann.com/home/office/references/bayer~ff80818162663dfa01629045e6134f94.en.html?highlight=true', 'Waldmann-Bayer_small.jpg', 'Waldmann Bayer Consumer Care AG', 'Bayer Consumer Care AG, Basel, Switzerland', 'Project Bayer Consumer Care AG is located in Basel, Switzerland. Discover lighting design and luminaires types specified in the project.', '2018-05-10'),
(115, 'WMN002', 0, 99, 'Pressehaus Stuttgart', 'Stuttgart, Germany', 'Südwestdeutsche Medienholding (SWMH), a company based in Stuttgart that began life as Stuttgarter Zeitungsverlag [Stuttgart Newspaper Publishers] founded back in 1908, has grown in the course of more than one century of company history from a regional newspaper business into a diversified media corporation. Today, SWMH is one of the most significant media groups in Germany and it offers a broad and diversified network of high-quality published products. As well as newspapers that constitute the core business of the Group, the SWMH portfolio also includes numerous technical journals and promotional publications. In addition, the Group houses printing businesses, postal and logistics companies as well as several companies with activities peripheral to the publishing business. Various radio holdings and a TV production company round off the media offering. At the Stuttgart location, with its core brands \'Stuttgarter Zeitung\' and \'Stuttgarter Nachrichten\', the various companies within the Group employ approximately 1000 people.\n\n\n\nIn the newly designed newsroom of the Stuttgarter Zeitung and the Stuttgarter Nachrichten, the architecture of the building requires particularly good lighting to be provided. Therefore a decision was taken in favour of the LAVIGO VTL DPS 480/P, which proved very quick and easy to install. The light colour and brightness of the LED standard luminaires are adapted to suit the prevailing time of day. For this purpose, the light colour and intensity of the light generated indirectly by the luminaire vary between 6,500 Kelvin of light, similar to natural daylight, in the morning to awaken the body and all the senses and warm white light of 3000 Kelvin for a cosy atmosphere in the afternoon or indeed in the evening. This process comes closest to that of natural light and positively influences not only the hormone production but also the bio-rhythm of the staff. Manifestly, everyone benefits from this biodynamic form of lighting.\n\nArchitect: Pfeiffer, Ellermann, Preckel, Lüdinghausen (2002)\n\nLighting solution: Free-Standing Luminaire VTL\n\nImages: © Daniel Vieser, Karlsruhe', 'https://www.waldmann.com/home/office/references/pressehaus_stuttgart~ff80818158521c600159f9f05d5804e2.en.html?highlight=true', 'Waldmann-Pressehaus-Stuttgart_small.jpg', 'Waldmann Pressehaus Stuttgart', 'Pressehaus Stuttgart, Stuttgart, Germany', 'Project Pressehaus Stuttgart is located in Stuttgart, Germany. Discover lighting design and luminaires types specified in the project.', '2018-05-10'),
(117, 'SSSU', 1, 0, 'title', 'subtitle', 'some descriptuon 234234', 'some url', 'thumbnail', 'alter text', 'title tag', 'descsription', '2018-07-23'),
(119, 'SSSU1', 1, 0, 'title_Q', 'subtitle-Q', 'DESxr', 'www.gag.com', '', '', 'title', 'descrpTag', '2022-07-23'),
(121, 'USSSR', 1, 0, 'title-P', 'subtitle-P', 'asdasasdasdasdasd', 'www.jika.com', '', '', 'asd', 'fg', '2018-07-25');

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